CTG Reviews: THE DEFENCE by Steve Cavanagh

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To celebrate the paperback release of THE DEFENCE I’m re-running my review of this fabulous thriller …

What the blurb says: “Eddie Flynn used to be a con artist. Then he became a lawyer. Turned out the two weren’t that different.

It’s been over a year since Eddie Flynn vowed never to set foot in a courtroom again. But now he doesn’t have a choice. Olek Volchek, the infamous head of the Russian mafia in New York, has strapped a bomb to Eddie’s back and kidnapped his ten-year-old daughter, Amy. Eddie only has forty-eight hours to defend Volchek in an impossible murder trial – and win – if he wants to save his daughter.

Under the scrutiny of the media and the FBI, Eddie must use his razor-sharp wit and every con-artist trick in the book to defend his ‘client’ and ensure Amy’s safety. With the timer on his back ticking away, can Eddie convince the jury of the impossible? Lose this case and he loses everything.”

The Defence is hands down one of the best legal thrillers I’ve read in years. Eddie Flynn – con artist turned lawyer – is haunted by the last case he took to trial. He’s turned his back on the legal profession, taken up drinking and become estranged from his wife and child. Things seem pretty bad, but as the reader discovers from the very start of The Defence, things are about to get much, much worse for Eddie Flynn.

With his daughter abducted, and a bomb strapped to his own body, Eddie is forced to represent Olek Volchek – a man he has no doubt is guilty of murder. In order to buy enough time to figure a way out of the terrifying situation he’s in, Eddie has to draw on all his skills – both legal and criminal – and his friends on both sides of the law, as he gambles against increasingly higher risks in his attempt to get his daughter safe. Smart, courageous and driven by the need to protect his young daughter, Eddie makes for a compelling character – someone you can really root for.

This rapid-paced, page turner has bucket-loads of action and piles of sky-soaring tension.

A fabulous must-read – highly recommended for all thriller fans.

To find out more about Steve Cavanagh and his books hop on over to his website at stevecavanaghbooks.com and be sure to follow him on Twitter @SSCav

And to buy THE DEFENCE from Amazon click here or buy it from Waterstones via the link here

What happened when … CTG went to a secret screening of The Night Manager

 

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Last week I was super excited to be invited along to a secret screening of BBC One and The Ink Factory’s new drama The Night Manager, and to hang out with some of the cast (including one of my longtime actor heroes – Hugh Laurie!).

Hardly able to contain myself with excitement, I trotted along to the swanky May Fair Hotel to find out all about it.

This adaptation of John le Carré’s wonderful spy thriller The Night Manager (published in 1993) is a fascinating and complex story of criminality. Former British solider, Jonathan Pine, is recruited by intelligence operative, Angela Burr, to infiltrate the inner circle of an arms dealer who is known as ‘the worst man in the world’, Richard Roper, in an attempt to bring him to justice.

Gracefully interpreted for the small screen, The Night Manager remains faithful to le Carré’s original whilst bringing it undeniably into current times. From the opening scenes in Cairo, the story pulled me into the world of The Night Manager and held me enthralled (and sometimes appalled) for the duration of the screening. In the discussion afterwards, Hugh Laurie spoke of his love for le Carré’s novel and his desire to bring the story to the screen after he first read it over twenty years ago. It’s been a long time in the making, but having seen the results I’d say that the wait has been absolutely worth it.

Stunning visually, with stand out performances from Hugh Laurie in the role of Richard Roper, Tom Hiddleston in the role of Jonathan Pine, and Olivia Colman in the role of Angela Burr, this gripping adaptation is a must-watch drama for 2016

The Night Manager will be screened later this month on BBC One in six one-hour episodes.

Be sure to watch live or record it (FYI I’m going to do both!) because you’re really not going to want to miss it!

For a sneaky peep at The Night Manager click here to go to the trailer on YouTube

The AFTER YOU DIE Blog Tour: CTG interviews crime writer EVA DOLAN

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Today I’m delighted to be hosting a stop on Eva Dolan’s AFTER YOU DIE Blog Tour and to have Eva joining me on the CTG blog to chat about writing the fabulous Zigic and Ferreira series and to tell us more about the latest brilliant book in the series – AFTER YOU DIE.

