CTG Reviews: Entry Island by Peter May

Entry Island cover image

Entry Island cover image

What the blurb says: “Detective Sime MacKenzie’s life in Montreal is one of loneliness and regret. And so when he is assigned to a seemingly open-and-shut murder case on a remote island 850 miles from the Canadian mainland, he departs readily. But Sime’s time away will be anything but a holiday. And Entry Island will prove anything but a haven. Sime may have left his domestic demons behind, but waiting for him in the Gulf of St. Lawrence is a far darker destiny.”

Entry Island is a standalone novel from Peter May, the award-winning author behind the highly acclaimed Lewis trilogy.

It starts with the murder of a wealthy businessman at his home. The number one suspect: his wife. She’s also the only witness. But when Detective Sime MacKenzie and the eight-strong team of detectives and crime scene investigators reach Entry Island they find that the case may not be as easy to solve as their leader, Lieutenant Crozes, had hoped.

Sime is the odd one out. He’s the only native English speaker within the French speaking team, and has only joined them for this case due to the principle language of Entry Island being English rather than French. With unresolved tensions between him and his ex-wife, Marie-Ange – the team’s forensic expert – the atmosphere is far from comfortable. What’s more, Sime finds himself inexplicably drawn to the widow of the murdered man, and is unable to fight the feeling that somehow he knows her.

As the investigation gets underway, Sime finds that the insomnia he’s been suffering since his marriage break-up is getting worse. Now, in the few minutes sleep he is able to snatch, he recalls the vivid stories his Grandmother told him of his ancestors: crofters who had lived on the Isle of Lewis, who were removed from their homes during the brutal ‘clearings’ initiated by greedy landlords who wanted to replace them with sheep, and forced onto boats to ‘the new world’.

The descriptions of the two main locations: the modern-day Entry Island, and the historical look-back at the Isle of Lewis, really bring the settings to life. They conjure up strong images of the geography, the close-knit communities and their cultures. For Sime, the past and the present are strangely linked, and as the story progresses, connections and similarities between his own family history and that of the prime suspect emerge.

For me, this novel was a real treat. I loved the sleep-deprived, conflicted, and often confused character of Sime for his determination to get to the truth no matter who, or what, was pressuring him to finish the investigation fast. Often battling his inner monologue as much as his colleagues, he follows every lead no matter now unlikely, even when it puts him in personal danger.

The author artfully weaves the modern day investigation and the historical story of Sime’s ancestors together, hinting at connections between the two but never quite revealing the implications of the past on the present until the final resolution.

A hauntingly compelling, highly atmospheric read.

Highly Recommended.

[With many thanks to Quercus for my copy of ENTRY ISLAND]

CTG Interviews: Peter May author of the Lewis Trilogy and new standalone Entry Island

Peter May

Peter May

I’m delighted to be joined on the CTG blog today by Peter May, author of the fabulous Lewis Trilogy,  whose new book ENTRY ISLAND is out this month.

So, first question, as well as writing the award winning Lewis Trilogy, you’ve had successful careers as a journalist and a television and screenwriter. What was it that attracted you to becoming a novelist?

I always wanted to be a novelist – since I wrote my first book at the age of four!  My parents taught me to read and write before I went to school and the first thing I did was write a story, and with my mum’s help sewed the pages together to make a book.  (You can see the result on YouTube:  http://www.youtube.com/watch?v=XTxOEfwclh0 )  Journalism was my way of trying to make a living as a writer, since jobs as novelists were not exactly thick on the ground.  Journalism led me into television, and a lucrative career as a scriptwriter, editor and then producer.  But I quit all that (including the income) in the mid-nineties to try, finally, to make my living writing books.  And, well…  I’m still here.

Your new book, Entry Island, is just out. Can you tell us a bit about it?

Entry Island is a story that takes place in two time frames – contemporary and historical.  The contemporary element is set in Quebec, Canada, and more specifically the Magdalen Islands in the Gulf of St. Lawrence.  A detective, Sime Mackenzie, from Montreal is sent with an investigation team to the tiny Entry Island – the only English-speaking island in the Magdalen archipelago – following the murder of its wealthiest resident.  But on arrival he finds that the victim’s wife, and prime suspect in his murder, is unaccountably familiar to him, even although they have never met.  The historical story is told through dreams and recollections of diary entries read to the detective by his grandmother when he was a child.  It tells the tale of a young man (whose name Sime shares) growing up in the Outer Hebrides of Scotland in the 19th century at the time of the Highland Clearances, when tens of thousands of people were driven out of their homes and forced on to boats for the New World.  When the young man and his family are brutally evicted, he finds himself on a boat bound for Quebec.  At a certain point both stories converge and the link between them, along with a resolution to the Entry Island murder, is revealed.

