CTG Reviews: THE DOMINO KILLER by Neil White

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What the blurb says: “When a man is found beaten to death in a local Manchester park, Detective Constable Sam Parker is one of the investigating officers. Sam swiftly identifies the victim, but what at first looks like an open-and-shut case quickly starts to unravel when he realises that the victim’s fingerprints were found on a knife at another crime scene, a month earlier.

Meanwhile, Sam’s brother, Joe – a criminal defence lawyer in the city – comes face to face with a man whose very presence sends shockwaves through his life. Joe must confront the demons of his past as he struggles to come to terms with the darkness that this man represents.

Before long, Joe and Sam are in way over their heads, both sucked into a terrifying game of cat-and-mouse that threatens to change their lives for ever …”

THE DOMINO KILLER is the third instalment of Neil White’s Parker brothers series and it fully delivers all the pulse-pounding tension, twists, and page-turning action that fans of crime thrillers crave.

The book opens with criminal defence lawyer Joe Parker being called in for a client meeting with a man charged with a bizarre theft, and detective Sam Parker involved in investigating a series of seemingly unconnected murders. But neither situation is quite as it first seems, and soon the cases collide in an explosive way that neither brother could have anticipated.

This story has the perfect balance between procedural detail and high intensity action. There’s a real immediacy to the writing and a chilling sense of jeopardy right from the outset that carries all the way through the book to the show-stopping finale. As the story develops, and the brothers’ cases become increasingly intertwined, the tension rises ever higher – making this one of those books that has you reading well into the early hours, desperate for sleep but unable to resist reading just one more chapter.

But this book isn’t just about the action. There’s a real emotion kick too, delivered as the brothers get closer to identifying the man who was responsible for their sister’s murder back when they were teenagers. As the stakes ramp up, they are forced to decide just how far they’re willing to go in order to get justice – putting their careers, their friendships, their families, and their lives on the line.

THE DOMINO KILLER is a fantastic read. It stands alone, but if you’ve not read the first two books I’d urge you to go back and start at the beginning of the series – it will be well worth it.

Utterly authentic and captivatingly compelling, this story grabs you by the throat and keeps you pinned right from the first page to the last.

An absolute must-read for crime thriller fans, and one of my favourite books of 2015.

 

To find out more about THE DOMINO KILLER you can read my interview with Neil White here, check out his website at www.neilwhite.net and follow him on Twitter @neilwhite1965

You can get THE DOMINO KILLER from Amazon by clicking on the book cover below:

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[With thanks to those lovely folks at Sphere for my copy of THE DOMINO KILLER]

CTG Interviews #NeilWhite for THE DOMINO KILLER Blog Tour

crime writer Neil White

crime writer Neil White

Today I’m delighted to be hosting the latest stop on best selling crime writer Neil White’s blog tour. Neil’s kindly agreed to let me grill him about his latest books and his writing process.

And so, to the questions …

Your latest thriller – THE DOMINO KILLER – comes out this week, can you tell us a bit about it?

It’s the concluding book in the Parker brothers trilogy and deals partially with the running thread through the first two books, the murder of their sister many years earlier. As well as that, men are being murdered in Manchester, with a link between each one. The story starts with the murder of a man in a park, and it’s discovered that the dead man’s bloodied fingerprint was found on a knife near a body a few weeks earlier. What links them, and is there a connection with Sam and Joe’s murdered sister?

Your lead characters are brothers Joe Parker (a top criminal defence lawyer) and Sam Parker (a talented detective) – what gave you the idea for them?

It was really the notion of conflict, which I hit upon by accident when I was writing my first series involving a crime reporter and a detective who were also in a relationship. What seemed to work was that the reporter wanted to know about the cases his partner was involved in, and of course she wanted to keep him out of them.

When I realised I had to come up with a new idea, I stuck with the notion of two people who are close but have conflicting roles. Two brothers on the opposite side of the legal fence seemed to fit.

It fitted also with my own desire to make the books more legal.

I’d flirted with legal elements in the earlier books, but had always worried that I would become obsessed by making them so accurate that they ceased to be interesting; a day in court can occasionally be as mundane as any other job, punctuated by delays and often filled with so much routine.

When the drama does happen, however, it’s often pretty fun. I’m a prosecutor, and I’ve been shouted at and threatened, and at one point invited outside to “resolve matters”, and that’s just from the defence lawyers (yes, really, including the invitation to a street brawl). The criminals, on the whole, have been okay.

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You’re a lawyer by day and a crime writer by night, what’s your secret to juggling these two roles?

I wish I knew it. I do what I have to do, and I don’t doubt that each job impacts negatively on the other through fatigue.

I’m not as good as I used to be after a day at work. I work just three days a week now, so I write off those nights, but I find it hard to believe that it isn’t that long since I was doing both full-time. I remember getting to the end of one of my books, I can’t remember which, and just said that was it, I was beat. I was shattered, a squeezed sponge. So I gave up a couple of days of work and now it feels more balanced.

The hardest thing is losing so much of my time. I never truly have a day off, and have taken my laptop on most of my family holidays.

What got you started writing crime fiction?

That is probably a two-part question.