Welcome, Eva!

So, to the questions …

Your latest book AFTER YOU DIE is published this month, can you tell us a bit about it?

After You Die opens with a gas explosion at a pair of cottages in an affluent commuter village, which reveals the corpse of a young mother and, upstairs, the body of her paralysed daughter who has died as a result of neglect. Zigic and Ferreira are called in to investigate after it becomes clear that the family have been subjected to months of harassment linked to the daughter’s activities as a prominent right to die advocate.

It’s a book about the grinding torment of online harassment and the expectations put on carers, but more than that it’s about what happens to a family in the aftermath of a personal tragedy.

AFTER YOU DIE is the third book in the Zigic and Ferreira series and takes the detectives out of Peterborough centre and into a smaller, village location – what prompted you to change the setting for this story?

Partly it was a desire to show a different side to Peterborough. I’d shown the worst of it in the first two books and it’s easy to believe that ‘nicer’ areas don’t suffer crime to the same degree as the inner city, and that was something I wanted to challenge.

Also, the nature of this crime, being motivated by a personal form of hatred rather than an overtly political one, gave me an excuse to examine how a murder can unbalance a different kind of community, one which sees itself as comfortable, more genteel, the kind of place people move to in order to escape from city centre criminality. I liked the idea of having this quite insular village where all the players are in close proximity and their shared history remains inescapable.

All your books stand out for me in that you seem to effortlessly blend hard-hitting social issues with engaging and fast-paced crime fiction. What is it that interests you in a story idea and what’s your process for turning that initial spark into a book?

Thank you very much! Because the series is set in a Hate Crimes Unit I don’t actually have total free range over the subject matter of the books – they have to be based on crimes which are motivated by prejudice over race, religion, disability, homophobia or transphobia, otherwise Zigic and Ferreira wouldn’t be investigating them. So it does automatically rule out quite a lot of storylines. But it’s a welcome limitation because it means I have to find crimes which are outside the ordinary.

In After You Die the initial inspiration was the case of Fiona Pilkington and her family who had been harassed and abused for years as a result of her daughter’s disability. They were ignored by the police, left to fend for themselves, until Fiona couldn’t take anymore. She killed her daughter and herself. It was a heart-breaking case and spurred me on into researching the rise of disability related hate crimes, which made for incredibly depressing reading. Mencap believe 90% of people with a disability have been victims of some form of hate crime, which is a staggering statistic.

The image of a mother and daughter under siege, stuck with me, and as I started working on characters Holly – the daughter – came through as a very strong voice, defiant despite the terrible injuries she’d suffered, a strong, opinionated young woman determined to fight off the bullies with her intelligence and eloquence.

(c) Mark Vessey

(c) Mark Vessey

Over the first three books of the series you’ve thrown a lot at Zigic and Ferreira in their personal lives as well as professionally. Do you have the series mapped out, or does the action unfold organically as you write?

I map out each book in quite a lot of detail but I prefer to let Zigic and Ferreira’s personal lives unfold organically. It’s more interesting for me to keep finding out new things about them as the series continues, and hopefully for the reader too.

So far I think they’ve got off fairly light for fictional coppers! Zigic especially has a calm and happy family life; I’m increasingly tempted to throw him a major curveball to see if it shakes him out of being such a good man. He’s been perfectly morally upstanding so far but I feel there’s a darkness in him which I haven’t quite drilled down into yet.

Just to contradict myself, I do know what’s coming up for Ferreira in personal terms. It wasn’t planned but she’s stumbled into a bad situation in book four and, even though she doesn’t realise it yet, the blowback is going to be pretty major!

As a reader of crime fiction, what authors and/or books have influenced or inspired you?

I’ve been rereading some of the early Rebus books lately and even though I’ve always cited them as a major influence I didn’t realise just how deep that went until I revisited the ones I was reading as a began my writing career. Without them and John Harvey’s books – both the Resnick and Frank Elder series – I wouldn’t have become a crime writer. They created the template for socially engaged, politically cynical crime fiction for me.

And, finally, what does the rest of 2016 have in store for you?

