CTG Reviews: #Untouchable by Ava Marsh

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What the blurb says: “Stella is an escort, immersed in a world of desire, betrayal and secrets. It’s exactly where she wants to be. Stella used to be someone else: respectable, loved, safe. But one mistake changed all that.

When a fellow call girl is murdered, Stella has a choice: forget what she’s seen, or risk everything to get justice for her friend. In her line of work, she’s never far from the edge, but pursuing the truth could take her past the point of no return.

Nothing is off limits. Not for her – and not for them. But is anyone truly untouchable?”

This is a pulse-pounding crime thriller with a difference – it includes a lot of up close and centre-stage sex.

Stella (real name, Grace) is an escort by choice. She enjoys her job and the financial freedoms it brings, although she does sometimes wonder if she’ll ever be able to stop. That all changes when another high-end escort she recently worked with is murdered. Suddenly she’s feeling on edge with even her regular clients.

Unwilling to believe the Police’s version of events, and plagued by the feeling that her friend was killed for something she knew rather than who she was, Stella can’t move on. Taking matters into her own hands, she sets out on her own search for the truth, but as she begins to get closer to finding the identity of the killer it becomes clear that her quest could have deadly consequences.

Unflinchingly authentic, this thriller gives a peep into the world of a high-class escort, from the clients and the money, to the drama and tension the profession causes in their personal relationships [but beware, if you don’t want to read graphic sex scenes, this book might not be your thing!]. It’s a real page-turner of a read – darkly funny at times, heart-breaking at others – with a riveting mystery at its heart.

As pacey as Lee Child, racier than EL James, and utterly gripping – Untouchable is unmissable!

To find out more about Ava Marsh pop over to her website at http://www.avamarsh.co.uk and be sure to follow her on Twitter @MsAvaMarsh

To buy UNTOUCHABLE from Amazon, click on the book cover below:

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Also, be sure to check out these great stops on the UNTOUCHABLE blog tour …

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#Untouchable Blog Tour: CTG interviews Ava Marsh

Untouchable-new-rondel

Today I’m thrilled to be hosting a stop on Ava Marsh’s UNTOUCHABLE blog tour, and interviewing the author herself. UNTOUCHABLE is a sizzling new crime thriller that’s published this month, and is one of my must-reads of the year.

So, to the interview …

Welcome, Ava. Your new book UNTOUCHABLE is out now, can you tell us a bit about it?

Certainly. It’s the story of Stella, an expensive London call girl, who stumbles into a top-level conspiracy when a friend and colleague is found murdered in a hotel room. Nothing about this death adds up for Stella, who finds she can’t leave it alone. But uncovering the truth comes at a high price, especially for a woman whose past refuses to stay buried.

How did you get the idea for the story?

Two things converged. One, I was interested in writing crime, and when the whole Fifty Shades thing broke out, it occurred to me that perhaps a slightly racier thriller might be a good way to go. But I was also curious about high-end sex work, as it seemed that call girls, who often ‘service’ the rich and powerful, enjoy a great deal of insight into those men’s private lives. Untouchable was born with the idea that such insight might include something impossible to ignore.

UNTOUCHABLE is a crime story set in the world of high-class escorts. How easy (or not) was it to do the research you needed?

Much easier than you’d imagine. Escorts working at this level have a lot of downtime – they might only have a few appointments a week – so a lot write or blog about their work. Most famously, Brooke Magnanti, otherwise known as Belle de Jour, though I deliberately avoided reading her novels, good as they are, for fear of unconscious plagiarism.

And yes, I know some people in the business. Intelligent, well-educated, professional women who decided to escort for all sorts of reasons. Obviously they had some interesting tales to tell.

What’s your writing process – do you plan first or jump right in?

I plan. I’d be too scared to embark on a complex thriller without having a pretty clear idea of where the story was going. That said, I leave plenty of room for inspiration or a change of heart.

Usually I’ll do a rough outline, and split that into chapters, working further on the plot until I have enough scenes to start writing. Then off I go, though there’s always a lot of swapping things around until I get a structure I’m happy with. And of course you get to do it all over again during publisher edits.

What advice would you give a writer aspiring to publication?

  1. Learn your craft. Writers are made rather than born, and there are dozens of ways you can learn how to write well and structure a novel – creative writing courses, books, online programmes, there’s a wealth of material out there to help you on your way.
  2. Grow a thick skin. You are going to face rejection a lot. Even when you find an agent, your book will be rejected on submission. Even when you secure a publisher, there’s still a thousand ways for that novel to be unloved – failing to garner online promotions or deals, getting shitty reviews, not being picked for prizes or festival slots. And so on and so on. Try not to be too downhearted when that first wave of ‘no’ hits you. Perseverance is everything in this game.
  3. Be nice. Be nice to other aspiring writers, be nice to published authors, be nice to the gatekeepers. Just be as nice as you can, given that writing is a difficult and often frustrating line of business. And by nice, I mean reciprocate. Make sure you’re bigging up others as well as yourself, and be grateful when they return the favour. Don’t make it all about you.

And finally, what does the rest of the year have in store for you?

Err… work. Further editing on my next book, Exposure, about a young porn star who ends up in prison for double murder. More promotional stuff. And my tax return is looming larger by the day. Oh, joy.

On the bright side, I’m brewing up an exciting new idea. Something I can’t wait to get stuck into, so that’s sustaining me through the grittier side of things.

And wine. I predict the rest of the year will involve some choice bottles of red.