What got me writing fiction? Because I always thought it was something I could do. That is just about as simple as it gets. It was something I was able to do well at school and seemed to stand me in good stead during university. I said even then that I wanted to be a writer, and at one point thought of giving up my law degree to switch to journalism, just because I thought putting words on a page was my strength.

So why crime? It’s because that’s what I read, and crime has always been my interest. As a student, I imagined myself in a courtroom, not a boardroom. I’m a criminal lawyer because I like crime. I write crime fiction because I like crime. Who couldn’t be interested in the extremes of human behaviour and emotion?

What’s your best writing moment so far?

Reaching number one in the ebook charts with my fifth book, Cold Kill. To go onto Amazon and see my book at the top of the pile on the homepage was unreal. It was something I couldn’t have imagined when I started out.

For those aspiring to publication, what advice would you give them?

That depends on what sort of publication.

If someone is aspiring towards traditional publishers, keep on plugging. If you’re good enough, someone somewhere will spot you.

If someone is wanting to self-publish through ebooks or print, engage an editor. I self-published in 2004, and it was the self-published book that got me an agent and eventually a publishing deal, but the one thing I hate about it is the failure to engage an editor. There are typos and grammatical howlers in it, and it would have been so much better for me to be proud of it still, but instead it’s the one I’m happy to see fade into history.

And, finally, what does the rest of the year have in store for you?

I’ve just signed a deal for three books with Bonnier, under their new imprint Zaffre, and it sounds like they have exciting things planned. It’s a move of publishers but that brings new challenges and new adventures. The first book should be out next summer; once I’ve written it, of course.

Fantastic! Thanks so much to Neil White for taking the time to come and chat to us on the CTG blog today.

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Be sure to check out Neil’s latest thriller – THE DOMINO KILLER – which is out this week in hardback. Here’s the blurb: “When a man is found beaten to death in a local Manchester park, Detective Constable Sam Parker is one of the investigating officers. Sam swiftly identifies the victim, but what at first looks like an open and shut case quickly starts to unravel when he realizes that the victim’s fingerprints were found on a knife at another crime scene, a month earlier. Meanwhile, Sam’s brother, Joe – a criminal defence lawyer in the city – comes face to face with a man whose very presence sends shockwaves through his life. Joe must confront the demons of his past as he struggles to come to terms with the darkness that this man represents. Before long, Joe and Sam are in way over their heads, both sucked into a terrifying game of cat-and-mouse that threatens to change their lives for ever …”

You can also now get your hands on THE DEATH COLLECTOR in paperback now (released last week). Here’s the blurb: “Danger sometimes comes in the most unexpected guises. The Death Collector is charming, sophisticated and intelligent, but he likes to dominate women, to make them give themselves to him completely; to surrender their dignity and their lives. He’s a collector of beautiful things, so once he traps them he’ll never let them go. Joe is drawn into the Death Collector’s world when he becomes involved in a supposed miscarriage of justice, and when the case becomes dangerous, Sam is the first person he turns to. In this gripping thriller, danger lurks for not only the Parker brothers, but also those closest to them.”

To find out more about Neil and his books hop on over to his website at www.neilwhite.net and follow him on Twitter @neilwhite1965

 

Friday Book Freebies #CTGgiveaway – THE CROOKED HOUSE and THE CRIME AT BLACK DUDLEY

It’s Friday! So to celebrate the fast approaching weekend we’ve got two fabulous books to give away.

About the Books …

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THE CROOKED HOUSE by Christobel Kent

What the blurb says: “Alison is as close to anonymous as she can get: with no ties and a backroom job, hers is a life lived under the radar. But once Alison was someone else: once she was Esme, a teenager whose bedroom sat at the top of a remote house on a bleak estuary. A girl whose family, if not happy, exactly, was no unhappier than anyone else’s – or so she thought.

The one night violence was unleashed in the crooked house, in a nightmare that only Alison survived and from which she’s been running ever since. Only when she falls for the charismatic Paul does Alison realise that to have any chance of happiness, she must return to her old life and face a closed community full of dark secrets.

Utterly beguiling and strikingly atmospheric, The Crooked House will be enjoyed by fans of stylish thrillers such as Apple Tree Yard and The Girl on the Train.”

The Crime at Black Dudley cover image

The Crime at Black Dudley cover image

THE CRIME AT BLACK DUDLEY by Margery Allingham

What the blurb says: “A suspicious death and a haunted family heirloom were not advertised when Dr George Abbershaw and a group of London’s brightest young things accepted an invitation to the mansion of Black Dudley. Skulduggery is most certainly afoot, and the party-goers soon realise that they’re trapped in the secluded house. Amongst them is a stranger who promises to unravel the villainous plots behind their incarceration – but can George and his friends trust the peculiar young man who calls himself Albert Campion?”

With quirky characters, and a mysterious family custom involving a haunted dagger, this is a lively locked-room mystery with plenty to keep the reader on their toes as George Abbershaw tries to figure out the truth behind the strange and sinister goings on at Black Dudley mansion.

*** THIS COMPETITION HAS NOW CLOSED ***

How to Enter …

For a chance to win these two fabulous books, all you need to do is tweet the link to this post (using the Twitter button below) OR retweet one of the CTG tweets about the giveaway – making sure to include the hashtag #CTGgiveaway. You’ll also need to follow us on Twitter so we can send you a direct message should you win.