Your books always have a fabulous sense of place about them, what’s your secret to creating this?

Many of my early writing experiences, from the start of my teens on, were screenplays of movies I wanted to make.  I always had a very visual sense of storytelling, and when I began to realise that I didn’t need a multi-million pound budget and a film crew to tell those stories, I took that visual sense with me into the writing of my books.  Basically, I described the pictures in my head.  I went to all those places in my mind and wanted to take the reader there with me, to experience them as real.  Not just visually, but sensually as well.

Could you tell us a little about your writing process: do you dive right in, or plan the story out first?

I spend four to five months developing and researching an idea.  Then I brainstorm for a week and write a very detailed storyline that runs anything up to 20,000 words.  From there I set myself a very disciplined schedule, rising at 6am and writing 3000 words a day.  The book is finished within six to eight weeks.

What advice would you give to those aspiring to publication as crime writers?

Write about what you know.  And remember that no matter how clever your story, readers won’t get involved unless they care about the characters.  Don’t be put off by rejection.  It happens to all of us.  After all, “The Blackhouse” was rejected by every major publisher in the UK, and the Lewis Trilogy has now sold more than a million copies.

And lastly, what does the rest of 2014 have in store for you?

A crazy year lies ahead.  I am in the research and development phase of a new book, which I hope to write in the late spring.  I have books tours in the UK and France, and the USA at the end of the year.  I will be at festivals in Harrowgate, Edinburgh and Bloody Scotland, and in this Scottish Homecoming year, VisitScotland are keen to use my books as a magnet for foreign visitors to Scotland.  A visit to Canada might also be in the offing.

Sounds like 2014 is going to be hectic! A huge thank you to Peter for dropping by the CTG blog. 

[Stop by on Friday to read my review of the fabulous ENTRY ISLAND]

Events Alert: Iceland Noir Festival of Crime Fiction 2014

Iceland Noir banner

Iceland Noir banner

After a hugely successful first year, Iceland Noir – the first Icelandic crime writing festival – will be running again in 2014.

This year it will take place on Friday 21st – Saturday 22nd November at the Nordic House in Reykjavík, Iceland.

The lineup  is still under wraps, but registration is open and you can take advantage of the early bird ticket offer right now.

Hop over to the Iceland Noir Facebook page to find out more at: http://www.facebook.com/IcelandNoir

Click on the following link to book: http://www.eventbrite.co.uk/e/iceland-noir-tickets-10220179833

CTG Reviews: The Killer Next Door by Alex Marwood

The Killer Next Door cover image

The Killer Next Door cover image

What the blurb says: “In a gloomy, bedsit-riddled South London wreck, lorded over by a lecherous landlord, a horrifying collection quietly waits to be discovered. Yet all six residents have something to hide.

Collette is on the run from her ex-boss; Cher is an underage children’s home escapee; lonely Thomas tries to make friends with his neighbours; while a gorgeous asylum seeker and a ‘quiet man’ nobody sees try to keep themselves hidden. And there for them all is Vesta, a woman who knows everything that goes on in the house – or thought she did.

Then in the dead of night, a terrible accident pushes them into an uneasy alliance. But one of them is a killer, expertly hiding their pastime, all the while closing in on their next victim …”

This is not a novel to read alone on a dark night!

Number 23 seems to operate within its own contained ecosystem. Each tenant existing alongside each other, unaware of the magnitude of their housemate’s secrets. And leaving this reader questioning just how well can you ever know your neighbours?

It’s hard to write about this psychological thriller without giving away spoilers, so I’ll not go into the plot much as I really wouldn’t want to spoil it for you. And, anyway, the real joy of this book is the vividly painted characters. Fearful Collette, with a stolen holdall filled with cash and only in the country so she can visit her dying mother; bold young Cher, with her schemes and scams, her adopted cat Psycho, and watched over by Vesta; Vesta herself, seventy years old and, having lived in the same house her whole life, wondering now whether life has somehow passed her by; Hossein, gorgeous, widowed, and desperately waiting it out until his residency is approved and he can work and build himself a new life; Thomas, the shy, quiet, part-time Citizen’s Advice worker; and the mysterious music lover who lives on the top floor and is hardly ever seen. Each of their lives is intriguing, each of them hides a great sadness, one of them is a murderer.