Huge thanks for making the CTG blog the latest stop on her UNTOUCHABLE blog tour. To find out more about Ava pop over to her website at http://www.avamarsh.co.uk and be sure to follow her on Twitter @MsAvaMarsh

UNTOUCHABLE is out now. Here’s the blurb: “Stella is an escort, immersed in a world of desire, betrayal and secrets. It’s exactly where she wants to be. Stella used to be someone else: respectable, loved, safe. But one mistake changed all that.

When a fellow call girl is murdered, Stella has a choice: forget what she’s seen, or risk everything to get justice for her friend. In her line of work, she’s never far from the edge, but pursuing the truth could take her past the point of no return.

Nothing is off limits. Not for her – and not for them. But is anyone truly untouchable?”

To order it via Amazon click on the book cover below:

 http://

 

And be sure to check out the rest of the fabulous UNTOUCHABLE blog tour …

UntouchableBlogTour (2)

 

Guest Post: Hester Young on the inspiration behind THE GATES OF EVANGELINE

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Today I’m handing over the reins of the CTG blog to Hester Young, author of THE GATES OF EVANGELINE – the first book in a fantastic new crime series featuring journalist Charlie Cates, and set in Louisiana.

Over to Hester …

Louisiana is the kind of place that almost writes a mystery for you.

From the moment you first turn down an old, unpaved driveway and see that curtain of Spanish moss hanging from the trees, you’ll feel secrets. Stroll past the mossy crypts of a New Orleans cemetery, and you’ll wonder what walks there at night. When you take a swamp ride and suddenly find yourself facing the green-gold gaze of an alligator, it’s almost impossible not to imagine what else those dark waters might be hiding.

This is the world of my novel, and I often feel that I did not really choose it as my setting at all. It chose me.

Louisiana came to me the same way that it appears to my protagonist: in a dream.

I was sitting in a rowboat across from a young boy, surrounded by forbidding swampland. The child told me his name and age. Let me tell you how I died, he said, and when I awoke, I could not shake his horrible story from my mind.

I didn’t know then that I had stumbled upon the opening of a novel. In the thin, early morning light when all is quiet and everything seems possible, I began to wonder if perhaps this boy might be real, if he might be waiting for me somewhere in the Louisiana swamps.

The dream stayed with me for days, weeks, months. When the boy in the boat’s tale began to blend seamlessly with a tragic premonition my grandmother once had—then I knew I had the elements of a story. A boy, long missing. A grieving mother with premonitory dreams. A beautiful and sprawling Southern estate. A swamp that holds a terrible secret.

The only way to exorcise a story is to tell it.

I made three research trips in total. Husband in tow, I toured a trio of Louisiana plantation homes, cruised through the murky swamps, explored a handful of towns in Cajun country, and even experienced the joyful celebration that is Mardi Gras in New Orleans. Mostly, I ate an appalling amount of food. Though each trip gave me new material, it was my first that most shaped the book.

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That April, I was newly pregnant. As the trip began, I was practically dancing at the thought of my impending motherhood—in stark contrast with the main character of my book, Charlotte, whose frightening dreams begin after the death of her young son.

Sometimes the stories we create echo faintly in our own lives.

Days later, I found myself in a New Orleans hospital, weeping as a gentle nurse informed me that I had miscarried. In the rawness of that moment, grieving what was really only the idea of motherhood, I came to understand my protagonist in a new way.

For me, Louisiana will always be a place of ghosts, of lost children. But it is also a hopeful reminder of the good that lies ahead. I haven’t forgotten that hospital and the baby that never was, but now I have another image of Louisiana to carry with me: my one-year-old son perched high upon his father’s shoulders, wide-eyed and joyful as he clutches a string of Mardi Gras beads.

That, I hope, is the Louisiana that I have captured in The Gates of Evangeline, a place of light and darkness and all the strange shadows in between.

A massive thank you to Hester for dropping by to talk about Louisiana and the inspiration behind her novel THE GATES OF EVANGELINE.

THE GATES OF EVANGELINE is published today (13th August). Here’s the blurb: “When grieving mother and New York journalist Charlie Cates begins to experience vivid dreams about children after her only son passes away, she’s sure that she’s lost her mind. Yet she soon realizes these are not the hallucinations of a bereaved mother. They are messages and warnings that will help Charlie and the children she sees – if she can make sense of them.

The disturbing images lead her from her home in suburban New York City to small-town Louisiana, where she takes a commission to write a true-crime book based on the case of Gabriel Deveau, the young heir to a wealthy and infamous Southern family, whose kidnapping thirty years ago has never been solved. There she meets the Deveau family, none of whom are telling the full truth about the night Gabriel disappeared. And as she uncovers long-buried secrets of love, money, betrayal, and murder, the facts begin to implicate those she most wants to trust – and her visions reveal an evil closer than she could have imagined.”

To find out more about Hester Young pop on over to her website at www.hesteryoung.com/books/ and follow her on Twitter @HesterAuthor

And to check out THE GATES OF EVANGELINE on Amazon click here.

 

#ColdMoon Blog Tour: CTG interviews author Alexandra Sokoloff

Alexandra Sokoloff

Alexandra Sokoloff

Today I’m delighted to welcome author Alexandra Sokoloff to the CTG blog as part of her COLD MOON Blog Tour. Alexandra is the Thriller Award-winning, Bram Stoker and Anthony Award-nominated author of The Huntress FBI series. As a screenwriter she has sold original scripts and written novel adaptations for numerous Hollywood studios, and teaches the internationally acclaimed Screenwriting Tricks for Authors workshops. 