Rules: (1) One entry per reader (2) UK residents only – due to postage costs – sorry! (3) We will draw the winner at random (4) No cash alternative (5) The competition closes for entries at 5pm GMT on Sunday 21st June 2015 (6) The judge’s decision is final and no correspondence will be entered into.

Good luck!

CTG Reviews: #ILetYouGo by Clare Mackintosh

I Let You Go cover image

I Let You Go cover image

What the blurb says: “In a split second, Jenna Gray’s world descends into a nightmare. Her only hope of moving on is to walk away from everything she knows to start afresh. Desperate to escape, Jenna moves to a remote cottage on the Welsh coast, but she is haunted by her fears, her grief and her memories of a cruel November night that changed her life forever. Slowly, Jenna begins to glimpse the potential for happiness in her future. But her past is about to catch up with her, and the consequences will be devastating …”

Opening with a hit-and-run incident which leaves a five-year-old boy dead, this hard-hitting psychological thriller grabs you by the throat and keeps you pinned until the very last page.

Jenna has left everything behind to make a new life for herself in Wales. At first she stays inside the remote cottage she’s rented, not engaging with the community, and reliving the horror she’s been through, unable to see a way through her grief. But as the months pass, she gradually begins to forge tentative relationships and starts to believe that perhaps it is possible to continue living. That’s the moment the past catches up with her with terrifying consequences.

Meanwhile, Detective Inspector Ray Stevens hasn’t given up on getting justice for the little boy killed in the hit-and-run. Although his superior officers have told him to move onto other cases, and his wife is getting increasingly irritated by his lack of support in helping resolve the problems their son is having at school, he continues to work the case supported by Kate, the newest Detective Constable in his team. As his home life becomes tenser, and the case remains a mystery, Ray and Kate get increasingly closer as they spend more and more time investigating the details in secret.

With brilliantly drawn characters, and a hard-hitting emotional core to the story, this is a truly gripping novel. From the hauntingly atmospheric winter at a Welsh seaside town, to the claustrophobic terror of Jenna’s inner demons, and the tenacious determination of Ray and Kate to bring justice to a case no matter how long it might take, this is a thought-provoking book.

Beautifully written, and with a twist that will have you gasping out loud (it did me!) I Let You Go is an utterly compulsive read, and one that will stay with you long after you’ve read the final page.

Undoubtedly one of my top reads of 2015.

Highly recommended.

 

You can find out more about Clare Mackintosh by hopping over to her website at http://claremackintosh.com/, looking her up on Facebook at ClareMackWrites and following her on Twitter @claremackint0sh

She also did a brilliant guest post for the CTG blog yesterday on TWISTS – you can read it here

And be sure to check out all the fabulous stops on her blog tour …

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The #ILetYouGo Blog Tour: Guest Post by Clare Mackintosh – Twists

I Let You Go cover image

I Let You Go cover image

Today on the CTG blog I’m delighted to be joined by Clare Mackintosh author of I Let You Go – a phenomenal psychological thriller that’s out now. I Let You Go has a superb ‘gasp out loud’ twist and I’m thrilled that Clare is talking about twists here today.

So over to Clare …

They say writers should write the book they would like to read, rather than trying to meet any perceived trend or gap in the market. A life-long lover of crime (of the fictional kind) I have always read widely within the genre, but I began to seek out a particular element: twists.

Twists can be hard to define, but to my mind they are sections of a novel where the story takes a completely unexpected turn, turning upside down what the reader had previously believed. A good twist novel lures you in, making you believe one state of affairs, then slams you against the wall with the truth. Sometimes there can be more than one of these ‘gasp moments’, leaving you lurching from side to side like an out of control train.

It could be said that all crime books have twists in them, but when the story contains a cast of suspects, the reveal of an offender isn’t necessarily a ‘twist’. The big ‘reveal’ could certainly be surprising, even shocking, but in order to be a twist it should shake up a significant proportion of what you have read up to that point.

When I had the idea for I Let You Go, it was the twist that came first. I hugged it to myself for ages, not knowing exactly what would lead up to that point, or what would happen afterwards, but knowing it was the sort of twist that I loved to read. The story developed, changing significantly over the course of the next two years, but the twist remained the same, flanked by other, smaller twists. It was technically difficult to pull off: how could I ensure the twist was truly shocking, yet at the same time plant enough ‘clues’ that when the reader looked back they could see them?

I am lucky to have a fantastic editor, who helped me tighten the screws on the twist until it was as watertight as possible. By that point we had both read the manuscript so many times it was hard to know how the twist would work for a new reader. I became convinced my ‘oh so clever’ twist was utterly obvious. It was time to find out, so my editor passed the manuscript to a few trusted members of her team, and we held our breath…

When the first reaction came in I breathed a sigh of relief. The twist worked! It has been fantastic to see the tweets, emails and reviews from readers taken by surprise by the turns in the book, and I never tire of hearing about their ‘gasp’ moments. If you read I Let You Go do let me know what you think of the twist: maybe you’ll be the first one to guess it…

Clare Mackintosh

Clare Mackintosh

A big thank you to Clare for making the CTG blog one of the stops on her tour.