The question though, is which one? Some of the descriptions about how the killer preserves their victims are not for the faint-hearted. Yet, artfully, the author manages to make the killer seem both clinical and remorseless, and a rather pitiful character. But, certainly not one to be underestimated.

With the reader exposed to the killer’s thoughts and actions, there is an ever increasing sense of doom that raises the tension notch-by-notch as the story progresses.

I found that this book had me musing on what causes good people to do bad things, and bad people to do good things? This isn’t a straightforward story of good versus evil, it explores the grey area between the two, and the aftermath of what happens to those who tread there.

Engrossing, chilling, and packed with suspense.

Highly Recommended.

[With thanks to Sphere for my copy of The Killer Next Door]

CTG Reviews: RUTHLESS by Jessie Keane

RUTHLESS cover image

RUTHLESS cover image

What the blurb says: “After fighting her way out of East London’s criminal underworld, Annie Carter’s life appears to be perfect. She has all the trappings of a wealthy and successful existence. And her longstanding rivals the Delaneys are dead, out of her life for good …

But behind the gilded surface, Annie’s life is descending into chaos. Her marriage is in tatters, her relationship with her daughter is fraught and there are whispers on the streets of London; are the Delaney twins really dead? Perhaps Annie should have demanded to see their bodies lying on a slab in the morgue …

Once again Annie is being chased by those who want her dead. But this time, the stakes are even higher and her enemies are even more determined …”

This is the first book by Jessie Keane that I’ve read, but it most certainly won’t be the last. Tightly plotted, with a full cast of wonderfully larger-than-life characters, this novel had me gripped from the very first page.

The main protagonist, Annie Carter, seems to those around her a real woman-on-top, but beneath her glamorous appearance and no-nonsense business savvy, she’s in emotional turmoil. Still, she’s determined to pull her life back on track.

Then someone tries to abduct her daughter, blow up her car, and break into her home. Worse still, their description seems to match that of one of the Delaney twins, Annie’s arch enemies, who she believed to be long dead. Sending her daughter into hiding, Annie puts her personal problems aside and partners up with her ex-husband, Max Carter, and her youngest step-son, Mafia boss, Alberto Barolli, to find out who is behind the attacks, and whether the Delaney twins really died all those years ago.

The novel takes the reader on a journey from London, to New York, and across to rural Ireland. What I especially loved about this story was the way multiple story strands were woven together: a coming-of-age story for Annie’s daughter, Layla, and an explosive battle of wills (and sexual tension) for Annie as she tries to keep an uneasy truce with her ex-husband; all set within a deadly game of cat and mouse with a determined killer driven by revenge.

Intriguing, suspenseful and thrilling. A real page turner.

Highly Recommended.

 

[With thanks to Pan for my review copy of RUTHLESS]

AudioBook Addict reviews: The Necessary Death of Lewis Winter by Malcolm Mackay

audio book cover

audio book cover

The Necessary Death of Lewis Winter

Author: Malcolm Mackay

Narrated by: Angus King

Run time: 8 Hrs and 12 mins

Unabridged – released on audiobook 06/06/2013

What the blurb says: “An arresting, gripping novel of dark relationships and even darker moralities: introducing a remarkable new voice in crime fiction.

A 29-year-old man lives alone in his Glasgow flat. The telephone rings; a casual conversation, but behind this a job offer. The clues are there if you know to look for them. He is an expert. A loner. Freelance. Another job is another job, but what if this organisation wants more? A meeting at a club. An offer. A brief. A target: Lewis Winter. It’s hard to kill a man well. People who do it well know this. People who do it badly find out the hard way. The hard way has consequences.”

Ok – full disclosure – when I started this audiobook, I just didn’t like it at all! The style felt like head-hopping and when other reviewers said it was ‘different’ they weren’t kidding. BUT, boy am I glad I stuck with it. This debut novel by Malcolm Mackay follows a young freelance gunman as he is drawn deeper into working for a gangland organisation. The novel is written in a way that zooms out from the actions and dialogue and takes you into the mind and thought processes of the characters – I think, dredging up memories of my MA, that it actually verges on meta-fiction in parts.