I’m currently finishing off book four – would like to give a little teaser about it but I’m way too superstitious to discuss work in progress. After that… editing and more writing and then I’ll be out promoting After You Die, which let’s be honest, is the best part of being a writer. I’m hugely looking forward to Essex Literary Festival and ChipLitFest, and there are a couple more events I probably shouldn’t mention yet but judging by previous visits, they will be loads of fun.

A massive thank you to Eva Dolan for popping along to the CTG blog today and chatting to us about her new book AFTER YOU DIE and her writing process.

AFTER YOU DIE by Eva Dolan is out now. Click here to buy it from Amazon 

And you can see Eva Dolan in person, speaking at Essex Book Festival, on Monday 23rd March at 7.30pm http://essexbookfestival.org.uk/event/sceneofthecrime/

Also, be sure to check out all the other fabulous stops along the AFTER YOU DIE Blog Tour …

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CTG Reviews: THE SAMARITAN by Mason Cross

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To celebrate that THE SAMARITAN by Mason Cross is now out in paperback (and has been picked as a Richard & Judy Book Club Spring Read 2016) I thought I’d re-run my review, just in case you missed it the first time around …

What the blurb says: “When the mutilated body of a young woman is discovered in the Santa Monica Mountains, LAPD Detective Jessica Allen knows she’s seen this MO before – two and a half years ago on the other side of the country. A sadistic serial killer has been operating undetected for a decade, preying on lone female drivers who have broken down. The press dub the killer ‘The Samaritan’, but with no leads and a killer who leaves no traces, the police investigation quickly grinds to a halt.

That’s when Carter Blake shows up to volunteer his services. He’s a skilled manhunter with an uncanny ability to predict the Samaritan’s next moves. At first, Allen and her colleagues are suspicious. After all, their new ally shares some uncomfortable similarities to the man they’re tracking. But as the Samaritan takes his slaughter to the next level, Blake must find a way to stop him … even if it means bringing his own past crashing down on top of him.”

Since reading the first couple of chapters of The Samaritan in a teaser sampler I was dying to get my hands on this latest book by Mason Cross. And let me tell you, the wait was certainly worth it!

The Samaritan is packed with all the trademark heart-stopping action, break-neck pace, and twisting-turning plotlines that made Mason’s debut novel – The Killing Season – such a huge success.

In The Samaritan we also get to find out more about the past of mysterious ‘people finder’ Carter Blake (although don’t worry, he’s still pretty damn mysterious!). Jessica Allen is a great female lead – strong, determined and courageous in the face of extreme danger. She reluctantly accepts Blake’s assistance, but is less inclined to completely trust him. As they each follow their own lines of enquiry, gradually closing in on this most brutally sadistic of serial killers, they both become targets. Question is, can they get to the killer before the killer gets them?

Set in Florida and California, The Samaritan showcases some great locations (including one very creepy and atmospheric one that I can’t mention – sorry, it’d be too much of a spoiler) to create a vivid backdrop to the story.

With great characters, fab locations and a super-twisty plot, The Samaritan is an absolute page-turner. And I already can’t wait for the next Carter Blake novel – I think this is a series that’s going to run and run.

A fabulous must-read for thriller lovers – and one of my top reads of 2015  – I can’t recommend this book highly enough!

 

THE SAMARITAN has been picked as a Richard & Judy Book Club Spring Read 2016. To buy the book from WH Smith click here

To buy the book from Amazon click here

To find out more about Mason Cross and his books pop over to his website at www.masoncross.net and follow him on Twitter @MasonCrossBooks

 

[with thanks to Orion Books for my copy of The Samaritan]

CTG Reviews: IN A DARK DARK WOOD by Ruth Ware

 

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What the blurb says: “Some hen parties are bad. This one’s going to be murder. Leonora hasn’t seen Clare for ten years. Not since Nora walked out of school one day and never went back. Until, out of the blue, an invitation to Clare’s hen do arrives. Is this a chance for Nora to finally put her past behind her? As the champagne corks pop, the secrets begin to flow, and a hen do for an old school friend begins to take a sinister turn …”

This tension-fuelled page-turner is enough to put anyone off hen parties for good!

When Nora receives an invitation to her old school friend – Clare’s – hen party she’s not sure whether to accept. It’s been ten years since they spoke, and there are unresolved issues from that time that Nora would rather leave in the past. But, when she learns another friend, Nina, has been invited, they make a pact to go together. It’s a decision that will come back to haunt them both.