You can find out more about Clare by hopping over to her website at http://claremackintosh.com/, looking her up on Facebook at ClareMackWrites and following her on Twitter @claremackint0sh

I Let You Go is out today. Here’s what the blurb says: “In a split second, Jenna Gray’s world descends into a nightmare. Her only hope of moving on is to walk away from everything she knows to start afresh. Desperate to escape, Jenna moves to a remote cottage on the Welsh coast, but she is haunted by her fears, her grief and her memories of a cruel November night that changed her life forever. Slowly, Jenna begins to glimpse the potential for happiness in her future. But her past is about to catch up with her, and the consequences will be devastating …”

And here’s a sneaky peep at an extract from the story …

“When I wake, for a second I’m not sure what this feeling is. Everything is the same, and yet everything has changed. Then, before I have even opened my eyes, there is a rush of noise in my head, like an underground train. And there it is: playing out in Technicolor scenes I can’t pause or mute. I press the heels of my palms into my temples as though I can make the images subside through brute force alone, but still they come, thick and fast, as if without them I might forget. On my bedside cabinet is the brass alarm clock Eve gave me when I went to university – ‘Because you’ll never get to lectures, otherwise’ – and I’m shocked to see it’s ten-thirty already. The pain in my hand has been overshadowed by a headache that blinds me if I move my head too fast, and as I peel myself from the bed every muscle aches. I pull on yesterday’s clothes and go into the garden without stopping to make a coffee, even though my mouth is so dry it’s an effort to swallow. I can’t find my shoes, and the frost stings my feet as I make my way across the grass. The garden isn’t large, but winter is on its way, and by the time I reach the other side I can’t feel my toes. The garden studio has been my sanctuary for the last five years. Little more than a shed to the casual observer, it is where I come to think, to work, and to escape. The wooden floor is stained from the lumps of clay that drop from my wheel, firmly placed in the centre of the room, where I can move around it and stand back to view my work with a critical eye. Three sides of the shed are lined with shelves on which I place my sculptures, in an ordered chaos only I could understand. Works in progress, here; fired but not painted, here; waiting to go to customers, here. Hundreds of separate pieces, yet if I shut my eyes, I can still feel the shape of each one beneath my fingers, the wetness of the clay on my palms. I take the key from its hiding place under the window ledge and open the door. It’s worse than I thought. The floor lies unseen beneath a carpet of broken clay; rounded halves of pots ending abruptly in angry jagged peaks. The wooden shelves are all empty, my desk swept clear of work, and the tiny figurines on the window ledge are unrecognisable, crushed into shards that glisten in the sunlight. By the door lies a small statuette of a woman. I made her last year, as part of a series of figures I produced for a shop in Clifton. I had wanted to produce something real, something as far from perfection as it was possible to get, and yet for it still to be beautiful. I made ten women, each with their own distinctive curves, their own bumps and scars and imperfections. I based them on my mother; my sister; girls I taught at pottery class; women I saw walking in the park. This one is me. Loosely, and not so anyone would recognise, but nevertheless me. Chest a little too flat; hips a little too narrow; feet a little too big. A tangle of hair twisted into a knot at the base of the neck. I bend down and pick her up. I had thought her intact, but as I touch her the clay moves beneath my hands, and I’m left with two broken pieces. I look at them, then I hurl them with all my strength towards the wall, where they shatter into tiny pieces that shower down on to my desk. I take a deep breath and let it slowly out.”

I Let You Go is one of my top reads of 2015. Be sure to pop back tomorrow to check out my review.

And, don’t forget to check out all the fabulous tour stops on the #ILetYouGo blog tour …

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Your chance to win: FACE OFF – stories by Lee Child, Peter James, Michael Connelly, Ian Rankin and more (ed. David Baldacci) #bookgiveaway

FACE OFF cover image

FACE OFF cover image

It’s not due to be published in paperback until the 29th January, but this week those lovely people at Sphere have given me a copy of FACE OFF to give away to one lucky winner. Here’s some more about the book …

The Prize: FACE OFF

What the blurb says: “Twenty-three of the world’s best-selling crime writers and your favourite series characters FACE OFF in eleven original short stories. Never before has such a glittering array of the world’s bestselling crime writers brought their series characters together in a collection of co-written short stories … FACE OFF includes the first meeting of Ian Rankin’s Rebus and Peter James’ Roy Grace; a case for Dennis Lehane’s Patrick Kenzie and Michael Connelly’s Harry Bosch, as well as a page-turning mystery starring Lee Child’s Jack Reacher and Joseph Finder’s Nick Heller. Edited by international bestseller David Baldacci, this exclusive page-turning collection is one of a kind.”

It’s a fantastic book of short stories, each one just perfect for reading over breakfast, or taking with you to read at lunchtime as you eat your sandwiches, or for a sneaky bit of procrastination when you should be doing something else!

