CTG’s TOP READS 2015: CRIME

It’s that time of year again when everyone starts issuing their best books of the year lists, and I’m going to add my two-pennyworth through two ‘top reads’ lists – one for crime novels and one for thrillers.

Today is crime day, and I’ve picked my favourite books from the many fantastic crime novels I’ve read over the course of the year. It’s been hard, but I’ve managed to whittle the list down to my ten favourites.

So here they are, told in no particular order – quite frankly, it’s been difficult enough to get to ten, let alone rank them!

 

THE SILENT ROOM by Mari Hannah

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“One Fugitive. A deadly conspiracy. No rules. A security van sets off for Durham prison, a disgraced Special Branch officer in the back. It never arrives. En route it is hijacked by armed men, the prisoner sprung. Suspended from duty on suspicion of aiding and abetting the audacious escape of his former boss, Detective Sergeant Matthew Ryan is locked out of the manhunt. Desperate to preserve his career and prove his innocence, he backs off. But when the official investigation falls apart, under surveillance and with his life in danger, Ryan goes dark, enlisting others in his quest to discover the truth. When the trail leads to the suspicious death of a Norwegian national, Ryan uncovers an international conspiracy that has claimed the lives of many.”

This standalone crime novel from Mari Hannah has a great cast of characters and I was quickly drawn into their world through the narrative. DS Matthew Ryan is a highly compelling character – he’s determined, driven and, as events take a tragic twist, uses his moment of vulnerability and personal grief as fuel to continue his investigation. The combination of Ryan and O’Neil (from Professional Standards), both looking for answers but coming from different sides of the investigative coin, makes for a great dynamic and the scenes they share have a real zing of electricity.

Gritty, authentic and utterly engrossing, The Silent Room is a real seat-of-your-pants read from the dramatic opening through to the explosive ending.

To find out more about Mari Hannah and her books hop over to her website here and follow her on Twitter @mariwriter

 

 

THE DOMINO KILLER by Neil White

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“When a man is found beaten to death in a local Manchester park, Detective Constable Sam Parker is one of the investigating officers. Sam swiftly identifies the victim, but what at first looks like an open-and-shut case quickly starts to unravel when he realises that the victim’s fingerprints were found on a knife at another crime scene, a month earlier. Meanwhile, Sam’s brother, Joe – a criminal defence lawyer in the city – comes face to face with a man whose very presence sends shockwaves through his life. Joe must confront the demons of his past as he struggles to come to terms with the darkness that this man represents. Before long, Joe and Sam are in way over their heads, both sucked into a terrifying game of cat-and-mouse that threatens to change their lives for ever …”

THE DOMINO KILLER is the third instalment of Neil White’s Parker brothers series and it fully delivers on pulse-pounding tension, twists, and page-turning action with the perfect balance between procedural detail and high intensity action. There’s a real immediacy to the writing and a chilling sense of jeopardy right from the outset that carries all the way through the book to the show-stopping finale. As the story develops, and the brothers’ cases become increasingly intertwined, the tension rises ever higher – making this one of those books that has you reading well into the early hours, desperate for sleep but unable to resist reading just one more chapter.

But this book isn’t just about the action. There’s a real emotion kick too, delivered as the brothers get closer to identifying the man who was responsible for their sister’s murder back when they were teenagers. As the stakes ramp up, they are forced to decide just how far they’re willing to go in order to get justice – putting their careers, their friendships, their families, and their lives on the line. Utterly authentic and captivatingly compelling, this story grabs you by the throat and keeps you pinned right from the first page to the last.

To find out more about Neil White check out his website at www.neilwhite.net and follow him on Twitter @neilwhite1965

 

HEARTBREAKER by Tania Carver

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“After years of abuse, Gemma Adderley has finally found the courage to leave her violent husband. She has taken one debilitating beating too many, endured one esteem-destroying insult too much. Taking her seven-year-old daughter Carly, she leaves the house, determined to salvage what she can of her life. She phones Safe Harbour, a women’s refuge, and they tell her which street corner to wait on and what the car that will pick her up will look like. They tell her the word the driver will use so she know it’s safe to get in. And that’s the last they hear from her. Gemma Adderley’s daughter Carly is found wandering the city streets on her own the next day. Her mother’s mutilated corpse turns up by the canal several weeks later. Her heart has been removed. Detective Inspector Phil Brennan takes on the case, and his wife, psychologist Marina Esposito, is brought in to try and help unlock Carly’s memories of what happened that day. The race is on to solve the case before the Heartbreaker strikes again …”

HEARTBREAKER is the seventh book in the Brennan & Esposito series by Tania Carver. As you’d expect it has a fabulously twisty turny plot, a disturbing set of crimes at its core, and a tough emotional struggle for the two lead characters that threatens to destroy both their careers and their life together. What I found especially chilling in this book is the way the killer selects their victims – targeting vulnerable women who have made the decision to seek refuge. Somehow the killer is gaining access to confidential information in real time, and until they are caught every woman seeking sanctuary is a potential victim. Through the storyline, the book looks at domestic violence through the eyes of the perpetrators, the victims, and those working to help the victims, and it doesn’t hold back from showing a violent and brutal truth.

Gritty and compelling HEARTBREAKER is a tense and suspenseful page-turner of a read.

You can find out more about Tania Carver (aka crime writer Martyn Waites’ alter ego) over on www.martynwaites.com and follow Martyn on Twitter @MartynWaites

 

THE DEFENCE by Steve Cavanagh

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“Eddie Flynn used to be a con artist. Then he became a lawyer. Turned out the two weren’t that different. It’s been over a year since Eddie Flynn vowed never to set foot in a courtroom again. But now he doesn’t have a choice. Olek Volchek, the infamous head of the Russian mafia in New York, has strapped a bomb to Eddie’s back and kidnapped his ten-year-old daughter, Amy. Eddie only has forty-eight hours to defend Volchek in an impossible murder trial – and win – if he wants to save his daughter. Under the scrutiny of the media and the FBI, Eddie must use his razor-sharp wit and every con-artist trick in the book to defend his ‘client’ and ensure Amy’s safety. With the timer on his back ticking away, can Eddie convince the jury of the impossible? Lose this case and he loses everything.”

THE DEFENCE is a fabulous legal thriller. Eddie Flynn – con artist turned lawyer – is haunted by the last case he took to trial. He’s turned his back on the legal profession, taken up drinking and become estranged from his wife and child. Things seem pretty bad, but as the reader discovers from the very start of The Defence, things are about to get much, much worse for Eddie Flynn.

With his daughter abducted, and a bomb strapped to his own body, Eddie is forced to represent Olek Volchek – a man he has no doubt is guilty of murder. In order to buy enough time to figure a way out of the terrifying situation he’s in, Eddie has to draw on all his skills – both legal and criminal – and his friends on both sides of the law, as he gambles against increasingly higher risks in his attempt to get his daughter safe. Smart, courageous and driven by the need to protect his young daughter, Eddie makes for a dynamic character – and someone you can really root for. This rapid-paced, page turner of a legal thriller has bucket-loads of action and piles of sky-soaring tension.