And so, to the interview …

Your latest book in the Huntress Moon series – COLD MOON – is out this month, can you tell us a bit about it?

Cold Moon is the third in the Huntress series, and I highly recommend that new readers start with Book 1, Huntress Moon, because the action is continuous, really a binge read! – more like a serial than a series. The books are intense psychological suspense, and take the reader on an interstate manhunt with a haunted FBI agent, on the track of what he thinks may be that most rare of killers: a female serial. But here’s the thing. Arguably there’s never been any such thing as a female serial killer in real life. The women that the media holds up as serial killers actually operate from a completely different psychology from the men who commit what the FBI calls sexual homicide. I wanted to use that psychological fact to turn the cliché of the serial killer novel and the tired trope of “woman as victim” completely inside out. Whoever she is, whatever she is, the Huntress is like no killer Agent Roarke – or the reader – has ever seen before. And you may find yourself as conflicted about her as Roarke is.

How did you get into writing thrillers – what was it about the genre that attracted you?

I have to admit, I love a good adrenaline rush in a book (in fact I pretty much require them, repeatedly!). And I’ve always had a dark turn of mind – I’ve always read and watched and written a lot of psychological horror, too. But a good thriller is so much more than that. I agree with Val McDermid that crime novels are the best way to explore the deep issues of society. I’m very passionately political, and I have a lot of social outrage built up from years working with abused and incarcerated kids in the California prison system. I learned a lot about what seem to me to be clear-cut issues of good and evil. And thrillers are a great vehicle to explore the roots of evil in a very emotional, visceral way. As long as you’re delivering great suspense, you can ask the hard questions – in the context of such a exciting story that people don’t even realize what you’re doing until they’re too hooked to put the book down!

Can you tell us a bit about your writing process – do you plot everything out first or dive right in?

I’m a total plotter. I use index cards and a three-act, eight-sequence story structure grid to start brainstorming a plot. I was a screenwriter for ten years before I wrote my first novel, and the index card method is a very common plotting technique in Hollywood because you have to come up with full story ideas so quickly, sometimes literally overnight.

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But it’s also the fastest and deepest way I know to outline a novel, and a lifesaver if you’re writing thrillers with lots of subplots. I teach the method in my story structure workshops, on my blog (http://www.screenwritingtricks.com/) and in the two Screenwriting Tricks for Authors workbooks that I’ve written, and I definitely practice what I preach!

What advice would you give a writer aspiring to publication?

How much time do we have? J The best and truest advice I’ve ever heard about becoming a writer was from Willam Saroyan: “Find a small room in a big city and put your desk in front of the window and sit down in front of the blank page. And when you stand up ten years later, you will be a writer.”

The trick, of course, is that you have to STAY in the chair. For ten years. That’s not usually what people want to hear. What people want to hear is more like this: Find a system. Read a lot of books on writing, take a lot of classes, and when you find a writing system that makes sense to you, follow it. And then expand on that. There are some very, very good teachers out there, and some not so good, but you have to decide for yourself who is the best teacher for you at a certain time.

And of course everyone is welcome and encouraged to check out my Screenwriting Tricks for Authors blog, which I have been told is a gold mine of information for free.

Lastly, I have to say – Read everything you can about the options in indie publishing as well as traditional routes to publication. I think the rise of indie publishing is best thing that’s ever happened for writers. It means that if an author is willing to work hard, they have unprecedented access to distribution, and can cut out the often crippling middleman of traditional publishing. It’s devastating to authors how much traditional publishers charge for e books. Indie publishing allows you to control your own prices. I’m both traditionally published and indie published, and that diversity has made for a much larger readership and much more stable living for me. Make sure you know the options before you sign a contract!

COLD MOON cover image

COLD MOON cover image

And, finally, what does the rest of 2015 have in store for you?

So much! Of course I’m working on the fourth book in the Huntress Moon series.

I’m also starting a new, dark crime series set half in Scotland and half in Los Angeles – I live with the Scottish noir author Craig Robertson, so I have someone to vet the Scottish parts!

In August the textbook version of my writing workbooks will be coming out – Screenwriting Tricks for Authors: Stealing Hollywood. I’ve doubled the material from the ebooks, and this version will have ten full story breakdowns. The e workbooks are being used in college film classes and it’s about time I had a full print textbook version available!

And I’m very excited to be working with a writer/producer I love and have worked with before to develop the Huntress series into a TV series. I am sick to death of the misogyny in crime series like True Detective. But I also think there is some absolutely brilliant television being made these days, on HBO and Showtime and FX, and I would so love to see a series that gives equal time and depth to female characters and deals with crimes against women and children as the evil they are. We couldn’t have made this happen just ten years ago, but I think finally, finally, it’s time.

Huge thanks to Alexandra Sokoloff for stopping by to answer our questions today. I can thoroughly recommend her excellent Screenwriting Tricks for Authors blog and books – they’re packed with great tips.