The character pairings and full list of authors are:

Lee Child’s Jack Reacher + Joseph Finder’s Nick Heller

Ian Rankin’s John Rebus + Peter James’ Roy Grace

Michael Connelly’s Hieronymus “Harry” Bosch + Dennis Lehane’s Patrick Kenzie

Jeffery Deaver’s Lincoln Rhyme + John Sanford’s Lucas Davenport

Linwood Barclay’s Glen Garber + Raymond Khoury’s Sean Reilly

Linda Fairstein’s Alexandra Cooper + Steve Martini’s Paul Madriani

Steve Berry’s Cotton Malone + James Rollins’ Gray Pierce

Lisa Gardner’s D.D. Warren + MJ Rose’s Malachai Samuels

T. Jefferson Parker’s Joe Trona and John Lescroart’s Wyatt Hunt

Heather Graham’s Michael Quinn + F. Paul Wilson’s Repairman Jack

Douglas Preston/Lincoln Child’s Aloysius Pendergast + R.L. Stine’s Slappy the Ventriloquist Dummy

 

** THIS COMPETITION HAS NOW CLOSED **

So, to the competition …

For a chance to win a copy of FACE OFF all you need to do is tweet the link to this post (using the Twitter button below) OR retweet one of the CTG tweets about the giveaway. [You’ll also need to follow us on Twitter, so that we can send you a direct message should you win]. Rules
(1) One entry per reader (2) UK residents only – due to postage costs – sorry! (3) We will draw the winner at random (4) No cash alternative (5) The competition closes for entries at 9pm GMT on Sunday 25th January 2015 (6) The judge’s decision is final and no correspondence will be entered into.

Good luck!

CTG Reviews: BETTER OFF DEAD by Tom Wood

Better Off Dead cover image

Better Off Dead cover image

What the blurb says: “A hitman must be anonymous, amoral … and alone.

Victor is the face in the crowd you don’t see, a perfect assassin with nothing to live for. But when an old friend turns to him for help he finds he can’t refuse. For once his objective isn’t to kill, but to protect.

Hunted through the streets of London by ruthless enemies, Victor needs to be more than just a bodyguard … but his every move leads danger closer to the very person he’s vowed to defend.”

This is the first Victor the Assassin book I’ve read, and it certainly won’t be the last! Hooking me in from the every first page, author Tom Wood has crafted a novel with terrific pace, a contemporary, gritty feel and, rather unexpected for a novel whose protagonist is an assassin, a real depth of heart.

In this story, Victor is called by an old contact, now enemy – Russian crime boss Norimov – and asked to protect his estranged daughter who is being targeted by an unidentified gang. At first Victor refuses, he owes Norimov nothing, but finally agrees to find and protect Gisele in honour of her dead mother – Eleanor – who was Victor’s friend.

In London, Victor realises that finding Gisele may be more problematic than he’d first anticipated. As he researches her last known movements, he encounters a number of challenges from local muscle, and tries to piece together who the threats are coming from. When he locates Gisele things aren’t any clearer. She has no idea who is after her, and is highly reluctant to go with Victor. He manages to persuade her, and that’s when the serious attacks begin.

Forced to rely on his instincts and training, Victor battles to keep Gisele safe as they try to unravel the real motive driving those that are targeting her. With some fabulous action sequences, and ever increasing tension, this is a breath-taking read from start to finish.

The bond that grows between Gisele and Victor makes them an engaging pair, and although Gisele has no special training aside from a few self-defence classes, she’s a fast learner and a brave co-protagonist. She’s also adept at challenging Victor, acting rather like a moral compass in the more violent moments.

This pacey, exciting seat-of-your-pants read, as a must read for all thriller fans.

Highly Recommended.

 

[with thanks to Sphere for my copy of BETTER OFF DEAD]

CTG Reviews: AND SHE WAS by Alison Gaylin

 

AND SHE WAS cover image

AND SHE WAS cover image

What the blurb says: “When Brenna Spector was a child, her older sister stepped into a strange car never to be seen again. This traumatic event triggered in Brenna a rare neurological disorder that enables her to recall every detail of every day of her life, except – cruelly – that dark day when her sister disappeared.

Nowadays Brenna puts her unusual skill to use as a missing persons investigator and it’s while she’s trying to find local woman Carol Wentz that she discovers connections to another child’s disappearance, ten years earlier. Before too long a link to her own past emerges. Could this be the answer she’s been hunting for all these years?”

Brenna Spector is a truly unique investigator – smart and dedicated to her work as a missing persons investigator, and very human in her struggle to balance the demands of her job while trying to make quality time for her daughter. She also has a rare neurological disorder that lets her recall every detail of every day since it developed.

Brenna’s latest job is to find Carol Wentz, a resident of the small town – Tarry Ridge. Hired by Nelson Wentz, Carol’s husband, Brenna starts to piece together Carol’s movements in the days leading up to her disappearance. It’s not easy, Nelson is far from forthcoming, and the town holds many memories for Brenna which cause her mind to plunge her back into the aftermath of when the young girl – Iris Neff – was taken; a case which caused Brenna to visit the town ten years previously.

Then a body is found.

With the Police looking to make a quick arrest and Brenna’s client – Nelson Wentz – firmly in the frame, Brenna finds herself out of a job. But things don’t feel right to Brenna, and she keeps digging, discovering the dead woman’s increasing obsession with the child who was abducted many years before.

Much of the book focuses on the residents of fictional small town – Tarry Ridge – and the secrets they’ve kept from each other. It explores loss, and guilt, and the devastating consequences a single decision has both in that moment and across a decade.