To find out more about Steve Cavanagh hop over to his website at www.stevecavanaghbooks.com and follow him on Twitter @SSCav

 

BLACK WOOD by SJI Holliday

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“Something happened to Claire and Jo in Black Wood: something that left Claire paralysed and Jo with deep mental scars. But with Claire suffering memory loss and no evidence to be found, nobody believes Jo’s story.

Twenty-three years later, a familiar face walks into the bookshop where Jo works, dredging up painful memories and rekindling her desire for vengeance. And at the same time, Sergeant Davie Gray is investigating a balaclava-clad man who is attacking women on a disused railway, shocking the sleepy village of Banktoun.

But what is the connection between Jo’s visitor and the masked man? To catch the assailant, and to give Jo her long-awaited justice, Gray must unravel a tangled web of past secrets, broken friendship and tainted love. But can he crack the case before Jo finds herself with blood on her hands?”

Banktoun might at first appear to be a small, quaint village with a low crime rate that leaves Sergeant Davie Gray wishing for a bit more police work, but scratch the surface and the secrets simmering just below the surface soon start to threaten the uneasy peace. When a spate of attacks by a balaclava wearing man jolt the villagers from their usual calm, tensions start to rise and after a visitor from the past makes an appearance at the local bookstore where Jo works it’s not long before she begins to unravel. With the flood of memories and questions arising from that fateful day in the woods over twenty years ago threatening to overwhelm her, Jo decides to try and uncover what really happened all those years ago to her and Claire.

Jo is an unpredictable, and at times unreliable, narrator who makes for an interesting and flawed heroine. Sergeant Davie Gray is an altogether more solid and reliable narrator, and as such is the perfect counterbalance to Jo. From the small village location, to the cast of engaging and interesting characters, many of whom seemed to be hiding something, I found BLACK WOOD a really ‘moreish’ read. I loved the twists and turns, and – although I’m usually pretty good at figuring out who did it – this book had me guessing to the end. It also features some pretty creepy masks!

Find out more about debut author SJI Holliday over on her blog at www.sjihollidayblog.wordpress.com and follow her on Twitter @SJIHolliday

 

SNOWBLIND by Ragnar Jónasson

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“Siglufjörđur: an idyllically quiet fishing village in Northern Iceland, where no one locks their doors – accessible only via a small mountain tunnel. Ari Thór Arason: a rookie policeman on his first posting, far from his girlfriend in Reykjavik – with a past that he’s unable to leave behind. When a young woman is found lying half-naked in the snow, bleeding and unconscious, and a highly esteemed, elderly writer falls to his death in the local theatre, Ari is dragged straight into the heart of a community where he can trust no one, and secrets and lies are a way of life. An avalanche and unremitting snowstorms close the mountain pass, and the 24-hour darkness threatens to push Ari over the edge, as curtains begin to twitch, and his investigation becomes increasingly complex, chilling and personal. Past plays tag with the present and the claustrophobic tension mounts, while Ari is thrust ever deeper into his own darkness – blinded by the snow, and with a killer on the loose.”

Ari Thór Arason relocates to the remote costal village of Siglufjörđur to take up his first job in the police. He’s thorough and tenacious, keen to learn and enthusiastic to do a good job in a community where no one locks their doors and the crime rate is virtually zero – until now. When the seemingly accidental death of an elderly writer is followed by what seems to be a vicious attack on a young woman the community is thrown into chaos – is a killer among them? And how, in a place where everyone knows everyone’s business, can there be no witnesses? Determined to get to the truth, Ari presses for answers, and as he does Siglufjörđur is covered in ever deepening snow – becoming cut off from the rest of the country and trapping the inhabitants together. As darkness descends, and Ari takes increasing risks to lure out the killer, the claustrophobic suspense ramps up to the max.

Snowblind uses its stunningly beautiful yet brutally remote setting to create a chilling, atmospheric locked room mystery. It’s a fantastic read with great writing, engaging characters and an expertly crafted plot filled with twists, turns and slight of hand. Ragnar Jónasson is an outstanding new voice in Nordic Noir, and Snowblind is the first in what promises to be a fabulous new series.

To find out more about Snowblind and Ragnar Jónasson visit www.orendabooks.co.uk/book/snow-blind. You can follow Ragnar on Twitter @ragnarjo and translator Quentin Bates @graskeggur

 

BLOODSTREAM by Luca Veste

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“Social media stars Chloe Morrison and Joe Hooper seem to have it all – until their bodies are found following an anonymous phone call to their high-profile agent. Tied and bound to chairs facing each other, their violent deaths cause a media scrum to descend on Liverpool, with DI David Murphy and DS Laura Rossi assigned to the case.

Murphy is dismissive, but the media pressure intensified when another couple is found in the same manner as the first. Only this time the killer has left a message. A link to a private video on the internet, and the words ‘Nothing stays secret’. It quickly becomes clear that more people will die; that the killer believes secrets and lies within relationships should have deadly consequences …”

This third book in the Murphy and Rossi series is a real page-turner of a read. The strong sense of place and vivid descriptions bring Liverpool to life, and Murphy and Rossi make for a great crime-solving duo.

The story brings into sharp focus how the media, and social media, feed into and off violent crime, and how the amount of media coverage, and the way individuals are portrayed, is dependent on the perceived value of that person and their death to ratings and circulation figures.

BLOODSTREAM is a dark, gritty and disturbingly sinister police procedural that I found utterly unputdownable.

Learn more about Luca Veste at www.lucaveste.com and follow him on Twitter @lucaveste

 

TELL NO TALES by Eva Dolan

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“The car that ploughs into the bus stop early one morning leaves a trail of death and destruction behind it. DS Ferreira and DI Zigic are called in from the Peterborough Hate Crimes Unit to handle the investigation but with another major case on their hands, one with disturbing Neo-Nazi overtones, they are relieved when there seems to be an obvious suspect. But the case isn’t that simple and with tensions erupting in the town, leading to more violence, the media are soon hounding them for answers.

Ferreira believes that local politician Richard Stotton, head of a recently established ring-wing party, must be involved somehow. Journalists have been quick to acclaim Stotton, with his Brazilian wife and RAF career, as a serious contender for a major political career, despite his extremist views, but is his party a cover for something far more dangerous?”