Organised by Clare’s new BFF – Flo – the hen party weekend has been meticulously planned to be the perfect party, with having fun made compulsory. But Nora isn’t having fun. From the isolated setting in the woods, to the forced need to enjoy themselves and peer pressure to fit it and do every activity, the tension within the group ratchets ever higher. The weekend isn’t off to a great start, but Nora could never have anticipated just how bad things will get.

In A Dark, Dark Wood has all the hallmarks of a classic locked room mystery brought bang up to date within a contemporary setting – a modern house in a remote location in the woods where there’s a patchy phone signal, only one route in and out, and no close neighbours. Nora is flawed and likable, and a character I couldn’t help but route for. In fact, all the characters are vivid and interesting (even if you might not want to be friends with them all!) and the relationships between them, and alliances that form as things go wrong, are fascinating to watch unfold.

With deeply unsettling undertones from the outset, In A Dark, Dark Wood is a real nail-biter of a read. Packed with twists and turns, it had me hooked right from the opening chapter through to the last.

It’s a brilliant debut and an absolute must-read for thriller fans.

 

IN A DARK DARK WOOD is a Richard & Judy Book Club Spring Read 2016.

To get the book from WH Smith click here

To buy the book from Amazon click here

To find out more about Ruth Ware pop over to her website www.ruthware.com and be sure to follow her on Twitter @RuthWareWriter

 

[With thanks to Vintage for my copy of IN A DARK DARK WOOD]

CTG Reviews: SOLOMON CREED by Simon Toyne

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What the blurb says: “A plane crash in the Arizona desert. An explosion that sets the world on fire. A damning pact to hide an appalling secret. And one man bound to expose the truth. He is Solomon Creed. No one knows what he is capable of. Not even him.

When Solomon Creed flees the burning wreckage of a plane in the Arizona desert, seconds before an explosion that sets the world alight, he is acting on instinct alone. He has no memory of his past, and no idea what his future holds. Running towards a nearby town, one name fires in his mind – James Coronado. Somehow, Solomon knows he must save this man. But how do you save a man who is already dead?”

Highly atmospheric, this cinematic literary thriller plunges the reader deep into the Arizona desert and a town seeped in the blood of a violent history that has continued to haunt it into the present day.

The historical storyline telling of the town’s origins weaves between chapters of the present day mystery which poses the questions: why did the plane crash in the desert? Who was on it? Who caused the crash? Why is Solomon Creed there? And just who is he?

Solomon Creed is an intriguing character – a man with no memory of the past but an instinct for survival and escape. The present day storyline follows his journey as he struggles to uncover just who is he and why he’s ended up in this small town in the desert. And as he seeks the truth about himself, he begins to uncover a web of lies, secrets and hidden treasure dating back to the very inception of the town.

Played out against an epic backdrop, SOLOMON CREED is an atmospheric, intense and complex mystery, perfect for fans of both historical and contemporary literary thrillers.

 

To find out more about Simon Toyne pop over to his website at  www.simontoyne.net and follow him on Twitter @simontoyne

And to check out SOLOMON CREED on Amazon click here

[With thanks to Harper Fiction for my copy of SOLOMON CREED]

 

Guest Post: Why I Love ‘Jaws’ and ‘Alien’ (Learning storytelling from the masters) by V.M. Giambanco

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Today I’m handing over the reins of the CTG blog to crime writer V.M. Giambanco who’s talking about how she learnt storytelling from the masters …

Telling stories is a dizzying business. When an idea begins to find its legs and pulls the writer into unknown territory with a wink and a shove, it is always possible to see that energy on paper, the sheer joy that went into the construction of that story.

If someone is interested in writing – let alone crime fiction writing, which lives and dies in the layering of action, information and resolution – it is crucial to understand and relish how stories come together.

I have always been intrigued by storytelling and before I wrote ‘The Gift Of Darkness’, the first book in the Alice Madison series, I worked for many years in film editing and was involved in all kinds of projects, from romantic comedies to Mafia thrillers and Bollywood-style musicals, and I have always been keen to see how different elements fit together – or perhaps how they don’t fit together at all. Yes, I’ve been involved in some pretty awful pictures too.