Be sure to check out Cold Moon (you can read my review here) and the rest of The Huntress FBI series at

Amazon US http://amzn.to/1z3pSh5
Amazon UK http://amzn.to/1wEwxZo
Amazon AU http://www.amazon.com.au/Huntress-Moon-FBI-Thrillers-Book-ebook/dp/B00NKTTDH4

And find out more about Alexandra and her books on her website at www.alexandrasokoloff.com and her amazing blog www.screenwritingtricks.com

You can also catch her on Facebook at www.facebook.com/alexandra.sokoloff and follow her on Twitter @AlexSokoloff

Also, don’t forget to check out all these great stops on the tour …

Cold Moon Blog Tour Poster

CTG Reviews: COLD MOON by Alexandra Sokoloff

COLD MOON cover image

COLD MOON cover image

What the blurb says: The hunt for mass murderer Cara Lindstrom is over. FBI Special Agent Matthew Roarke has been working for this moment: the capture of a killer who savagely hunts the worst of humanity. But Roarke remains traumatized by his own near-death at the hands of the serial killer who slaughtered Cara’s family…and haunted by the enigmatic woman who saved his life.

Then the sixteen-year-old prostitute who witnessed Cara’s most recent murder goes missing, and suddenly pimps are turning up dead on the streets of San Francisco, killed with an MO eerily similar to Cara’s handiwork.

Is a new killer on the loose with a mission even more deadly than hers? In the pulse-pounding third Huntress/FBI Thrillers book, Roarke will have to go on the hunt…and every woman he meets, even those closest to him, may prove deadly.”

COLD MOON is the latest instalment in Alexandra Sokoloff’s fabulous The Huntress FBI series and it’s published today.

This is a serial killer story with a difference – this killer is female. Driven by the need to confront ‘It’ – evil – Cara Lindstrom targets those in society who prey on the innocent and the helpless. The story starts with her awaiting trial for murder, but it soon becomes clear that she may not be the only person fighting back against those men who prey on vulnerable women. Detective Roarke – the man responsible for Cara being in jail – is conflicted about the upcoming trial. On the one side he knows Cara is a killer, on the other he is becoming increasingly sympathetic to her cause. And he cannot deny that he’s attracted to her either.

As the trial gets closer, the media and bloggers pick up the story, igniting a growing group of protestors against Cara’s incarceration to take to the streets. Then some new evidence comes to light which changes everything.

Set in California, COLD MOON shows the glamour and the grime, the privileged (and those who abuse that privilege) and the disadvantaged. It’s highly atmospheric, with compelling, dynamic characters and vivid, rapid-paced action.

It also puts real issues front and centre – human trafficking, child prostitution, and corruption and abuse within the prison service – which makes for a gritty and thought provoking read. Like Jeff Lindsay’s DEXTER, Cara only kills those that have committed unspeakable crimes – and so although she is a serial killer, she’s a highly compelling character who I wanted to spend time with.

With super-charged tension and nail biting suspense, this is a real page turner of a read.

Highly recommended for all thriller lovers.

 

And be sure to stop by on Thursday 10th July when we’ll be hosting a tour stop on the COLD MOON blog tour in the form of an interview with Alexandra Sokoloff about her books and her writing process.

In the meantime, check out the other fabulous stops in the blog tour here:

Cold Moon Blog Tour Poster

Guest Post: Author Sinéad Crowley talks about writing a Cop Duo #AreYouWatchingMe

 

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Today I’m delighted to hand over the reins of the CTG blog to Sinéad Crowley. Sinéad’s debut thriller – CAN ANYBODY HELP ME? – was a bestseller in Ireland and shortlisted for Crime Book of the Year at the Irish Book Awards 2014. Her second novel – ARE YOU WATCHING ME? – is published this week and is another gripping read. So, over to Sinéad …

Good cop – better cop?

I didn’t set out to write a classic ‘cop duo’ story. Mind you – I didn’t set out to write a police procedural either – whoops! My first book, ‘Can Anybody Help Me?’ looked at the relationships between women on an internet parenting forum, and my original idea was to have the central character, a young woman called Yvonne, solve the mystery herself. But Yvonne was a new mother and quite a shy person, living in a new country and feeling, at times, totally overwhelmed. It wouldn’t have made sense to have her leap away from the computer, Nancy Drew style and start solving crimes. So, I needed a copper. And to keep things simple for myself – write what you know, eh? – I made her a woman. A pregnant woman, at that, who ended up falling into the internet parenting world herself.  Even at that stage, however, Claire was a background character, a means to an end, until my lovely and very astute agent read an early draft of the book and asked if she could she brought more centre stage. My agent, of course had her eye on a sequel – see what I mean by astute? – but she also saw something in Claire that I hadn’t fully recognised. A spark, something different. That indefinable thing that editors and agents look for and writers often don’t realise they have created at all.

So, I wrote more about Claire, and found myself warming to her. She’s a fascinating character to work with, not always likeable, but that’s part of the fun! Meanwhile, as I was writing her opening chapter, Philip Flynn walked into the room, completely unannounced. There was no need for him to be there at all. Claire was sitting in her office, moaning about feeling fat and hungry and all that needed to happen was that somebody had to give her a piece of information. It could have come via phone call or email, the method of passing it on was no big deal. But as I scribbled away in my usual ‘first draft’ style – throwing ideas down on the page in the hope that they would make sense later – in walked Philip Flynn to deliver the information in person. Philip, never Phil, a young ambitious guard with a neat haircut and an overly formal manner. When I looked up I realised I had written two paragraphs about this man who didn’t really have a part in my story at all. But I liked him, and he stayed.