TELL NO TALES is the second book in the DS Ferreira and DI Zigic series. In it, Ferreira and Zigic are assigned to investigate the hit and run, but what at first seems a fairly straightforward case soon turns out to be far more complex than they’d originally thought. Alongside the hit and run, they’re still struggling to find suspects in a chain of recent murders. The brutal, racially motivated attacks have already claimed two victims, but Zigic’s boss wants the motive for the murders downplayed. The attackers are well prepared and ruthless, beating their victims to death and even playing up to the CCTV cameras they know are filming them. But even with video and forensic evidence, the detectives are no closer to identifying the killers. And things are going to get worse, a lot worse, before they get more leads. With tensions rising, and violence escalating, the two investigations begin to blur, and Ferreira and Zigic find their skills, and their resolve, tested to their very limits.

As in the first book, Ferreira and Zigic make a great duo, with Ferreira’s bold ‘tell it as it is’ attitude perfectly off set by Zigic’s more steady, measured, but no less determined approach. As the investigation progresses they deal with the challenges and try to cope with the shocking brutality of the cases in their own individual ways, but despite their differences, and Ferreira’s reservations about the additional officers assigned to Hate Crimes to support them, they work well together to unravel the complex and interwoven connections that have led to these extreme acts of violence taking place in the town.

A compelling story, beautifully crafted, TELL NO TALES has tension crackling off every page.

To learn more about Eva Dolan hop over to her author page at www.randomhouse.co.uk/authors/eva-dolan and follow her on Twitter @eva_dolan

 

STASI CHILD by David Young

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“East Berlin, 1975: Questions are dangerous. Answers can kill. When murder squad head Oberleutnant Karin Müller is called to investigate a teenage girl’s body found riddled with bullets at the foot of the Berlin Wall, she imagines she’s seen it all before. But when she arrives she realises this is a death like no other: it seems the girl was trying to escape – but from the West.

Müller is a member of the People’s Police, but in East Germany her power only stretches so far. The Stasi want her to discover the identity of the girl, but assure her the case is otherwise closed – and strongly discourage her asking questions. The evidence doesn’t add up, and it soon becomes clear that the crime scene has been staged, the girl’s features mutilated. But this is not a regime that tolerates a curious mind, and Müller doesn’t realise that the trail she’s following will lead her dangerously close to home.

The previous summer, on Rügen Island off the Baltic Coast, two desperate teenage girls conspire to escape the physical and sexual abuse of the young workhouse they call home. Forced to assemble furniture packs for the West, the girls live out a monotonous, painful and hopeless life. Stowing away in the very furniture they are forced to make, the girls arrived in Hamburg. But their celebrations are short-lived as they discover there is a price on freedom in the DDR …”

STASI CHILD is David Young’s debut novel and the first in the Oberleutnant Karin Müller series. Striving for justice whatever the cost is second nature to Müller. She’s a determined, strong and courageous detective, following the evidence and questioning anomalies even when warned off by some very powerful and threatening people. Defying instructions, she leads her team to find the truth hidden beneath the propaganda and cover-ups. But despite her hard-line stance in her job, in her personal life her relationships are imploding and as she juggles the conflict at home with an increasingly tense situation at work, it’s not long before Müller herself could be in danger.

Set in our chillingly authentic recent-past, this pacey page-turner of a police procedural is filled with fear, power struggles and intrigue making it one hell of a debut novel.

To find out more about David Young follow him on Twitter @djy_writer

 

TIME OF DEATH by Mark Billingham

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“The Missing: Two schoolgirls are abducted in the small, dying Warwickshire town of Polesford, driving a knife into the heart of the community where police officer Helen Weeks grew up, and from which she long escaped. But this is a place full of secrets, where dangerous truths lie buried.

The Accused: When it’s splashed all over the press that family man Stephen Bates has been arrested, Helen and her partner Tom Thorne head to the flooded town to support Bates’ wife – an old school friend of Helen’s – who is living under siege with two teenage children and convinced of her husband’s innocence.

The Dead: As residents and media bay for Bates’ blood, a decomposing body is found. The police believe that they have their murderer in custody, but one man believes otherwise. With a girl still missing, Thorne sets himself on a collision course with local police, townsfolk – and a merciless killer.”

TIME OF DEATH, the latest book in Mark Billingham’s Tom Thorne series, takes Tom out of his usual city surroundings on a visit to the countryside for a romantic break with his partner Helen Weeks. But it doesn’t stay a relaxing holiday for long. When Helen recognises the wife of the man accused of the abduction of two schoolgirls from a small Warwickshire community, their holiday is cut short as they head to Polesford for Helen to support her old school friend.

Taking Thorne out of his London comfort zone is genius move. He hates the countryside, especially the thought of antiquing and walking, so he starts his own (unofficial) investigation. This forces him to embrace everything the area has to throw at him – floods, pigs, a lot of characterful locals, and the kind of claustrophobic environment where everyone knows each other’s business. Being the outsider, and not officially involved in the case, he’s able to follow his instincts unchecked, and starts to find he’s actually rather enjoying his holiday. He even manages to entice his friend, and talented Pathologist, Phil Hendricks, out from the city to help him. They still haven’t really spoken about what happened on Bardsey Island (in the previous book The Bones Beneath) and the personal cost to Phil (and Thorne) that resulted, but their friendship is a strong as ever and their banter is, as always, a joy to read.

TIME OF DEATH is filled with mystery and intrigue from the abduction case Tom is investigating, it also layers on a growing sense of unease that coming back to the place she grew up has unearthed some deeply buried secrets that Helen has kept well hidden.

Masterfully written, this is another fabulous instalment in what I think is the best police procedural series around today.

Learn more about Mark Billingham by checking out his website at www.markbillingham.com and follow him on Twitter @MarkBillingham

 

So there they are – my top crime reads of 2015.

Pop back next week to see my top thriller reads of the year.

 

 

 

 

 

Guest Post: Why I Love ‘Jaws’ and ‘Alien’ (Learning storytelling from the masters) by V.M. Giambanco

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Today I’m handing over the reins of the CTG blog to crime writer V.M. Giambanco who’s talking about how she learnt storytelling from the masters …

Telling stories is a dizzying business. When an idea begins to find its legs and pulls the writer into unknown territory with a wink and a shove, it is always possible to see that energy on paper, the sheer joy that went into the construction of that story.

If someone is interested in writing – let alone crime fiction writing, which lives and dies in the layering of action, information and resolution – it is crucial to understand and relish how stories come together.

I have always been intrigued by storytelling and before I wrote ‘The Gift Of Darkness’, the first book in the Alice Madison series, I worked for many years in film editing and was involved in all kinds of projects, from romantic comedies to Mafia thrillers and Bollywood-style musicals, and I have always been keen to see how different elements fit together – or perhaps how they don’t fit together at all. Yes, I’ve been involved in some pretty awful pictures too.

These are some of my favourite examples of storytelling and any aspiring crime-writer could do a lot worse than look at these different films, take them apart and put them back together. They might not necessarily be crime-related but some particular elements make them relevant and significant.

