Tag: Ruth Dudley-Edwards

Confessions from CrimeFest: Part Two

1 Comment
L-R: Kevin Wignall, AK Benedict, James Oswald, Anne Zouroudi, Ben Aaronovitch

L-R: Kevin Wignall, AK Benedict, James Oswald, Anne Zouroudi, Ben Aaronovitch

I did indeed get up in time to make it to the first panel of the day, but I didn’t manage breakfast. Still, it was worth it. The Debut Authors: An Infusion of Fresh Blood panel was great fun and all the panel members were surprisingly perky for a nine o’clock start. Moderator Jake Kerridge talked to panellists MJ Arlidge, Mason Cross, Jake Woodhouse, Kate Griffin and Colette McBeth about their debut novels and the route they’d taken to publication.

Next up, was the Death in High Heels: Women as Victims panel. MR Hall, Jessica Mann, Jessie Keane, and Martyn Waites (who also writes as Tanya Carver) debated the issue of how women are portrayed in crime fiction, especially when the victim of the crime is female. It was an interesting and thought provoking discussion covering everything from at what point violence becomes ‘torture porn’ through to the use of female images on book covers.

I then had time for a swift coffee (black, no sugar) before heading into The Modern Thriller panel. As thrillers are my absolute favourite of the genre, this was one of the panels I’d been most eager to see. Moderated by Doug Johnstone, the panel of Belinda Bauer, Helen Fitzgerald, Chris Ewan and Simon Kernick talked about what constitutes the modern thriller, and how it differs from a crime novel. Defining characteristics seemed to be agreed on as pace, and a sense of urgency. They spoke of their own favourite modern thrillers, with Harlan Coben’s Tell No One coming out as a popular choice.

I didn’t stop for lunch, instead going straight on to watch the Things That Go Bump In the Night: Magic, Paranormal & All Things Supernatural panel. Moderated by Kevin Wignall, with Ben Aaronovitch, AK Benedict, James Oswald, and Anne Zouroudi, this was a lively panel with some great discussion about mixing crime with the paranormal. I particularly enjoyed some of the more random questions poised by Kevin Wignall to the panel (which were questions he had been asked by children when doing author events) – these included: ‘Can you tell me a story about a hamster?’ And ‘What would be your X-Man name and superpower?’ Fabulous.

By that point in the day I was rather panelled-out, but managed to find the energy to head along to the drinks reception that evening to watch 2014 CWA Diamond Dagger Recipient Simon Brett in performance. Then it was off for a fabulous curry with the Icelandic crime writers before heading to the bar for a few last orders drinks (and beyond!).

Notes from Harrogate: Part 1

6 Comments
Social Media: Who Are You? panel

Social Media: Who Are You? panel

This was my first time at the Theakstons Old Peculier Crime Writing Festival, Harrogate, and to say I was excited doesn’t cover the half of it. I arrived on Thursday evening and had already spotted half a dozen crime writers chilling outside on the lawn before I parked the car.

Anyway, the evening kicked off with the Theakstons Old Peculier Crime Novel of the Year Award presentation, won this year by Denise Mina (who also won the accolade in 2012) for her wonderful novel Gods and Beasts. After the awards ceremony had finished the Festival Opening Party got everyone into the party mood, which continued well into the early hours back in the bar.

I woke on Friday to glorious sunshine and a (mild) hangover. The first panel I attended was ‘Dead In Deutschland’. Barry Forshaw expertly chaired the session with Jan Costin Wagner, Sebastian Fitzek, Nele Neuhaus, and Dane Jussi Adler-Olsen talking about German crime novels or ‘Krimis’. After that, as I felt like I was melting in the heat, I headed outside to the lawn (and the shade of the trees) to cool down before the ‘Social Media: Who are You?’ panel. Mark Billingham chaired with Ruth Dudley-Edwards, Erin Kelly, Steve Mosby and Sarah Pinborough discussing the merits and pitfalls of authors using social media. This was by far the most fabulously sweary and high-spirited session that I attended. I admired the panel’s honesty about the good (and the bad) that they’d experienced through interactions online, and their ability to keep their cool when a member of the audience started firing questions at them. In essence, the panel concluded that social media can be a good thing – letting readers and writers connect in a way that wasn’t possible ten years ago – just so long as it’s used in a respectful and decent way. I immediately wanted to follow each of the panellists on Twitter, and so I did!

'Live' storytelling at the Random House - Dead Good Books party

‘Live’ storytelling at the Random House – Dead Good Books party

After more time chatting on the lawn, I attended the Random House – Dead Good Books party in the fabulous PapaKata Tent. Here I broke my promise to myself of not drinking, and started on the wine. It was great to meet up with lots of fantastic writers and bloggers and I even had my photo taken in the ‘crime scene’ area of the tent – lying ‘dead’ on the carpet with a blood stain by my head! A highlight of the event was a story being written ‘live’ by the Random House authors – with Lee Child starting it off with the first couple of sentences (see photo).

After the party I had meant to head out into Harrogate for dinner, however the bar proved too much of a distraction and I found myself chatting with a bunch of fabulous people until the early hours. I’ll say one thing about crime writers – they certainly know how to party!

The festival was halfway through, and as I went to bed that night I resolved that on Saturday I would attend more panels …

Related articles