So there I was, with a police procedural on my hands and two police characters who seemed, on the surface, to be like a thousand other police duos. One male, one female. One junior, one senior. One determined to play everything by the book, the other fully prepared to ‘go rogue’ to get what she wanted. But that’s where it got interesting, for me anyway. What SHE wanted. It was Claire who was the older, more experienced cop, and it was she who was prepared to do whatever it took to solve the crime. Even if that meant going against medical advice. Flynn meanwhile stuck to the rules, and concentrated on what he thought of as ‘real policing’. The questions and the answers, the door to door stuff. None of that internet malarkey. As a duo, they made sense.

Returning to them while writing ‘Are You Watching Me?’ was lovely. I won’t pretend writing a second book was easy, everything you’ve heard about ‘Second Book Syndrome’ is true. But revisiting Claire and Flynn was a joy. I really wanted to catch up with them, to find out how life had been in the six months or so since we’d last met. Claire of course is a mother now and finding out just how interesting life can be when your newest family member has a habit of yelling at you at three am. And Flynn has grown in confidence, both in his work and his personal life. One major murder investigation later, they have grown to trust each other and can bounce ideas off each other, and there’s a really useful professional relationship there now. They have each other’s backs. They’re not friends, not yet. But they are getting there. That might just be a job for Book Three…

Huge thanks to Sinéad Crowley for taking over the reins of the CTG blog today and telling us all about writing a duo. Her fabulous second novel – ARE YOU WATCHING ME? – is out this week.

To give you a taste of it, here’s the blurb: “Liz Cafferky is on the up. Rescued from her dark past by the owner of a drop-in centre for older men, Liz soon finds herself as the charity’s face – and the unwilling darling of the Dublin media. Amidst her claustophobic fame, Liz barely notices a letter from a new fan. But then one of the centre’s clients is brutally murdered, and Elizabeth receives another, more sinister note. Running from her ghosts, Liz is too scared to go to the police. And with no leads, there is little Sergeant Claire Boyle can do to protect her …”

To find out more about Sinéad and her books, hop on over to her Facebook page at https://www.facebook.com/cananybodyhelpme and be sure to follow her on Twitter @SCrowleyAuthor

 

CTG Reviews: FOLLOW YOU HOME by Mark Edwards

FOLLOW YOU HOME cover image

FOLLOW YOU HOME cover image

What the blurb says: It was supposed to be the trip of a lifetime, a final adventure before settling down. But after a perfect start, an encounter with a young couple on a night train forces Daniel and Laura to cut their dream trip short and flee home.

Back in London, Daniel and Laura vow never to talk about what happened that night. But as they try to fit into their old lives again, they realise they are in terrible danger—and that their nightmare is just beginning…

Mark Edwards’ latest novel takes psychological thrillers to a whole new level of gritty suspense.

Disorientated and unable to cope in their own separate ways, Daniel and Laura are being driven apart by the horror they encountered back in Romania when on their ‘trip of a lifetime’. But whereas Laura doesn’t want to talk about the trip or have any reminder of it, Daniel yearns to resolve the issues he’s battling with before they engulf him entirely. When a succession of strange happenings make him fear he’ll never be free of the past, he seeks professional help, and begins to talk about what happened so he can finally move on.

As the memories of the past threaten to snuff out his future, Daniel battles to get to the truth behind the strange and sinister goings on, and steps up his efforts to convince Laura to talk about what happened. But as both Daniel and Laura start to lose their grip on reality, and people around them start to die, it seems that the past just won’t let them go.

FOLLOW YOU HOME is a real cracker of a psychological thriller – bags of suspense, tonnes of tension and a dark and troubling undercurrent of terror throughout the story. It had me gripped to the very last page. Highly recommended.

To find out more about Mark Edwards and his books hop over to his website at www.markedwardsauthor.com and be sure to follow him on Twitter @mredwards

 

[with thanks to NetGalley, Mark Edwards and Thomas & Mercer for my copy of FOLLOW YOU HOME]

The INTO THE FIRE blog tour: CTG interviews Manda Scott – plus a fab #IntoTheFireComp

INTO THE FIRE cover image

INTO THE FIRE cover image

Today I’m delighted to welcome author Manda Scott to the CTG blog as part of the INTO THE FIRE blog tour. Manda is the author of four critically acclaimed novels about Boudica and, writing as MC Scott, four novels set in Ancient Rome featuring assassin and spy Sebastos Pantera. She is founder and Chair of the Historical Writer’s Association, the Historical Publishers’ Group, Chair of the HWA Debut Crown and of the programming panel for the Harrogate History Festival.

So, to the interview …

Your latest book INTO THE FIRE is out in hardback this month, can you tell us a bit about it?

It’s a dual time line thriller – the contemporary thread is set in 2014 and there’s a historical thread in 1429, when a young girl, who claimed to be a peasant, turned up at Chinon and told the king she had been sent to free France from English rule (I paraphrase, but that was the gist).

In 2014, Inès Picaut is a police chief in Orléans, called to the site of a fire at a hotel, that is clearly arson. It’s the third such fire in as many weeks, but the first in which there is a body – and so she is now leading a murder hunt. The dead man in this case has been burned beyond recognition, but for the fact that he swallowed a USB drive before he died, and it contains three enciphered files which may help Picaut and her team to identify him – a task which becomes ever more pressing as further fires erupt, and more people die.  

In 1429, Tod Rustbeard, a man of French and English nationality, fights on the English side as the self-styled Maid of Orléans breaks the siege of Orléans. As the English defences crumble, he is sent behind enemy lines with an explicit task: to find the truth behind this girl who cannot be what she says she is – and then to use that truth to destroy her.  As he grows ever closer to his quarry, he has to question not only her identity, but his own. 