‘Jaws’ and ‘Alien’are masterpieces in the building of suspense around an unseen enemy who takes innocent lives – a kind of serial killer, if you will, and that’s definitely a familiar type of device in crime fiction.

Both films have unusual heroes: the first, a cop who is afraid of water; the second, a woman pushed into leadership by extreme circumstances. The tone of the stories is very different: ‘Jaws’ has a lighter atmosphere with humour and moments of comedy while ‘Alien’ is relentlessly grim, and even in the early parts of the film – when all the characters are still alive – there is the constant, claustrophobic feeling that they are surrounded by an environment that is just waiting to kill them. Outer space after all is the ultimate psychopath: fascinating and lethal.

Two small gems in terms of building tension are the scene when Dallas (Tom Skerritt) is looking for the xenomorph in the air-ducts in ‘Alien’ and the scene when Hooper (Richard Dreyfuss) reacts to viewing the remains of the first victim in ‘Jaws’.

By the way, we never see those remains: instead we are left with the impression of something so awful, so upsetting that even a capable scientist like Hooper is left choking and gasping for a glass of water. Both films are cunning in the art of withholding information and letting us imagine the worst – believe it or not, the Alien was on screen for less than four minutes in total; second for second it was better value than Hannibal Lecter in ‘The Silence Of The Lambs’ who’s on screen for just under sixteen minutes.

Point in question, when Ridley Scott was casting the part of Brett he told Harry Dean Stanton that ‘Alien’ was ‘Ten Little Indians’ in space. Stanton took the part and was rewarded with an unforgettable scene.

It is a well-known fact that Steven Spielberg took ‘Jaws’, written by Peter Benchley, and re-worked it extensively: gone are the sub-plots about the affair between Hooper and Ellen Brody (the hero-cop’s wife) and about the Mayor involvement with the Mafia.

The story in the film is utterly streamlined but it manages to create fully shaded characters using quiet scenes in the middle of the inexorable hunt – moments like Brody at dinner with his son and Quint telling the story of the USS Indianapolis, a ship in WW2 which sank after delivering the nuclear bomb and whose crew was mostly killed by sharks in open water.

The skill of the writers (Peter Benchley and Carl Gottlieb) and the director is that they give us unflagging pace and yet we have characters that feel real, not just a jumble of clichés waiting for the next set piece.

There are a number of devices in the ending of ‘Alien’ – like failing to abort the self-destruct sequence and the reappearance of the ‘villain’ when all seems safe – however Ridley Scott was at the top of his game and even those clichés miraculously work in a nerve-racking last few minutes.

After all these years I still love ‘Jaws’ and ‘Alien’ because they grab me by the lapels and keep me hooked, and that’s what great storytelling does, whatever the medium. Crime fiction should definitely grab you by the lapels and give you a good shake – the shark is optional.

Huge thanks to V.M. Giambanco for stopping by the CTG blog today and talking to us about how she has learnt from the masters.

The third book in her Alice Madison series – BLOOD AND BONE – is out now. Here’s the blurb: “After two years in the Seattle Police Department, Detective Alice Madison has finally found the kind of personal and professional peace she has never known before.

When a local burglary escalates into a horrific murder, Madison is put in charge of the investigation. She finds herself tracking a killer who may have haunted the city for years – and whose brutality is the stuff of myth in high security prisons.

As she delves deeper into the case, Madison learns that the widow of one of the victims is being stalked – is the killer poised to strike again? But then her own past comes under scrutiny from enemies close to home, and Madison’s position on the force – and the fate of the case itself – are suddenly thrown in jeopardy.”

To find out more about V.M. Giambanco and her books hop over to her website at www.vmgiambanco.com and follow her on Twitter @vm_giambanco 

And you can buy BLOOD AND BONE from Amazon by following this link

The KILLING EVA Blog Tour: Read an extract from Alex Blackmore’s Killing Eva

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Today I’m hosting a stop on Alex Blackmore’s KILLING EVA blog tour and have a real treat in store for you … an extract from the first chapter of KILLING EVA. 

First, here’s the blurb: “Witnessing a dramatic death at London’s Waterloo Station triggers a series of events that shatter Eva Scott’s world. Dying words uttered on the station concourse awaken a history she had thought long buried. But the past is about to be resurrected, in all its brutal reality.

Soon, Eva’s life is out of her hands. A genetic key is keeping her alive; but foreshadowing her death. People she loved and lost materialise and then disappear, testing the limits of her sanity. Inextricably linked to her survival is the potential takedown of an economic power, on which hang the lives of many others.

The only way out is through. But Eva’s life is no longer her own. And it’s killing her.”

And now, here’s the extract …

ONE

Eva drew back from the dying man. His breath was hot on her face, the grip he had on her wrist was tight, but she knew that he had just moments left.

Her heart was beating fast – too fast – and the adrenaline pumping through her body made her muscles burn.

There was now a large crowd of onlookers – it was Waterloo Station at rush hour – but no one else had stepped forward. People just stood and watched, texting or tweeting what was unfolding before their eyes, one eye on the departure boards. Don’t miss that train.

The man had collapsed only moments before. Almost in front of Eva as she ran from a tube train to a bus that would take her to the pub after an unforgiving day. For a split second she had almost swerved round him but the look in the man’s eyes – the terror – stopped her in her tracks.

‘Are you ok?’ she had said, breathlessly, as she tried not to stumble under the man’s weight. His eyes had rolled up towards the ceiling before settling on her once again as he tried to speak. His breath smelled of stale alcohol and he had the unmistakable odour of someone who had not been under a shower for weeks. But he was still alive. Just.

‘Are you ok?’ she had said, again, lowering the man to the cold, hard floor, requiring all her strength to prop up at least 180 pounds of bodyweight. Her muscles shook from the effort. No one helped. It was easy to see why the flock of commuters around her kept their distance. The man had string tied around his waist where the belt to his stained raincoat should be. His hat, now on the floor, was full of holes, and frayed at the brim.

Eva could see a sock through the toe of one of his shoes. Finally, she managed to gently lay him on the floor, took off her scarf and folded it, trying to make him a pillow. She heard mutterings in the crowd – ‘should we call the police?’ ‘tramps, I’m so sick of them’ ‘this problem is getting worse’ – and she saw a flicker of what looked like shame cross the man’s face. He looked at her, eyes suddenly lucid and clear.

‘Kolychak,’ he whispered firmly.

What was that – Russian? Czech?

‘I’m sorry I don’t understand.’

‘Kolychak,’ he said again. And then louder, but still whispered, ‘KOLYCHAK.’

He made a sudden grab for the front of Eva’s coat and pulled her face next to his.

‘Ko-ly-chak,’ he said fervently and tears started to fall from his eyes.

Somewhere in Eva’s mind, recognition flared. But she couldn’t reach it.

‘I don’t understand. Can you tell me who you are, what’s happened to you? We need to get you some help.’