These are some of my favourite examples of storytelling and any aspiring crime-writer could do a lot worse than look at these different films, take them apart and put them back together. They might not necessarily be crime-related but some particular elements make them relevant and significant.

‘Jaws’ and ‘Alien’are masterpieces in the building of suspense around an unseen enemy who takes innocent lives – a kind of serial killer, if you will, and that’s definitely a familiar type of device in crime fiction.

Both films have unusual heroes: the first, a cop who is afraid of water; the second, a woman pushed into leadership by extreme circumstances. The tone of the stories is very different: ‘Jaws’ has a lighter atmosphere with humour and moments of comedy while ‘Alien’ is relentlessly grim, and even in the early parts of the film – when all the characters are still alive – there is the constant, claustrophobic feeling that they are surrounded by an environment that is just waiting to kill them. Outer space after all is the ultimate psychopath: fascinating and lethal.

Two small gems in terms of building tension are the scene when Dallas (Tom Skerritt) is looking for the xenomorph in the air-ducts in ‘Alien’ and the scene when Hooper (Richard Dreyfuss) reacts to viewing the remains of the first victim in ‘Jaws’.

By the way, we never see those remains: instead we are left with the impression of something so awful, so upsetting that even a capable scientist like Hooper is left choking and gasping for a glass of water. Both films are cunning in the art of withholding information and letting us imagine the worst – believe it or not, the Alien was on screen for less than four minutes in total; second for second it was better value than Hannibal Lecter in ‘The Silence Of The Lambs’ who’s on screen for just under sixteen minutes.

Point in question, when Ridley Scott was casting the part of Brett he told Harry Dean Stanton that ‘Alien’ was ‘Ten Little Indians’ in space. Stanton took the part and was rewarded with an unforgettable scene.

It is a well-known fact that Steven Spielberg took ‘Jaws’, written by Peter Benchley, and re-worked it extensively: gone are the sub-plots about the affair between Hooper and Ellen Brody (the hero-cop’s wife) and about the Mayor involvement with the Mafia.

The story in the film is utterly streamlined but it manages to create fully shaded characters using quiet scenes in the middle of the inexorable hunt – moments like Brody at dinner with his son and Quint telling the story of the USS Indianapolis, a ship in WW2 which sank after delivering the nuclear bomb and whose crew was mostly killed by sharks in open water.

The skill of the writers (Peter Benchley and Carl Gottlieb) and the director is that they give us unflagging pace and yet we have characters that feel real, not just a jumble of clichés waiting for the next set piece.

There are a number of devices in the ending of ‘Alien’ – like failing to abort the self-destruct sequence and the reappearance of the ‘villain’ when all seems safe – however Ridley Scott was at the top of his game and even those clichés miraculously work in a nerve-racking last few minutes.

After all these years I still love ‘Jaws’ and ‘Alien’ because they grab me by the lapels and keep me hooked, and that’s what great storytelling does, whatever the medium. Crime fiction should definitely grab you by the lapels and give you a good shake – the shark is optional.

Huge thanks to V.M. Giambanco for stopping by the CTG blog today and talking to us about how she has learnt from the masters.

The third book in her Alice Madison series – BLOOD AND BONE – is out now. Here’s the blurb: “After two years in the Seattle Police Department, Detective Alice Madison has finally found the kind of personal and professional peace she has never known before.

When a local burglary escalates into a horrific murder, Madison is put in charge of the investigation. She finds herself tracking a killer who may have haunted the city for years – and whose brutality is the stuff of myth in high security prisons.

As she delves deeper into the case, Madison learns that the widow of one of the victims is being stalked – is the killer poised to strike again? But then her own past comes under scrutiny from enemies close to home, and Madison’s position on the force – and the fate of the case itself – are suddenly thrown in jeopardy.”

To find out more about V.M. Giambanco and her books hop over to her website at www.vmgiambanco.com and follow her on Twitter @vm_giambanco 

And you can buy BLOOD AND BONE from Amazon by following this link

The KILLING EVA Blog Tour: Read an extract from Alex Blackmore’s Killing Eva

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Today I’m hosting a stop on Alex Blackmore’s KILLING EVA blog tour and have a real treat in store for you … an extract from the first chapter of KILLING EVA. 