The two timelines weave together, each informing the other, so that the central question WHO WAS SHE? drives both forward.  I am absolutely convinced that she wasn’t an illiterate peasant girl, but we can talk about that more in the next question.   Beyond that, any good thriller is driven by a mix of anticipation and uncertainty, and each thread has to have its own threats, rhythms, internal questions that make the two together greater than the sum of their parts.

What was it that sparked your idea for writing INTO THE FIRE?

I’d always had an interest in Joan of Arc’s reputation as a woman warrior – having written about Boudica, it at least made sense to take a look at  the next most famous woman warrior – but I always got stuck on the notion that she was a peasant girl who turned up out of nowhere, got on a warhorse and led the troops into battle. Either she was a cipher, a flag-carrier and nothing more… or she had to be trained. If she was the former, I wasn’t interested. If she was the latter, I couldn’t see how it was possible.  Then I read an article that pointed me in the direction of who she could have been and the more I read about it, the more sense it made – until in the end, it seemed to me she couldn’t have been anyone else.  The question of why she had to spin her own lies in the beginning also makes so much more sense once everything falls into place.

Then I learned that the man who proposed this theory first was thrown out of France and even now, is immensely bitter about it – and it seemed to me that this, the current way of looking at her, was the most important.  She has been mis-represented for 600 years, and even now, she’s being held up as an icon of ‘perfect womanhood’ (virginal, godly, republican) by the far right in France.  So iI really wanted to explore how the political movements of the twenty first century hijack the myths of the past – and how they’ll kill to keep that myth intact. I believe absolutely in the maxim of ‘show, don’t tell’ in writing, so that meant that if I wanted to do what I thought was possible, it had to be through the vehicle of a dual time line narrative – that I had to *show* who she was in the past, in order for us to understand more deeply the projections and patho-mythologies of the present..  It’s a lot harder to write, but if the author gets it right, it’s immensely satisfying to read.

How would you describe your writing process – do you plot the story out in advance or jump right in and see where it takes you?

I never plot in advance, although if there is a historical thread to the book, then I need to make sure I know the history of who was where, doing what and when – and that I have all the ancillary data correct: the things that bring history alive. But for me to write a book, it needs to live inside me, which means the characters have to have their own freedom and they have to have the power to surprise me. I’d grow bored otherwise, and if I’m bored, then the reader is going to be bored too…

INTO THE FIRE features both an investigation taking place in present day Orleans and a historical timeline featuring Joan of Arc in 1429 – how did you go about researching them?

First, I got on the EuroStar and went to Orléans – that was really key to understanding the dynamics of both past and present.  In anything I write, the characters matter most, their identities and inner integrities and the charisma of the situation, but always, the place shapes its people and Orléans was key to both threads.  Having been there, I spent a very large amount of time reading everything I could about Joan of Arc (and there’s a lot), particularly the transcripts of the two trials – her trial by the English and the ‘rehabilitation trial’ by the French 30 years later that endeavoured to prove she wasn’t really a heretic after all – eye witness statements at the latter were crucial to understanding what actually happened, although of course we have to remember that human memory is flawed and undoubtedly coloured by time.  But still, having got my head around her, the modern day narrative of Picaut and Patrice, her computeroid cyber-brain assistant was fast and furious and most of it just rolled out almost unaided. I’m very wary of people who say that books write themselves, because they never do, but some are less effort than others and this bit flowed particularly sweetly – I revelled in the cyber-crime aspects, and the breaking of ciphers.  I’d written a series of spy thrillers just before and the cadences of that were still working their way through.

What was it that first attracted you to writing crime fiction?

I read Val McDermid’s Lyndsey Gordon series back in the 90s and fell in love with the genre. I wrote HEN’S TEETH in the late 90s because I thought I needed the exigencies of plot to help me complete a novel and then I joined the CWA and learned the actual rules of crime writing, as opposed to the ones I had invented for myself, and found that it was a fascinating structure within which to explore the things that matter most to people – I hate the kinds of novels that look at our masks. I am most interested in what happens when we drop those masks and we do so in the presence of death and danger – so crime writing, and thriller writing in particular – is the obvious medium. I consider my historical novels to be thrillers too, they’re just written in a different milieu.

For those writers aspiring to publication, what advice would you give?

I’d say what Fay Weldon said to me on my first writing course, which was ‘Find your own voice’, and then what Terry Pratchett (one of the greats, so sadly missed) said on the second writing course which was, ‘just keep writing.’  And then last, from me: Read.  Read everything.  Read books you love and books you loathe and books you don’t really care about – and work out what you love and why you love it and how it was done, and what the good bits are and what works and what doesn’t.  Reading is the apprenticeship for writing so read and read and read.

And, finally, what does the rest of the year have in store for you?

I’m 3/4 of the way through a sort-of sequel to INTO THE FIRE called ACCIDENTAL GODS so I have to finish that, and then we seem to be about to sell the TV rights to Into the Fire and the company wants me to write the screenplay which is both an enormous honour and an enormous privilege, so I’ll crack on with that.   I’ll be at Theakston’s Old Peculiar Crime Writing Festival in July in Harrogate and then back up again for the History Festival in October. I’m Chair of that for the third and final time this year and so it’ll be all-out to make it the best yet.  I’m handing over Chair of the Historical Writers’ Association to the brilliant historical crime writer Imogen Robertson also in October and Andrew Taylor, multiple winner of the Historical Dagger will take over Chair of the HWA Debut Crown, so between now and October, I’ll be flat out, but I’ll have a rest in November. Perhaps.  I suspect something else will have come up by then.