Suddenly, the man let out an ear-piercing shriek that echoed around the station hall. Every person in the enormous space stopped; most turned to face the direction from which the unearthly sound had come.

Eva pulled herself away, stumbled, fell and then sat and stared at him in horror. The noise made her blood run completely cold. Then the man began to buck and writhe, as if someone was extracting his insides with a toasting fork. No one else moved. Liquid began to bubble and froth at his mouth. It had a bluish tinge. Abruptly, he stopped choking. His body became completely rigid, his eyes wide. Finally, he was still.

Eva heard her heartbeat thumping in her ears. She stared at the man on the floor. Reaching out a shaking hand, she felt his wrist for a pulse. Nothing.

‘Shit, is he ok?’ asked one of her fellow commuters. She looked at him for several seconds.

‘He’s dead.’

When she reached the pub – a ‘historic’ site just off High Holborn – she walked up to the ground floor bar and ordered a straight shot of brandy. She had barely reacted to the dying man at the time – the desire for flight had been too strong – but now she felt shaky and unsettled. Her friends, she knew, were in the bar upstairs in an area reserved for some birthday or other but she needed five minutes alone. Not that she would have it here. Even though it was only a Tuesday night, seething crowds had descended on the City and the man to her left appeared to be planning an imminent introduction. She turned away from him, looked out at the room around her and finished her drink. ‘Do you have a cigarette machine?’ she asked the barman.

‘No, love. There’s a supermarket round the corner though.’

By the time Eva returned to the pub, she was 20 minutes late for the party but still she didn’t go upstairs. She bought herself another brandy from the bar and leaned against the wall outside the building. She smoked three cigarettes in a row. After that, she felt pretty awful.

‘There you are! We thought you weren’t coming!’

Three of Eva’s friends tumbled out of the pub door, rosy cheeked from booze and laughing. Behind them came Sam, the man who had most recently shared Eva’s bed. She looked at him and he smiled. She smiled back but there was no stomach flip.

She made her excuses for being late but when she tried to tell the story of the man on the floor at Waterloo words failed her. She tried again when Sam went to the bar but she couldn’t. Ok, she reasoned eventually, why ruin their night with something she wanted to forget anyway. Sam returned with the drinks and then was at her side. He took her hand. She freed it to light a cigarette.

‘You’re smoking?’ He raised his light eyebrows towards a shock of blond hair.

She nodded and smiled. ‘Bad day.’

He gave her a hug. ‘Go on, give me one too then,’ he whispered in her ear.

She pulled back and then handed over the slim white cigarette and watched him try not to smoke it like a non-smoker.

Conversations in the group continued as one, and then two, more cigarettes were smoked to avoid a return to the cold for an hour at least. Then, the others drifted back inside. Sam pulled at her hand but she remained planted against the wall.

‘Are you ok?’

He came and stood opposite her, put his arms around her waist and stepped forward so that their faces were close.

‘I’m fine.’ She could feel that she was rigid in his arms. You’re still adjusting to being in a relationship, she told herself. It’s not him, it’s you.

He kissed her. ‘See you upstairs,’ he said and walked back into the pub smiling at her over his shoulder, attracting admiring glances as he went.

Eva turned the other way and leaned sideways against the wall. Her head hurt.

The word the man at the station had uttered was circling round and round her mind: kolychak-kolychak-kolychak. It was maddening.

She didn’t understand, she had never even seen him before. But she couldn’t forget what he had said – the incident had shaken her more deeply than it should.

She felt her phone vibrate in her bag and, grateful for the distraction from her thoughts, dug it out.

The display showed two words, starkly white against the blood red background she had chosen as a screensaver:

‘Jackson Calling.’

When she arrived at her flat that night, Eva double locked her front door and drew the chain across – something she never really did, despite living in one of the more ‘up and coming’ neighbourhoods of London.

Once inside, she stood with her back to the door and took several deep breaths.

As soon as she had seen that name on the display of her phone, Eva had started to run. She wasn’t sure where the instinct came from but she hadn’t even picked up the call. In fact, she had dropped her phone and had to rush after it as it skittered towards the edge of the kurb. A bus pulling up at a stop she hadn’t noticed was forced to skid to a halt, the driver sounding the horn angrily. She had been shocked, unaware of the peril so close, and had snatched her phone from the gutter and continued to run.

After that, a bus opposite Holborn station transported her to Camden, where she decided to walk home. On the way, a supermarket stop: a bottle of wine, another packet of cigarettes – a tin of tomato soup as an afterthought.

She’d made the journey home on autopilot. In her head the words ‘kolychak’ and ‘Jackson’ revolved mercilessly.

Jackson was her brother – her dead brother.

***

Alex Blackmore’s KILLING EVA is out now from No Exit Press.

You can find out more about Alex Blackmore by hopping over to her website at  www.alexblackmore.comand following her on Twitter @AlexPBlackmore

To buy the book from Amazon follow this link

And don’t forget to check out all the other fantastic stops on the KILLING EVA blog tour …

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CTG Reviews: The Silent Room by Mari Hannah

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What the blurb says: “One Fugitive. A deadly conspiracy. No rules. A security van sets off for Durham prison, a disgraced Special Branch officer in the back. It never arrives. En route it is hijacked by armed men, the prisoner sprung. Suspended from duty on suspicion of aiding and abetting the audacious escape of his former boss, Detective Sergeant Matthew Ryan is locked out of the manhunt. Desperate to preserve his career and prove his innocence, he backs off. But when the official investigation falls apart, under surveillance and with his life in danger, Ryan goes dark, enlisting others in his quest to discover the truth. When the trail leads to the suspicious death of a Norwegian national, Ryan uncovers an international conspiracy that has claimed the lives of many.”

This fast paced, gritty thriller grabbed me immediately with its dramatic opening scenes of a prison van hijack. And the tension doesn’t let up. With questions unanswered about disgraced Special Branch officer Jack Fenwick’s involvement in criminal activity, and many assuming him guilty, as the hours pass after the hijack DS Matthew Ryan is convinced that the Professional Standards department are wrong to treat the hijack as an escape rather than an abduction – but no one is listening to him.

With Ryan is on suspension for much of the book he is forced to conduct his own investigation off the radar using only sources he can be sure are trustworthy. Determined to get to the truth, even if it means getting himself into more trouble and risking the career he loves, Ryan keeping digging, convinced that his commanding officer, and friend, Jack Fenwick, was framed. Meanwhile, talented investigator Eloise O’Neil from Professional Standards is keeping tabs on him as her and her team hunt for Jack Fenwick, adding an extra layer of complication for Ryan to keep his own investigation secret.

There is a great cast of characters in this book and I was quickly drawn into their world through the narrative. DS Matthew Ryan is a highly compelling character – he’s determined, driven and, as events take a tragic twist, uses his moment of vulnerability and personal grief as fuel to continue his investigation. The combination of Ryan and O’Neil, both looking for answers but coming from different sides of the investigative coin, makes for a great dynamic and the scenes they share have a real zing of electricity.