Brenna is a resourceful and engaging protagonist. She juggles life as a single-parent with her job, and maintains good relationship with her ex-husband and his new wife even though the memories of the good times force her to relive her loss of him every time they meet.

I especially liked the growing relationship between Brenna and Detective Nick Morasco of Tarry Ridge PD. Both sense something more is going on in the small town than at first appears, and although initially neither is sure whether they can trust the other, they build at first a truce and then a partnership that helps both their investigations reach the truth.

Beautifully written, with enough twists and turns to keep the reader perched on the edge of their seat, this is a fabulous start to a fantastic new series. I can’t wait to read the next one.

Highly recommended.

[with thanks to Sphere for my copy of AND SHE WAS]

CTG’s Top Reads of 2014

There have been so many wonderful books published this year it’s been really hard to narrow it down to my most favourite. So, instead of my top five picks, this year I’ve made it my top nine (!).

Here they are, my top picks of 2014 …

Truth or Dare cover image

Truth or Dare cover image

TRUTH OR DARE by Tania Carver (Sphere)

Tania Carver is fast becoming one of my favorite authors. Every book is fresh and inventive, and as readers of the series will have come to expect, unflinchingly dark, creepy, and nail-bitingly tense.

TRUTH OR DARE starts with a Darren Richards being forced to make a horrific choice – his life, or that of his family. Right from the outset, the ‘Lawgiver’ shows just how serious he is about his mission to serve justice where he believes the criminal justice system has failed. Enter Detective Inspector Phil Brennan and his team – investigating what looks set to become a serial killer case in Phil’s new home of Birmingham.

What I especially admired in this book is the skillful way the author touches on issues of morality, social justice and economic deprivation in relation to attitudes and motivations towards crime, without ever becoming preachy. The characters feel real and fully drawn; the settings gritty, grimy and highly atmospheric.

Tightly plotted, with a rapid pace and twists that will blindside you, this is a super-moreish read.

The Good Girl cover image

The Good Girl cover image

THE GOOD GIRL by Mary Kubica (Harlequin MIRA)

This spellbinding debut thriller uncovers just how many dark secrets can be hidden behind a perfect family image. Schoolteacher, Mia Dennett, turned her back on her family’s extravagant lifestyle to work as an inner-city teacher and make her own way in the world. But when her boyfriend stands her up one time too many, a spare-of-the-moment decision to go home with the smooth and attractive Colin has horrifying consequences for more than just Mia.

Told through three main viewpoints – the mother, Eve, the kidnapper, Colin, and the cop, Gabe – each character shows the reader a different perspective on the events, and on Mia, leading up to, during and following the kidnapping.

With the viewpoints and timeline told out-of-sequence, the story builds the tension to the max as the details of what happened to Mia are uncovered. It’s a complex tale of deceit, jealously, fear, and love played out against the bustling, bright lights of Chicago and the frozen, unforgiving landscape of rural Minnesota in winter.

I found this artfully crafted story brutal at times, and yet so beautiful that it made me cry (and I can’t remember the last time a story did that). A stunning debut.

The Bones Beneath cover image

The Bones Beneath cover image

THE BONES BENEATH by Mark Billingham (Sphere)

THE BONES BENEATH takes Tom Thorne away from his home turf, reluctantly chaperoning one of the most dangerous criminals from his past on a trip to Bardsey Island to retrieve the body of a teenager. Part road-trip, part closed location mystery, the suspense builds from the outset.

Stuart Nicklin is a master manipulator without a shred of remorse for his victims and their families, yet he says he’s willing to lead the police to the body of one of his early kills in order for the boy’s mother to get closure. The catch –Thorne must be the police officer to escort him. But Thorne knows the trip isn’t about any sense of conscience Nicklin has, so why does he want to take a trip to the island now?

As Thorne and his team, along with prisoners Nicklin and Batchelor, make the journey there’s a real sense of impending doom.

The remote island makes the group geographically isolated. At the mercy of the weather, and limited by the small amount of equipment they could bring, the team start their search for the body. But finding it is only their first challenge.

The relationship between Thorne and Nicklin is grating and tense. Nicklin tries his upmost to taunt and provoke Thorne, while Thorne battles to keep his reactions in check. They’re well matched adversaries – smart, savvy and both determined to stop the other getting the upper hand. But as the full extent of Nicklin’s plan is put into play, the body count rises, and Thorne is forced to make an impossible choice.

This tense, suspenseful and claustrophobically gripping story hooked me in from the beginning and kept me reading into the early hours because I just couldn’t put the book down. A truly fabulous read.

The Distance cover image

The Distance cover image

THE DISTANCE by Helen Giltrow (Orion)

This is a stylish, espionage-type thriller with a bold and courageous female lead character. Karla (and her alter-ego Charlotte Alton) is super-smart, brave and principled (in her own very distinct way). But this job is different. To get a hit-man into ‘The Programme’ – an experimental prison that is meant to be impossible to break in or out of, and the hit-man is Johanssen – a guy she has a history with.

Karla takes the job, but as Johanssen assumes a new identity in order to enter The Programme, Karla gets increasingly suspicious of the client and their motives. The target of the hit is a woman, and the only information they have on her is a photo and an assurance that she did ‘something bad. Yet she seemingly has no identity, no history, and there is no record of her being inside the prison. Still, Karla has seen the CCTV footage – she knows that the target is inside and very much exists.