A massive thank you to Manda Scott for talking to us today on the CTG blog.

To find out more about Manda and her books hop on over to her website at www.mandascott.co.uk and be sure to follow her on Twitter @hare_wood

 

*** COMPETITION ALERT ***

 I’m thrilled that those lovely folks at Bantam Press have given me a copy of INTO THE FIRE to giveaway to one lucky winner! To be in with a chance to win all you need to do is tweet the link to this post (using the Twitter button below) OR retweet one of the CTG tweets about the giveaway – making sure to include the hashtag #IntoTheFireComp. You’ll also need to follow us on Twitter so we can send you a direct message should you win.

Rules: (1) One entry per reader (2) UK residents only – due to postage costs – sorry! (3) We will draw the winner at random (4) No cash alternative (5) The competition closes for entries at 9pm GMT on Monday 29th June 2015 (6) The judge’s decision is final and no correspondence will be entered into.

 

Also, make sure you check out all the other fabulous stops along the INTO THE FIRE blog tour …

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CTG Reviews: THE WRONG GIRL by Laura Wilson

THE WRONG GIRL cover image

THE WRONG GIRL cover image

What the blurb says: “In 2006, three-year-old Phoebe Piper went missing on a family holiday. Despite massive publicity and a long investigation, no trace of her was ever found. Seven years later, Molly Jackson, aged ten and recently uprooted to a Norfolk village, finds her great uncle Dan dead in his bed. Molly remembers nothing of her early years, but she’s been sure for ages that she is Phoebe. Everything in her life points to it.

Dan’s death brings his sister Janice back to Norfolk where she’s re-united with Molly’s mother Suzie, the daughter she gave up for adoption decades earlier. Janice discovers that a former lover, Joe Vincent, lives nearby. Joe was a rock star who, at the height of his fame, turned his back on public life. As she is drawn back into the past, Janice begins to wonder if Dan’s death and Joe’s reputation as a reclusive acid casualty are quite what they appear. And then Molly disappears.”

 

Janice – still in shock from the sudden death of her brother, and thrust unprepared into meeting her long lost daughter who she has always yearned to connect with – returns to Norfolk to her family home. It’s a place that holds many memories for her, not all of them good. It’s here that she meets Suzie – her daughter – and Molly – her grand-daughter – and tries to forge a relationship with both of them. But it’s not easy, and as the memories of the past mingle with the reality of her brother’s death, Janice begins to wonder if something, or someone, more sinister is at work.

I found myself pulled headlong into Janice and Molly’s worlds. Through their narratives the reader discovers the events in their pasts that have shaped their sense of selves and identity, and how the secrets and suspicions that they hold influences each of their decisions in the present. One of the many joys of this book are the fabulous characters – they are so vividly drawn, and the dialogue pitch-perfect, that it feels like you’re watching real-life action unfold before you.

A twisting, turning mystery of tangled secrets, guilt and regret THE WRONG GIRL artfully combines the dark undertones of past trauma with a growing sense of impending doom, and had me captivated from the first page to the last.

With stunning writing, vivid characters and bags of suspense, THE WRONG GIRL is a must read for fans of psychological thrillers – highly recommended.

 

To find out more about Laura Wilson and her books hop on over to www.laura-wilson.co.uk and follow her on Twitter @LWilsonCrime

 

 

 

CTG Interviews: Chris Culver about his new book Measureless Night

Measureless Night cover image

Measureless Night cover image

Today I’m delighted to be joined by Chris Culver, author of the New York Time bestselling Ash Rashid crime series. His latest novel MEASURELESS NIGHT is out today (28th May).

And so, to the interview …

Your latest book in the DS Ash Rashid series – MEASURELESS NIGHT – is out on 28th May, can you tell us a bit about it?

MEASURELESS NIGHT is the fourth book in my Ash Rashid mystery series. It’s about a detective from Indianapolis who’s recently discovered someone is murdering men and women who witnessed a murder Ash investigated many years ago. It straddles that fine line between being a mystery and a thriller, but I think it works pretty well.

Where did you get the idea/the inspiration for this story?

I come up with ideas for stories all the time. I live near St. Louis, Missouri, so we’re not short on crime, some of which is fairly interesting. So I get a lot of ideas from the newspaper. I also keep in touch with a lot of lawyers and law enforcement officials, and they give me a lot of ideas. By the time I write a book, I’ve extended that idea and twisted it so that it’s barely recognizable, but most of my ideas come from reality.

MEASURELESS NIGHT is an exception. The concept evolved over time from a very simple kernel of an idea to something much more complicated. This was one of those rare books that didn’t start with an “Aha!” moment. It started with me wondering how Ash Rashid would handle finding out that a witness to an old case of his was murdered. From there, I just started asking the kind of questions Ash would ask. Why would someone kill this witness? Who had something to gain by this victim’s death? The story snowballs from there and, hopefully, takes some interesting twists and turns along the way.

What got you started writing crime fiction?

Like most crime writers, I started writing crime fiction because I loved reading crime fiction. Even as a very young boy, I loved mysteries. When I was in third grade, I read through the entire Hardy Boys series. Before that, I read the Boxcar Children, and the Encyclopedia Brown novels. I couldn’t get enough of them as a kid.