Gritty, authentic and utterly engrossing, The Silent Room is a real seat-of-your-pants read from the dramatic opening through to the explosive ending. A must for all thriller and police procedural fans.

To find out more about Mari Hannah and her books hop over to her website here and follow her on Twitter @mariwriter

You can buy the book from Amazon via this link 

 

CTG Reviews: The Darkest Day by Tom Wood

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What the blurb says: “He is darkness. She wants him dead. In a city starved of light, she might just succeed. She moves like a shadow; she kills silently: Raven.

This elegant assassin has been on the run for years. This time though, she has picked the wrong target. The hitman known only as ‘Victor’ is as paranoid as he is merciless, and is no stranger to being hunted. He tracks his would-be killer across the globe, aiming not only to neutralise the threat, but to discover who wants him dead. The trail leads to New York … And then the lights go out.

Over twelve hours of unremitting darkness, Manhattan dissolves into chaos. Amid looting, conspiracy and blackout, Victor and Raven play a vicious game of cat and mouse that the city will never forget.”

This series is really going from strength to strength.

Victor the assassin is a truly fascinating antihero. He’s cold, ruthless and brutal without remorse, but with it rather personable and engaging, which means that although he has no (few) morals, and a highly clinical approach to life, he is a character that I couldn’t help but want to spend time with.

In the latest book in the series – The Darkest Day – Victor finds himself the target of a talented female assassin with a flawless kill record. Rather than going into hiding after escaping her first attempt on his life, Victor vows to eliminate her as a threat. Alternately threatening or charming information from Raven’s associates, Victor discovers her background and tracks her to a safe house in New York. The clues stack up, and he has everything planned in perfect detail to neutralise her. Then the power goes out in New York City and everything he was so sure about starts to become hazy.

The pace is unrelenting, the danger ever escalating, and Victor is forced to abandon his usual preparations and safe-guards in order to keep out of his pursuers’ – both legal and criminal – way. It’s fascinating to see this character, who is always so in control, plunged into a sustained environment of chaos and having to react to a far more unpredictable set of circumstances than before. As the line between ally and enemy morphs and blurs, Victor has to rely on his own instincts and operating principles to navigate the danger. But as the true nature of the blackout and the shocking aim of the people behind it is revealed, Victor has to decide whether to get out while he can or try to avert the threat being made real within the City.

Action packed, adrenaline fuelled, thriller writing at its best – THE DARKEST DAY is a must read for all crime thriller fans.

 

You can check out my interview with author Tom Wood here

Buy the book from Amazon by following this link

And find out more about Tom Wood and the Victor the Assassin series by hopping over to his website at www.tomwoodbooks.com and following him on Twitter @TheTomWood

 

[With thanks to Sphere for my copy of THE DARKEST DAY]

CTG Interviews: Tom Wood about his latest thriller THE DARKEST DAY

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Today crime writer Tom Wood – creator of the Victor the Assassin thriller series – has dropped by the CTG blog to tell us all about his latest book THE DARKEST DAY which is published today by Sphere.

So, let’s get straight to the questions …

Your latest thriller – THE DARKEST DAY – featuring Victor the Assassin is out today. Can you tell us a bit about it?

The latest book sees Victor targeted by a rival assassin named Raven, who comes perilously close to succeeding in an attempt on his life. He doesn’t know why she came after him or who she is working for, but as Victor is a pragmatic soul he deems the best way to deal with the threat she poses is to kill her. His hunt takes him to New York City, where he slowly realises there are powerful forces at work and he’s put himself in even more danger by going after Raven.

Victor is a fascinating character – ruthlessly brutal, yet also rather charming – what was your inspiration for creating him?

I grew up preferring the bad guys to the good guys, so Victor was the inevitable protagonist I would end up writing about. He’s probably a coming together of multiple antiheroes from cinema and literature, but when I first wrote about him I just wanted to write about an assassin who wasn’t going to have a crisis of conscience whenever he killed someone. He then grew out of this concept—an antihero who wasn’t conflicted or troubled.

Like you, Victor practises the martial art Krav Maga – are there other similarities between the two of you?

I haven’t trained for a while after breaking a bone in my right hand, so I think we can safely say that Victor is a lot tougher than I am. I would like to think we’re very different—considering he’s a professional murderer—but I suppose we do have similarities. We both pay a lot of attention to our surroundings; we both notice things that maybe other people don’t. But he does so because he’s in constant peril, whereas I tend to do so out of boredom. Also, we both agree that littering is unforgiveable.

Can you tell us a bit about your writing process – do you take a Victor-esq approach and plot everything out in advance, or do you dive right in and see where the story takes you?

About half and half on average. I think you have to have some planning for a plot to work. I think you can always spot a book that hasn’t had any planning because the ending is a big letdown—the writer writes themselves into a corner. I always start with some overall idea—Victor on the run; Victor undercover; Victor as a bodyguard etc—but the approach is different each time. When writing a series I think the key is for each book to be ‘the same, but different’, which is one of those classic Hollywood-esque oxymoron, but has a little merit. I want every story to be different from the last whilst retaining characteristic of the series and staying faithful to the character. No one wants to read about a week in Victor’s life where nothing happens, for example. One of the ways I attempt this is to vary how much I plot and plan from book to book, so if the writing process is different and interesting for me in each time out then hopefully that will translate into the reading experience.

Tom Wood (c) Charlie Hopkinson

Tom Wood (c) Charlie Hopkinson

I know that I mustn’t give away the ending – OMG that ending!! (it’s a corker of a twist) – but had you always planned for that to happen or did it happen organically?

I wrote the final scene long before the book was finished, but I hadn’t planned it in advance—it just fell onto the page nicely because I understood the characters so well. Even though I didn’t know exactly the route the story would take to reach that finale, I knew it was the right ending. I can’t really say anything further about it without spoilers, so I’ll say that it almost didn’t make it into the book because weeks and weeks after writing it the file became corrupted on a cloud storage—thanks Microsoft!—and the scene was lost. I was suitably enraged, but also terrified of rewriting it from memory and the scene losing out as a result. Mercifully, I managed to rewrite it without too much trouble, but I argued a little with my editor about how it should play out. He would have preferred it to be more ambiguous, but I disagreed. Several of my books have story threads that are not fully wrapped up as it often seems too contrived otherwise, but also a cliffhanger ending feels disrespectful to the reader.

Can you tell us what’s next for Victor – is there another series book planned and, if so, what details can you reveal?

I’ve just delivered the sixth book, titled A Time to Die, which sees Victor hired by MI6 to kill a ruthless Serbian war criminal who has been in hiding after escaping justice years before. It’s probably darker in tone than the past books, whilst staying faithful to the series as a whole—classically the same, but different. Normally, after delivering a book, I hate it and think it’s terrible after spending months and months thinking about nothing else, but I’m very excited about this one as the story came together easier than it ever has before.