Concerned for Johanssen’s safety, Karla digs deeper to find the identity of the target and, in doing so, unravels the complex web of lies, bribes and murder. As she gets closer to uncovering the violent truth hidden behind the hit, Karla, and those close to her, become targets.

Set in the near future and played out over twenty-four days, the story is packed with tension. It’s told in the present tense, which adds to the momentum, and hammers along at a tremendous pace. The plot twists and turns, then twists some more and turns again. Dark, edgy and, at times, brutal, this is a stylish and highly original debut.

The Killing Season cover image

The Killing Season cover image

THE KILLING SEASON by Mason Cross (Orion)

THE KILLING SEASON has everything I love about action thrillers – the intrigue, the danger, the chase and the multi-layered characters. And, it’s Mason Cross’ debut novel, which makes it all the more impressive.

The main character, Carter Blake, is something of an enigma – charismatic, highly skilled, and at the top of his game. But he doesn’t let power and politics get in the way of his investigation, and he makes sure justice is brought, whatever the personal cost. So pairing up with Special Agent Elaine Banner makes for an interesting working relationship – she’s career-driven and has her eyes on the next promotion, working with a talented maverick like Blake gives her a set of problems she can well do without.

The serial killer antagonist – sniper Caleb Wardell – is a smart and cunning adversary, engaging Blake and Banner in a deadly game of cat and mouse. The tension is high from the get-go and just keeps on rising.

I cannot sing this novel’s praises highly enough – it’s a joy to read, utterly engaging and kept me hooked right from the first page to the last. There’s high stakes and high tension, and the chemistry between Blake and Banner sizzles off the page. If you love action thrillers, go and read this book. I’m sure you won’t regret it.

The Long Way Home cover image

The Long Way Home cover image

LONG WAY HOME by Eva Dolan (Harvill Secker)

Another fabulous debut of 2014 is LONG WAY HOME. DS Mel Ferreira and DI Dushan Zigic from the Peterborough Hate Crimes Unit are called in to investigate the murder of an unidentified man, burnt alive in a garden shed. As they start their investigation the man is identified as an immigrant, but no one will talk about the murder. There are plenty of suspects though; from the owners of the shed who seem to be hiding something, to a convicted arsonist, and the local men who use (and abuse) cheap labour – the victim seems to have made plenty of enemies. Question is, who killed him and why?

A compelling and moving story, from the brutal murder, to the horrendous conditions immigrant workers are found to be living in, their callous treatment and the cheapness of human life to the trafficking gangs and local racketeers. DI Zigic and DS Ferreira battle to bring the guilty to justice against the backdrop of a city where the undercurrent of radical tension is high and the threat of violence never far away.

Beautifully crafted, artfully plotted and deeply thought provoking, this stunning debut is the beginning of a fantastic new crime series.

Better Off Dead cover image

Better Off Dead cover image

BETTER OFF DEAD by Tom Wood (Sphere)

BETTER OFF DEAD has terrific pace, a contemporary, gritty feel and, rather unexpected for a novel whose protagonist is an assassin, a real depth of heart.

In this story, Victor (the Assassin) is called by an old contact, now enemy – Russian crime boss Norimov – and asked to protect his estranged daughter who is being targeted by an unidentified gang. At first Victor refuses, but finally agrees to find and protect Gisele in honour of her dead mother, who was his friend.

In London, Victor realises that finding Gisele may be more problematic than he’d first anticipated. When he locates Gisele things aren’t any clearer. She has no idea who is after her, and is highly reluctant to go with him. He manages to persuade her, and that’s when the serious attacks begin.

Forced to rely on his instincts and training, Victor battles to keep Gisele safe as they try to unravel the real motive driving those that are targeting her. The bond that grows between Gisele and Victor makes them an engaging pair. Gisele’s a fast learner and a brave co-protagonist. She’s also rather adept at challenging Victor, acting rather like a moral compass in the more violent moments.

With some fabulous action scenes, and ever increasing stakes, this is a breath-taking read from start to finish. A must read for fans of action thrillers.

Dear Daughter cover image

Dear Daughter cover image

DEAR DAUGHTER by Elizabeth Little (Harvill Secker)

Told from the point of view of Jane “Janie” Jenkins DEAR DAUGHTER tracks the IT girl turned criminal as she searches to find the truth about her mother’s murder – did she do it? If she didn’t, who did and why?

It’s an action-packed, cross-country race of a read as Janie follows the few clues she has to the secrets in her mother’s past – the family Janie’s never met, the childhood her mother never spoke about – hunting out anyone who can help her find out what links her glamorous, wealthy mother to a small town out in the middle of nowhere.

But it’s not easy with the media, and an especially determined blogger, out to find her. So Janie goes undercover, transforming her super bitchy, razor sharp-witted, and hair to die for self into a more wallflower-esq alter ego. And it works, for a while. But as she digs deeper, and starts to uncover the secrets hidden for so long by her mother, and those of other members of the close-knit community, her true identity – and the danger that brings – is discovered.

