My Writing Life: 2021 in Review

Well 2021 has been a strange kind of year hasn’t it?! As the end of the year approaches I like to reflect on what’s happened over the past twelve months and start to plan for the new year.

For me, this year has been an emotional rollercoaster. I’ve moved house – an interesting process during a time earlier in the year when we had more Covid-related restrictions in place – but well worth it. I’ve also, like so many people over the past eighteen months, experienced the sudden loss of a close family member.

2021 has also been the first year for five years that I’ve not had a new book published which has felt quite odd but that doesn’t mean that I haven’t been busy.

As well as doing novel critiques and coaching new and more experienced writers as part of www.crimefictioncoach.com I’ve been putting the finishing touches to the first book in my new Retired Detectives Club series.

DEATH IN THE SUNSHINE will be published in March 2022 by Thomas & Mercer, and I’m currently writing the first draft of the second book in the series. I’m super excited about this new series and can’t wait for it to be out in the world.

It was lovely that after very few crime writing events being able to go ahead in 2020, there were more able to take place this year. I was on a panel at the always brilliant Theakston Old Peculier Crime Writing Festival in Harrogate back in July and it was huge fun to meet up with readers, bloggers, reviewers and fellow writers over the four day festival – all united in our love of everything crime fiction. There have been more virtual festivals starting over the past couple of years which I think is fantastic as it makes festivals even more accessible. Hopefully (Covid-safety permitting) 2022 will see even more festivals – face-to-face, virtual and hybrid – able to take place.

My first task in 2022 will be to finish a polished first draft of Retired Detectives Book 2 and send it off to my editor by my deadline at the end of January. I’ll then be focusing on the editing of that book before starting the planning for the third instalment in the series. And I’m really looking forward to launching DEATH IN THE SUNSHINE in March.

Whatever your 2021 has been like, I’d like to wish you health, happiness and success in 2022.

Steph x

image of DEATH IN THE SUNSHINE paperback against a backdrop of palm trees in the sun

CTG Interviews KJ Howe about The Freedom Broker

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While I was at the Theakston Old Peculier Crime Writing Festival at Harrogate I met up with fellow debut novelist KJ Howe to chat about her fabulous thriller THE FREEDOM BROKER. Over coffee, we talked research, writing process, and how she created the kick-ass action heroine Thea Paris…

Thea Paris is such an authentic all-action female lead – what inspired you to create her as a character?

I always wanted to write a strong female protagonist. As part of my research I went out to the Phoenix desert and trained in hand-to-hand combat, knife fighting and more. I’m a big believer of if you’re going to write about it you should have experienced it. I’ve got this rolodex of Special Forces guys I can call on – they read the book – and wanted to bring an authenticity to the page. I would have loved to have been a spy! I’ve been zip lining, cage diving with sharks, but I’m also feminine and enjoy dressing up – I wanted to show a woman can be a real woman but also really strong too, but not in a comic book way. Thea Paris has very human baggage and with her diabetes there’s a ticking clock – she has to have her insulin [which can be tricky given some of the situations she gets into during the course of The Freedom Broker]. I wanted to show that if you have a chronic illness it shouldn’t stop you, and if you’re a woman it shouldn’t stop you doing your dream job.

Thea’s job as a Response Consultant [kidnap negotiator/rescuer] is an unusual one – what research did you do?

I’ve spent the last four years immersed in that world and found out first-hand about what it’s like. As well as speaking with people who’ve been in real life hostage situations – like Peter Moore who was the longest held hostage in Iraq – I’ve found out about the world of kidnap and ransom. I attended the Kidnap and Ransom Conference – I didn’t know anyone, and it’s a dark, closed world – but I needed to learn about it so I could write authentically. Now I’ve got contacts all over the world – including special ops people, response consultants, a psychologist who specialises in hostage mentality, and security guys who protect journalists in war zones.

I wanted to do something fresh and unique, and I didn’t want to do FBI or Police as I’m not a rule follower – I wanted the freedom to go wild! Private industry doesn’t have the same restrictions, and it’s interesting how the whole system works – from big companies, to kidnap insurance, through to response consultants [interestingly, Lloyds of London are the people who first started selling kidnap and ransom insurance]. People can be insured for as much as fifty million dollars, and negotiators will often haggle down from the ransom demand – usually 10% or so. In the US and the UK the penalty for kidnap is high, and there’s also a 95% chance of getting caught. But in Mexico there are no laws on kidnap and a 95% chance of not getting caught – so it’s more worth the risk to kidnappers. Plus there’s no lack of potential victims – everyone has loved ones – it’s scary. With every book in the series I’m hoping to explore a different aspect of kidnap.

THE FREEDOM BROKER is super twisty-turny – what was your writing process?

I’m an organic writer. I do plan ahead, but mostly the story is held in my head. I do go back and plant things later though. You can’t fight who you are – if you need to plot to feel in control then do that. I find there’s a freshness from organically writing – the characters come alive. So listen to your heart and write how you want to – my style is ‘pants on fire’ writing. You can sometimes get into trouble writing organically, but for me it’s well worth the risk. If I get into a corner I think ‘what’s the theme of the book?’ – it’s often family – and can work out what next from there.

What got you into writing thrillers?

When you look at the book you’re reading and the books you chose to read there’s always an emotion attached to them. With thrillers it’s energy and adrenaline, with mysteries it’s puzzle solving, with romance it’s hope, and with sci-fi it’s wonder. I’m into adrenaline and energy – I’m a very action orientated person. I read David Morrell’s Brotherhood of the Rose – a spy thriller – and thought I’d love to be an author and be able to do what he did to me to another reader, to take them to another place – like Athens – and fascinate them. The Eye of the Needle and Day of the Jackal are great books. I grew up in different places around the world and wanted a character that can go anywhere – each book will go to different countries.

KJ HOWE

What words of advice do you have for those aspiring to be published?

Embrace criticism from credible sources. I worked on my book for two years and had to go on the journey – it’s 10% about talent and 90% about perspiration – and you have to be in it for the long haul. Everyone I know has been at it for a while. Write every day or as often as you can – get out the junk words and keep going! David Morrell is my mentor and he has a saying ‘Be a first rate version of yourself, not a second rate version of someone else’ – only you can write your book. It’s like with me having had a very international life – I’ve lived in lots of places where the shadow of threat is always there – I can bring to the page what I’ve learnt. Be fresh. Unless there’s great writing and a unique voice don’t do something that’s already been done. Stay the course and get help – never bring your ego to the table. Although I’m published I feel like I’m at the beginning of the journey. I want to stay at it, keep getting better, and then getting word out about my books and reaching readers. Learn everything you can about this business. Do your own social media, and get involved and be part of the writing community (events like the Theakston’s Crime Writing Festival held at Harrogate every July are a great place to start). I try to help as many writers as I can – playing it forward as I’ve had a lot of help from authors. You can contact me through my website and the ThrillerFest website [she’s the Executive Director of the fantastic crime writing festival] – I’m always happy to hear from people.

And with that the coffee was drunk and the interview was over. KJ Howe was a brilliantly fun interviewee and it was great to meet her and talk about all the fascinating research she’s done – she really is an action woman herself!

To find out more about KJ Howe visit her website HERE and be sure to follow her on Twitter @KJHoweAuthor

You can read my review of THE FREEDOM BROKER HERE and then hop over to Amazon to buy it by clicking the link HERE

And check out the ThrillerFest website HERE for all the details on this amazing crime writing festival held in New York every summer.