First, here’s the blurb: “Witnessing a dramatic death at London’s Waterloo Station triggers a series of events that shatter Eva Scott’s world. Dying words uttered on the station concourse awaken a history she had thought long buried. But the past is about to be resurrected, in all its brutal reality.

Soon, Eva’s life is out of her hands. A genetic key is keeping her alive; but foreshadowing her death. People she loved and lost materialise and then disappear, testing the limits of her sanity. Inextricably linked to her survival is the potential takedown of an economic power, on which hang the lives of many others.

The only way out is through. But Eva’s life is no longer her own. And it’s killing her.”

And now, here’s the extract …

ONE

Eva drew back from the dying man. His breath was hot on her face, the grip he had on her wrist was tight, but she knew that he had just moments left.

Her heart was beating fast – too fast – and the adrenaline pumping through her body made her muscles burn.

There was now a large crowd of onlookers – it was Waterloo Station at rush hour – but no one else had stepped forward. People just stood and watched, texting or tweeting what was unfolding before their eyes, one eye on the departure boards. Don’t miss that train.

The man had collapsed only moments before. Almost in front of Eva as she ran from a tube train to a bus that would take her to the pub after an unforgiving day. For a split second she had almost swerved round him but the look in the man’s eyes – the terror – stopped her in her tracks.

‘Are you ok?’ she had said, breathlessly, as she tried not to stumble under the man’s weight. His eyes had rolled up towards the ceiling before settling on her once again as he tried to speak. His breath smelled of stale alcohol and he had the unmistakable odour of someone who had not been under a shower for weeks. But he was still alive. Just.

‘Are you ok?’ she had said, again, lowering the man to the cold, hard floor, requiring all her strength to prop up at least 180 pounds of bodyweight. Her muscles shook from the effort. No one helped. It was easy to see why the flock of commuters around her kept their distance. The man had string tied around his waist where the belt to his stained raincoat should be. His hat, now on the floor, was full of holes, and frayed at the brim.

Eva could see a sock through the toe of one of his shoes. Finally, she managed to gently lay him on the floor, took off her scarf and folded it, trying to make him a pillow. She heard mutterings in the crowd – ‘should we call the police?’ ‘tramps, I’m so sick of them’ ‘this problem is getting worse’ – and she saw a flicker of what looked like shame cross the man’s face. He looked at her, eyes suddenly lucid and clear.

‘Kolychak,’ he whispered firmly.

What was that – Russian? Czech?

‘I’m sorry I don’t understand.’

‘Kolychak,’ he said again. And then louder, but still whispered, ‘KOLYCHAK.’

He made a sudden grab for the front of Eva’s coat and pulled her face next to his.

‘Ko-ly-chak,’ he said fervently and tears started to fall from his eyes.

Somewhere in Eva’s mind, recognition flared. But she couldn’t reach it.

‘I don’t understand. Can you tell me who you are, what’s happened to you? We need to get you some help.’

Suddenly, the man let out an ear-piercing shriek that echoed around the station hall. Every person in the enormous space stopped; most turned to face the direction from which the unearthly sound had come.

Eva pulled herself away, stumbled, fell and then sat and stared at him in horror. The noise made her blood run completely cold. Then the man began to buck and writhe, as if someone was extracting his insides with a toasting fork. No one else moved. Liquid began to bubble and froth at his mouth. It had a bluish tinge. Abruptly, he stopped choking. His body became completely rigid, his eyes wide. Finally, he was still.

Eva heard her heartbeat thumping in her ears. She stared at the man on the floor. Reaching out a shaking hand, she felt his wrist for a pulse. Nothing.

‘Shit, is he ok?’ asked one of her fellow commuters. She looked at him for several seconds.

‘He’s dead.’

When she reached the pub – a ‘historic’ site just off High Holborn – she walked up to the ground floor bar and ordered a straight shot of brandy. She had barely reacted to the dying man at the time – the desire for flight had been too strong – but now she felt shaky and unsettled. Her friends, she knew, were in the bar upstairs in an area reserved for some birthday or other but she needed five minutes alone. Not that she would have it here. Even though it was only a Tuesday night, seething crowds had descended on the City and the man to her left appeared to be planning an imminent introduction. She turned away from him, looked out at the room around her and finished her drink. ‘Do you have a cigarette machine?’ she asked the barman.