And, finally, looking forward to next year, what does 2016 have in store for you?

A Time to Die will be out in April, so the first couple of months of 2016 will be spent frantically editing and polishing. Then I’ll no doubt begin work on my seventh book, whatever that proves to be.

 

A big thank you to Tom Wood for dropping by and telling us all about his latest (brilliant) thriller – THE DARKEST DAY. To find out more about Tom hop on over to his website at www.tomwoodbooks.com and follow him on Twitter @TheTomWood

You can buy THE DARKEST DAY from Amazon by following this link

And be sure to pop back here next week to read my review!

CTG Reviews: Hidden by Emma Kavanagh

 

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To celebrate Emma Kavanagh’s Hidden being published in paperback today, I’m re-blogging my review from earlier this year. Enjoy …

Here’s what the blurb says: “He’s watching. A gunman is stalking the wards of a local hospital. He’s unidentified and dangerous, and has to be located. Urgently. Police Firearms Officer Aden McCarty is tasked with tracking him down. Still troubled by the shooting of a schoolboy, Aden is determined to make amends by finding the gunman – before it’s too late.

She’s waiting. To psychologist Imogen, hospital should be a place of healing and safety – both for her, and her young niece who’s been recently admitted. She’s heard about the gunman, but he has little to do with her. Or has he?

As time ticks down, no one knows who the gunman’s next target will be. But he’s there. Hiding in plain sight. Far closer than anyone thinks.”

I loved Emma Kavanagh’s debut – Falling – and so I was delighted to get an early copy of her second book – Hidden.

The book opens amongst the horrific aftermath of a shooting in a hospital. Told in first person, the terrifying situation and urgent, compelling voice of Charlie pulled me into the story from the first page. After the first chapter, the story takes you back in time, and through multiple characters’ perspectives, exposes the chain of events in the preceding days that have led to the tragedy.

I think this is the first book I’ve read where the main police character is a Police Firearms Officer rather than a detective. This fresh angle really makes the story stand out, as does the rest of the brilliantly drawn characters and the complex relationships (and hidden secrets) they have with each other. As the story progressed, I found the relationship between hospital-based Psychologist, Imogen, and her twin sister, Mara; and that of local journalist Charlie with Aden, the Firearms Officer, especially intriguing (but I won’t say why – you need to read the book to find out!).

It’s hard to go into detail about this book without giving away spoilers, but what I can say is that it’s a story that keeps you on your toes as a reader. I love books that keep me guessing and challenge me to work out who is responsible, and this story did just that. With several crimes taking place, multiple narrators giving glimpses into different elements of the story, and a super pacey non-linear timeline, the author cleverly ramps up the suspense and the mystery, and kept me guessing right to the end.

This is a gritty, tense, twisty page-turner of a book – and a must read for crime and thriller fans.

Highly recommended.

 

You can follow Emma on Twitter @EmmaLK and hop over to Amazon here to buy the book.

Events Alert: Urban Noir Showcase with Arne Dahl, Eva Dolan & Stuart Neville – 23-25 November, Scotland

Exciting news – Harvill Secker have partnered up with Book Week Scotland to bring the Urban Noir Showcase tour to Scotland with crime writers Arne Dahl, Eva Dolan and Stuart Neville appearing at a number of events from 23 – 25 November 2015.

These three fabulous authors will discuss the contemporary anxieties they explore in their works of urban crime fiction, share their inspirations, reveal their writing secrets and answer questions from the audience.

Here’s the details …

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#BLOODSTREAM Blog Tour: CTG reviews BLOODSTREAM by Luca Veste

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Today I’m excited to be hosting a stop on Luca Veste’s BLOODSTREAM Blog Tour. Published on 22nd October by Simon & Schuster, BLOODSTREAM is the third novel in the Murphy and Rossi crime fiction series.

Here’s what the blurb says: “Social media stars Chloe Morrison and Joe Hooper seem to have it all – until their bodies are found following an anonymous phone call to their high-profile agent. Tied and bound to chairs facing each other, their violent deaths cause a media scrum to descend on Liverpool, with DI David Murphy and DS Laura Rossi assigned to the case.

Murphy is dismissive, but the media pressure intensified when another couple is found in the same manner as the first. Only this time the killer has left a message. A link to a private video on the internet, and the words ‘Nothing stays secret’. It quickly becomes clear that more people will die; that the killer believes secrets and lies within relationships should have deadly consequences …”

DI David Murphy and DS Laura Rossi of the Major Crimes Unit, Liverpool North have had a quieter time of things since the events of The Dying Place, but that all changes when married social media stars “ChloJoe” are found dead in an derelict house miles from their home. As the media whip up a frenzy around the case, Murphy and Rossi hand the missing persons case of teenager Amy Maguire that they’re working on back to Liverpool South and immerse themselves in the investigation. But what at first looks like a one-off celebrity targeted killing soon becomes apparent as just the start of the killer’s plan.

As more couples are targeted, and the secrets and lies hidden in their relationships are revealed, the killer takes to using social media to spread their ‘message’. Despite the body count rising, Murphy and Rossi struggle to find evidence to lead them to this highly prepared killer.

Meanwhile, Murphy is harbouring a secret of his own – missing teenager Amy Maguire may be connected to him in a way he’s only recently discovered. He hasn’t told his wife, Sarah, yet. And he doesn’t know anything of the secret she’s keeping from him.

With this particular killer on the loose anyone in Liverpool hiding secrets and lies could be a target.

This third book in the Murphy and Rossi series is a real page-turner of a read. The strong sense of place and vivid descriptions bring Liverpool to life, and Murphy and Rossi make for a great crime-solving duo. In this book their personal lives are explored further as Rossi embarks on the beginnings of a more serious relationship, and Murphy struggles to rebuild his friendship with Jess whose son he was unable to save in The Dying Place.

The story also brings into sharp focus how the media, and social media, feed into and off violent crime, and how the amount of media coverage, and the way individuals are portrayed, is dependant on the perceived value of that person and their death to ratings and circulation figures. Veste sensitively handles the impact of this on the grieving families, and the aftermath of the media’s ‘halo and horns’ approach to the murder victims on those left behind.

A dark, gritty and disturbingly sinister police procedural – BLOODSTREAM is a real must-read for crime fiction fans.

You can find out more about Luca Veste and his books at www.lucaveste.com and follow him on Twitter @lucaveste

To buy the BLOODSTREAM from Amazon, follow this link

Also, be sure to check out all the other fabulous stops on the BLOODSTREAM Blog Tour …

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STASI CHILD Blog Tour: CTG interviews debut author David Young

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I’m delighted to welcome David Young, author of STASI CHILD, to the CTG blog and to be hosting his blog tour stop today. STASI CHILD (published by Twenty7) is David’s debut novel and is the winner of the PFD 2014 Crime Prize. He’s popped along to see us today to chat about the book, his writing process, and his route to publication.