As I got older, my tastes shifted to more serious work, and I fell in love with early hard-boiled mystery novels, especially those by Raymond Chandler and later Mickey Spillane. They were terrific books with great twists and unforgettable characters. When I sat down to write my first novel, I didn’t even consider writing anything else.

Can you tell us a bit about your writing process – do you plan first or jump right in?

I’m a big planner. By the time I sit down and type “Chapter 1”, I’ve already written about a hundred pages of notes. I know reasonably well how the book will start and finish, I know all the major twists, and I’ve got a pretty good idea of what’s going to happen in the middle. I know the characters equally well.

Of course, things can change rapidly when I start writing. When that happens, I throw my notes out the window and see where the story takes me.

If you had to pick one, what’s your best writing moment so far?

Probably finishing my first novel. At the time, I thought I had written the greatest book the world had ever seen, but looking back, it was a mess. The characters were clichés, the plot meandered, and the writing was stilted at best. Despite being a miserable failure, that first book taught me a lot and gave me the confidence to work on my second book.

For those looking to get published, what advice would you give them?

I’d suggest a writer look at every option he or she has available because there are advantages and disadvantages to every choice. An enormous publisher has market clout and the ability to get books into Walmart, Cosco, and everywhere in between. That’s great if your publisher is willing to put every resource it has at its disposal into your career. Chances are that won’t happen unless your name happens to be James Patterson. In fact, chances are quite high that they will give you excellent editing and a terrific cover but no marketing support whatsoever. Your book will come out, sit on store shelves, and no one will ever hear about it. That’s just how this business works.

At a smaller publisher releasing fewer titles, you’ll probably get more attention from the marketing department. Unfortunately, they will likely have fewer resources than a larger publisher and fewer options to help push your book.

You can also self-publish a book now. This is a hard route, but it’s one worth considering. You keep a larger percentage of the book’s sale price, but you pay for everything—editing, cover design, formatting, etc. In addition, you’ve got to do your own marketing. This route has a steep learning curve, but it’s one worth considering in a market that’s increasingly shifting to digital.

Author Chris Culver

Author Chris Culver

And, finally, what does the rest of 2015 have in store for you?

To be honest, I don’t know. Right now, I’m a stay-at-home dad who occasionally writes books. We’ll see how that goes.

 

Big thanks to Chris Culver for dropping by to see us and talking about his writing.

Chris has also given readers of the CTG blog a lucky peep at MEASURELESS NIGHT …

Measureless Night – what the blurb says: “Detective Sergeant Ash Rashid wants little out of life: a steady job, a quiet place to call home, and a healthy family. Now three hundred days sober, for the first time he can see his happy ending forming on the horizon.

Then patrol officers find the body.

The victim has chemical burns on her arms, two broken legs, and a gash on her throat so deep it exposes the vertebrae of her neck. Then they find a second body and then two more. The killings aren’t random, far from it. Each victim testified in a murder trial ten years ago, one that launched Ash’s career. Each of them helped put a very dangerous man in prison, and now each of them has paid the price.

Ready or not, Ash will soon learn the true cost of his happy ending. Because very dangerous men have a knack for reaching through walls. Ten years ago, Ash helped send a predator to death row. Now someone plans to make him pay. And she’s willing to kill everyone who stands in her way.”

What Chris says about the book: “Measureless Night is the fourth novel in my New York Times bestselling Ash Rashid series. Big picture, it’s the story of a detective who’s trying to solve a grizzly murder and protect others from being murdered as well. At it’s heart, Measureless Night is a mystery, but it has a lot of suspense elements as well.

On a slightly smaller scale, it’s the story of an average man who’s trying to balance the various roles he plays in life. He’s a devoted father, a loving husband, a dogged detective, and a religious man among other things. Those various roles are in constant tension, which is something, I think, most of us can relate to. In my own life, I’m a dad, a husband, a writer, etc. It’s not always easy to balance work and family, especially with a young child.”

EXCERPT:

The picture was a wide-angle shot of Michelle Washington’s body. Someone had ripped off her shirt and bra. A dark liquid glistened against her brown skin, forming a word from her neck to her navel. I felt sick, but I forced my face to remain impassive, a skill I had picked up from several years working homicides.

“The liquid is probably blood, and it says slut,” said Bowers. “Someone cut off her hand—before she died, according to Dr. Rodriguez—and then used her fingertips as a brush.”

I’ve been a police officer for a long time, even spending a couple of very good years as a homicide detective. Rarely did I hear things that took me aback, but this did. You’ve really got to hate somebody to dismember her while she’s alive, to hear her scream as the knife strikes bone, and to keep going until the deed is done.

“How’d you connect her to me?”

Bowers glanced up from his phone, but then glanced back at the screen. “She had your card in her purse.” He slipped the phone back into his pocket. “And you can’t think of any reason why someone would want to hurt her?”

I started to tell him no, but a sick thought hit me. Michelle and I hadn’t met by chance. Ten years ago, she and her brother had witnessed a murder. It was one of the first homicides I ever worked, and their testimony helped send a violent and very well-connected gang leader to prison for murder. I didn’t often keep up with the criminals I put away, but Santino Ramirez had a special place in my heart. He was the first and only man I ever sent to death row. Unless he won a last-minute appeal, he’d get a needle in the arm in a couple of days. The world would be a better place without him.

I swallowed a lump in my throat and hoped I was wrong about what I was about to say.

“She testified against Santino Ramirez ten years ago,” I said. “His old gang might have just called her out.”

 

To find out more about Chris Culver and his books be sure to check out …