‘No, love. There’s a supermarket round the corner though.’

By the time Eva returned to the pub, she was 20 minutes late for the party but still she didn’t go upstairs. She bought herself another brandy from the bar and leaned against the wall outside the building. She smoked three cigarettes in a row. After that, she felt pretty awful.

‘There you are! We thought you weren’t coming!’

Three of Eva’s friends tumbled out of the pub door, rosy cheeked from booze and laughing. Behind them came Sam, the man who had most recently shared Eva’s bed. She looked at him and he smiled. She smiled back but there was no stomach flip.

She made her excuses for being late but when she tried to tell the story of the man on the floor at Waterloo words failed her. She tried again when Sam went to the bar but she couldn’t. Ok, she reasoned eventually, why ruin their night with something she wanted to forget anyway. Sam returned with the drinks and then was at her side. He took her hand. She freed it to light a cigarette.

‘You’re smoking?’ He raised his light eyebrows towards a shock of blond hair.

She nodded and smiled. ‘Bad day.’

He gave her a hug. ‘Go on, give me one too then,’ he whispered in her ear.

She pulled back and then handed over the slim white cigarette and watched him try not to smoke it like a non-smoker.

Conversations in the group continued as one, and then two, more cigarettes were smoked to avoid a return to the cold for an hour at least. Then, the others drifted back inside. Sam pulled at her hand but she remained planted against the wall.

‘Are you ok?’

He came and stood opposite her, put his arms around her waist and stepped forward so that their faces were close.

‘I’m fine.’ She could feel that she was rigid in his arms. You’re still adjusting to being in a relationship, she told herself. It’s not him, it’s you.

He kissed her. ‘See you upstairs,’ he said and walked back into the pub smiling at her over his shoulder, attracting admiring glances as he went.

Eva turned the other way and leaned sideways against the wall. Her head hurt.

The word the man at the station had uttered was circling round and round her mind: kolychak-kolychak-kolychak. It was maddening.

She didn’t understand, she had never even seen him before. But she couldn’t forget what he had said – the incident had shaken her more deeply than it should.

She felt her phone vibrate in her bag and, grateful for the distraction from her thoughts, dug it out.

The display showed two words, starkly white against the blood red background she had chosen as a screensaver:

‘Jackson Calling.’

When she arrived at her flat that night, Eva double locked her front door and drew the chain across – something she never really did, despite living in one of the more ‘up and coming’ neighbourhoods of London.

Once inside, she stood with her back to the door and took several deep breaths.

As soon as she had seen that name on the display of her phone, Eva had started to run. She wasn’t sure where the instinct came from but she hadn’t even picked up the call. In fact, she had dropped her phone and had to rush after it as it skittered towards the edge of the kurb. A bus pulling up at a stop she hadn’t noticed was forced to skid to a halt, the driver sounding the horn angrily. She had been shocked, unaware of the peril so close, and had snatched her phone from the gutter and continued to run.

After that, a bus opposite Holborn station transported her to Camden, where she decided to walk home. On the way, a supermarket stop: a bottle of wine, another packet of cigarettes – a tin of tomato soup as an afterthought.

She’d made the journey home on autopilot. In her head the words ‘kolychak’ and ‘Jackson’ revolved mercilessly.

Jackson was her brother – her dead brother.

***

Alex Blackmore’s KILLING EVA is out now from No Exit Press.

You can find out more about Alex Blackmore by hopping over to her website at  www.alexblackmore.comand following her on Twitter @AlexPBlackmore

To buy the book from Amazon follow this link

And don’t forget to check out all the other fantastic stops on the KILLING EVA blog tour …

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CTG Reviews: The Silent Room by Mari Hannah

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What the blurb says: “One Fugitive. A deadly conspiracy. No rules. A security van sets off for Durham prison, a disgraced Special Branch officer in the back. It never arrives. En route it is hijacked by armed men, the prisoner sprung. Suspended from duty on suspicion of aiding and abetting the audacious escape of his former boss, Detective Sergeant Matthew Ryan is locked out of the manhunt. Desperate to preserve his career and prove his innocence, he backs off. But when the official investigation falls apart, under surveillance and with his life in danger, Ryan goes dark, enlisting others in his quest to discover the truth. When the trail leads to the suspicious death of a Norwegian national, Ryan uncovers an international conspiracy that has claimed the lives of many.”

