What the blurb says: “I’ve been following her for the past few days. I know where she buys her groceries, where she has her dry cleaning done, where she works. I don’t know the colour of her eyes or what they look like when she’s scared. But I will.
Mia Dennett can’t resist a one-night stand with the enigmatic stranger she meets in a bar. But going home with him might turn out to be the worse mistake of Mia’s life …”
This spellbinding debut thriller uncovers just how many dark secrets can be hidden behind a perfect family image. Schoolteacher, Mia Dennett, turned her back on her family’s extravagant lifestyle to work as an inner-city teacher and make her own way in the world. But when her boyfriend stands her up one time too many, a spare-of-the-moment decision to go home with the smooth and attractive Colin has horrifying consequences for more than just Mia.
Told through three main viewpoints – the mother, Eve, the kidnapper, Colin, and the cop, Gabe – each character shows the reader a different perspective on the events, and on Mia, leading up to, during and following the kidnapping.
It’s really hard to write about this story without giving anything away (and, trust me, you don’t want me to do that). What I will say is that with the different time-points told out-of-sequence, the story gradually builds the tension to the max as the details of what happened to Mia are uncovered. It’s a complex tale of deceit, jealously, fear, and love played out against the bustling, bright lights of Chicago and the frozen, unforgiving landscape of rural Minnesota in winter.
I found this artfully crafted story brutal at times, and yet so beautiful that it made me cry (and I can’t remember the last time a story did that). A stunning debut.
[with thanks to Harlequin MIRA for my copy of The Good Girl]