So to the questions!

Your debut, STASI CHILD, is out this month. Can you tell us a bit about it?

It’s a crime thriller – part historical crime, part police procedural, part thriller, and I guess a dash of Cold War politics to boot. What it’s not is a traditional Cold War spy thriller – although it’s set in the era of the Cold War. It tells two parallel stories: one in third person past through the eyes of a female detective in the state police, Oberleutnant Karin Müller, who’s trying to solve a gruesome murder but has to battle obstacles put in her way by the secret police, the Stasi. The other, in first person present, follows the life of a 15-year-old female inmate of a communist Jugendwerkhof – which loosely translates into ‘youth workhouse’ or reform school. The two stories eventually collide in a climax on the snowy slopes of northern Germany’s highest mountain, the Brocken, near the border with the west. I think fans of Tom Rob Smith’s Child 44 would enjoy it, and also those who read Anna Funder’s non-fiction account of the Stasi’s methods, Stasiland.

STASI CHILD is set in East Germany in 1975. What drew you to writing about this moment in history?

No-one had yet written a crime series set in East Germany – at least not in English as the original language. So I thought it filled a gap in the market, was something a bit different and – given the success of books like Child 44 and AD Miller’s Snowdrops – could prove popular. The idea originally came from reading Stasiland while on a self-booked (and at times chaotic) mini-tour of eastern Germany with my indiepop band about seven years ago. I was fascinated that you could still feel the ghost of the communist east even though the Berlin Wall had been torn down, at that time, twenty years earlier. Müller’s office is underneath Hackescher Markt S-bahn station – where we played our Berlin gig. So I wanted to choose a time when East Germany was perhaps at its most confident, and yet with enough years to fit a series in, if the first book sold well.

Given the modern historical setting, how did you go about researching the book?

A mixture of things, really. Watching films like The Lives of Others and Barbara, episodes of the original East German detective show, Polizeiruf 110, and the current German TV series set in the period, Weissensee – which is a great watch but inexplicably, and annoyingly, only has English subtitles on the second of its three series so far. I also read a lot of memoirs of inmates of Jugendwerkhöfe, that sort of thing, and true crime books by former GDR detectives. I don’t speak German – so it was a case of tearing out pages, feeding them into an OCR programme via a scanner, and then putting it all through Google Translate! What came out was barely intelligible, but you could pick out the facts even if the actual storytelling was mangled beyond repair. I also had great fun visiting all my locations, and interviewing former East German detectives (with the help of translators). So I loved the research, and I’m itching to get back out to Germany again. I also keep telling myself I must learn German!

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You recently completed the City University MA in Creative Writing (Crime Fiction), how do you think this helped you on your journey to publication?

I think it was the key to it, really. We had some great tutors who were all published crime writers: Claire MacGowan, Laura Wilson and Roger Morris were mine – although William Ryan, who writes in a similar genre to me, has now joined. Roger introduced me to Peter May’s Lewis trilogy, and the structure of Stasi Child – with its twin narrative – is quite similar to May’s The Lewis Man. Claire nurtured the original idea, Laura worked on the nuts and bolts as my main novel tutor, and then both of them read and fed back on the full draft. The result was that Stasi Child won the course prize sponsored by the literary agents, PFD, and by the shortlisting stage a young PFD agent, Adam Gauntlett, had already declared his hand in wanting to represent me.

So, what’s it like having your debut novel published? What’s your best moment so far?

Because my publishers Twenty7 (part of the Bonnier group) are e-book first, the biggest thrill was getting a physical copy of the proof. It’s got a slightly different cover, very minimalist, which I love. I’ve only got one copy, though, and the publishers have run out now so I guard it with my life. And then in the last few days, Stasi Child became the fourth bestselling Kindle book in the UK, and the number one bestseller in Historical Fiction – for ebooks and paperbacks. It’s fallen back since, but that was a champagne moment, figuratively sitting on top of luminaries such as Robert Harris, Hilary Mantel …well, everyone who’s anyone in historical fiction. Ha! It’ll probably never happen to me again. We made sure we kept the screenshots of the charts!

STASI CHILD is the first in the Karin Müller crime series, can you tell us anything about the next book?

Yes Karin returns, but this time in the model East German new town of Halle-Neustadt, where underneath the ideal communist city gloss, dark things are happening a few months after the closure of the Stasi Child case. The Stasi are heavily involved again, and we also learn more about Karin’s past – with several surprises in store for her. It follows the same twin narrative format, but the second narration this time is darker, more disturbed, and unreliable. In fact the whole thing is darker and more disturbed, which is slightly worrying as most people seem to think Stasi Child’s about as dark as you can get.

And, finally, what does the rest of 2015 have in store for you?

Initially, I’ll be concentrating on promoting the Stasi Child ebook, and I’ve my first appearance at a literary festival, as part of the past prizewinner’s event at Yeovil on Friday October 30th. Then it will be a combination of reshaping book two with my editor at Bonnier, and researching book three with a trip to Germany. Oh, and I might finally get around to starting to learn German … but no promises!

A huge thank you to David Young for coming along to the CTG blog to chat with us today. You can find out more about David by checking out his website at www.stasichild.com and follow him on Twitter @djy_writer

Stasi Child is a great read, perfect for fans of historical crime fiction. Here’s the blurb: “East Berlin, 1975: Questions are dangerous. Answers can kill. When murder squad head Oberleutnant Karin Müller is called to investigate a teenage girl’s body found riddled with bullets at the foot of the Berlin Wall, she imagines she’s seen it all before. But when she arrives she realises this is a death like no other: it seems the girl was trying to escape – but from the West. 

Müller is a member of the People’s Police, but in East Germany her power only stretches so far. The Stasi want her to discover the identity of the girl, but assure her the case is otherwise closed – and strongly discourage her asking questions.  The evidence doesn’t add up, and it soon becomes clear that the crime scene has been staged, the girl’s features mutilated. But this is not a regime that tolerates a curious mind, and Müller doesn’t realise that the trail she’s following will lead her dangerously close to home.

The previous summer, on Rügen Island off the Baltic Coast, two desperate teenage girls conspire to escape the physical and sexual abuse of the youth workhouse they call home.  Forced to assemble furniture packs for the West, the girls live out a monotonous, painful and hopeless life.  Stowing away in the very furniture they are forced to make, the girls arrived in Hamburg. But their celebrations are short-lived as they discover there is a price on freedom in the DDR…”

STASI CHILD is out now in eBook (and will be out in paperback in February 2016). To buy the eBook via Amazon click on the book cover below

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And don’t forget to check out all the other fabulous stops on the Stasi Child Blog Tour:

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