This fast paced, gritty thriller grabbed me immediately with its dramatic opening scenes of a prison van hijack. And the tension doesn’t let up. With questions unanswered about disgraced Special Branch officer Jack Fenwick’s involvement in criminal activity, and many assuming him guilty, as the hours pass after the hijack DS Matthew Ryan is convinced that the Professional Standards department are wrong to treat the hijack as an escape rather than an abduction – but no one is listening to him.

With Ryan is on suspension for much of the book he is forced to conduct his own investigation off the radar using only sources he can be sure are trustworthy. Determined to get to the truth, even if it means getting himself into more trouble and risking the career he loves, Ryan keeping digging, convinced that his commanding officer, and friend, Jack Fenwick, was framed. Meanwhile, talented investigator Eloise O’Neil from Professional Standards is keeping tabs on him as her and her team hunt for Jack Fenwick, adding an extra layer of complication for Ryan to keep his own investigation secret.

There is a great cast of characters in this book and I was quickly drawn into their world through the narrative. DS Matthew Ryan is a highly compelling character – he’s determined, driven and, as events take a tragic twist, uses his moment of vulnerability and personal grief as fuel to continue his investigation. The combination of Ryan and O’Neil, both looking for answers but coming from different sides of the investigative coin, makes for a great dynamic and the scenes they share have a real zing of electricity.

Gritty, authentic and utterly engrossing, The Silent Room is a real seat-of-your-pants read from the dramatic opening through to the explosive ending. A must for all thriller and police procedural fans.

To find out more about Mari Hannah and her books hop over to her website here and follow her on Twitter @mariwriter

You can buy the book from Amazon via this link 

 

CTG Reviews: The Darkest Day by Tom Wood

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What the blurb says: “He is darkness. She wants him dead. In a city starved of light, she might just succeed. She moves like a shadow; she kills silently: Raven.

This elegant assassin has been on the run for years. This time though, she has picked the wrong target. The hitman known only as ‘Victor’ is as paranoid as he is merciless, and is no stranger to being hunted. He tracks his would-be killer across the globe, aiming not only to neutralise the threat, but to discover who wants him dead. The trail leads to New York … And then the lights go out.

Over twelve hours of unremitting darkness, Manhattan dissolves into chaos. Amid looting, conspiracy and blackout, Victor and Raven play a vicious game of cat and mouse that the city will never forget.”

This series is really going from strength to strength.

Victor the assassin is a truly fascinating antihero. He’s cold, ruthless and brutal without remorse, but with it rather personable and engaging, which means that although he has no (few) morals, and a highly clinical approach to life, he is a character that I couldn’t help but want to spend time with.

In the latest book in the series – The Darkest Day – Victor finds himself the target of a talented female assassin with a flawless kill record. Rather than going into hiding after escaping her first attempt on his life, Victor vows to eliminate her as a threat. Alternately threatening or charming information from Raven’s associates, Victor discovers her background and tracks her to a safe house in New York. The clues stack up, and he has everything planned in perfect detail to neutralise her. Then the power goes out in New York City and everything he was so sure about starts to become hazy.

The pace is unrelenting, the danger ever escalating, and Victor is forced to abandon his usual preparations and safe-guards in order to keep out of his pursuers’ – both legal and criminal – way. It’s fascinating to see this character, who is always so in control, plunged into a sustained environment of chaos and having to react to a far more unpredictable set of circumstances than before. As the line between ally and enemy morphs and blurs, Victor has to rely on his own instincts and operating principles to navigate the danger. But as the true nature of the blackout and the shocking aim of the people behind it is revealed, Victor has to decide whether to get out while he can or try to avert the threat being made real within the City.

Action packed, adrenaline fuelled, thriller writing at its best – THE DARKEST DAY is a must read for all crime thriller fans.

 

You can check out my interview with author Tom Wood here

Buy the book from Amazon by following this link

And find out more about Tom Wood and the Victor the Assassin series by hopping over to his website at www.tomwoodbooks.com and following him on Twitter @TheTomWood

 

[With thanks to Sphere for my copy of THE DARKEST DAY]