Janie is a real love-to-hate protagonist – smart and resourceful, and I loved riding along with her on the hunt for the truth. Mystery, suspense, a non-stop pace and a wonderfully quirky, strong female narrator – this book has them all. I read it in a single weekend.

The Dying Place cover image

The Dying Place cover image

THE DYING PLACE by Luca Veste (Avon)

When the body of a murdered teenager is found outside a church, Murphy and Rossi are called in to investigate. As they delve deeper into the case it becomes clear that someone, or some people, are taking teenagers off the street and holding them against their will, trying to ‘re-train’ them through a brutal form of national service.

Veste’s Liverpool is an unsettling, dangerous place where frustrations between the older generation and the young run high. Told through multiple points of view, the story highlights the impact of violent crime on victims’ families – on the parents whose children don’t ever return home and on the adult children whose elderly parents fall victim to teenage gangs. It also shows how grief can twist into vengeance and how that can be a powerful motivator, exploring the theme of vigilante justice in an up-close and disturbingly convincing way through the eyes of the characters.

As in Dead Gone, Murphy and Rossi are a brilliantly paired double act; the strong bond between them showing through their ever-present banter, and their unswerving loyalty in the face of adversity.

A fast-paced police procedural that keeps you guessing right to the end, THE DYING PLACE is a truly gripping read.

 

So that was 2014. I can’t wait to find out what wonderful books 2015 has in store …

CTG Interviews: Alison Gaylin, author of AND SHE WAS

Author Alison Gaylin

Author Alison Gaylin

I’m delighted to welcome today’s guest – best selling author Alison Gaylin – to the CTG blog. Alison’s kindly agreed to answer a few questions for us.

So, to the interview …

Your fantastic new novel AND SHE WAS came out earlier this month, can you tell us a bit about it?

Sure! It’s the first book in my series that features Brenna Spector – a missing persons investigator with hyperthymestic syndrome (perfect autobiographical memory). In it, Brenna investigates the case of a missing suburban woman — and soon finds ties between her disappearance and a missing child case of ten years ago. The mystery that drives Brenna throughout the first three books in this series is the disappearance of her own sister, which happened when she was just 11. It’s the event that brought on her hyperthymesia (which is a real thing!) and haunts her constantly. And so of course, it plays a strong role in AND SHE WAS.

Your investigator, Brenna Spector, is really compelling protagonist – smart and dedicated to her work as a missing persons investigator, and very human in her struggle to balance the demands of her job while trying to make quality time for her daughter. She also has a rare neurological disorder that lets her recall every detail of every day since it developed. What was your inspiration to create her?

Back in 2007, I read an article about hyperthymestic syndrome. It had just been named a year earlier. And it fascinated and frightened me. I’ve said this before, but it struck me not so much as an ability to remember, but an inability to forget. My own ability to forget unpleasant experiences has been a lifesaver — and to be robbed of that ability would be horrifying. So that was my inspiration. I thought about how a perfect, relentless memory would affect someone like me, how it would affect my relationships. I gave Brenna a daughter because I have a daughter. I thought about what a struggle that would be, trying to be present for your child with the near-constant intrusion of the past in the form of visceral memories. I’m married, but I gave Brenna an ex-husband that she can’t even be in the same room with — not because of the bad memories, but because of the good ones. At the same time, the world is a lot smaller than we think it is, and I figured being someone that literally “never forgets a face” would be an incredible asset for a private investigator.

Much of the book focuses on the residents of Tarry Ridge and the secrets they’ve kept. Is Tarry Ridge a real place or somewhere you created for the story?

Tarry Ridge is a fictional town, but the county that it’s in is real. For people who know Westchester County, New York, Tarry Ridge is White Plains meets Scarsdale on steroids. If you don’t know those places, it’s a very wealthy New York bedroom community with some dark secrets. (The dark secrets wholly fictional!)

AND SHE WAS cover image

AND SHE WAS cover image

How do you set out to write your novels – do you jump right in and see where an idea goes, or do you plot the story out in advance?

A combination of the two. I always have to know where a novel ends up – the key to the mystery. But how I get there is more flexible. So I figure out the basic story ahead of time and then I start writing. After I hit around 100 pages, I start outlining two-three chapters in advance. When I finish, I do a very extensive revision, streamlining and rearranging. I used to make very detailed outlines, but I always wound up diverging from them. This way seems to work better.

When’s your favourite time to write – are you a lark or an owl?

Both! Late night is usually when I write scenes for the first time. I find morning is the best time to edit them, when my head is clear.

What advice would you give to crime writers aspiring to publication?

Be persistent, but don’t be inflexible. If you are getting the same criticism from everyone who rejects your manuscript, and it’s about character or plot (as opposed to “this will never sell.” Or the dreaded, “this isn’t for us”) it’s probably worth listening to. Constructive criticism can be a wonderful thing. Use it to write the best book you can.

And finally, what does 2015 have in store for you?

In the UK, the next book in the Brenna series, INTO THE DARK, will be released. As for me, I am currently working on a standalone novel called WHAT REMAINS OF ME. The main character is a convicted murderer — so she’s very different from Brenna. It will be coming out on HarperCollins in the US.

A huge thank you to Alison Gaylin for letting us quiz her!

You can find out more about Alison and her books over at www.alisongaylin.com and follow her on Twitter @alisongaylin