Callum is a freelance gunman and is asked by Peter Jameson, the head of an ambitious criminal gang, to kill Lewis Winter; the man’s death is necessary. We follow Callum on the job, see him prepare and watch him interact with the characters that will assist him to complete the job, and those that will hunt him afterwards.

This novel is really well written. Any misgivings that I had in the beginning were only due to the fact that this is a genuinely different type of novel to those I normally read (or listen to). Mackay openly discusses the thought processes of the characters and this draws you into them even more as the story goes on. At a little over 8 hours, the length was good, although, as is often the case, I would have happily listened for longer. Angus King is a solid narrator.

I have already bought the next audiobook in the series, ‘How a Gunman says Goodbye,’ and that alone is testament to just how good this book is.

Highly recommended.

[AudioBook Addict bought his own copy of The Necessary Death of Lewis Winter]

CTG Reviews: Murder on Thames by Neil Richards and Matthew Costello

Murder on Thames cover image

Murder on Thames cover image

Murder on Thames is the first instalment of the new Cherringham Murder Mystery series, an eBook series that will see a new novella-length mystery solved every month. Published by Bastei Entertainment (an imprint of Germany’s Bastei Lübbe) the series by Neil Richards (based in the UK) and Matthew Costello (based in the US) will be published both in English and German.

What the blurb says: Cherringham is a quiet and peaceful town in the Cotswolds. Time moves slowly here, and nothing out of the ordinary ever happens, until one morning a woman’s body is discovered in the river. Sarah Edwards has just returned to Cherringham with her two children following the breakdown of her marriage. Sarah had been friends with Sammi Jackson – the woman in the river – before they both moved to London and she’s certain there is more to her death than meets the eye. But juggling the school run and her job as a web designer doesn’t leave much time to solve murder mysteries.

After the death of his wife, former NYPD homicide detective Jack Brennan has retired to Cherringham hoping for a quiet life. He soon realises “peace and quiet” isn’t really him and, despite his misgivings, he’s persuaded by Sarah to help her look into Sammi’s death. It quickly becomes clear that the case isn’t as simple as the police hope. From her violent ex-boyfriend to her alcoholic father, it seems everyone has something to hide. Sarah and Jack will need to use all their wits to get to the bottom of this case.”

If you’re a fan of Midsomer Murders and other ‘cosy’ (or ‘cozy’) crime drama and novels then this eBook series is well worth checking out. It ticks all the right boxes: quaint English village – check, traditional pub – check. Traditional game of cricket – check. Nasty goings on, and murderous intentions, lurking beneath the picturesque and seemingly tranquil setting – check, check, check.

Narrowboat-dwelling, retired ex-NYPD detective, Jack Brennan, and recently returned to the village, divorced single-mum, Sarah Edwards, make a great double act. Although I did think that Sarah seemed to get over her friend’s death rather too quickly, the spark between the two main characters, and the pace at which they launch themselves into their ‘off the books’ investigation, carried me along with the story and kept me turning the pages.

A fun read. And, at this time of year, perfect for curling up by the fire with while the rain pours down outside!

Murder on Thames is out now, and the second episode in the series, Mystery at the Manor, will be published on 16th January 2014.

[Many thanks to Bastei Entertainment for my review copy of Murder on Thames]

And the Winner is …

Massive congratulations to ERICA PRICE who is the winner of the Quercus Crime Bundle giveaway.

Winging their way to Erica are copies of the following fabulous books: Alex by Pierre Lemaitre, The Chessmen by Peter May, Screams in the Dark by Anna Smith, The Gift of Darkness by V.M. Giambanco, and The Deliverance of Evil by Roberto Costantini.

The Prizes!

The Prizes!

Event Alert: An Evening with Peter May at Waterstones Piccadilly

Entry Island cover image

Entry Island cover image

Looking for something to do once the party season is over? Well, look no further. Waterstones Piccadilly are hosting ‘An Evening with Peter May’ on 21 January 2014. At the event, Peter will be discussing his new book ‘Entry Island’.

Tickets are £5 (£3 for Waterstones cardholders) and include a glass of wine or soft drink. To book your ticket, either ask in store, call 02078512400 or email events.piccadilly@waterstones.com

Peter May was an award-winning journalist and successful screenwriter before turning his hand to novels. His first book in the Lewis Trilogy ‘The Blackhouse’ was a Richard and Judy summer read and a Sunday Times top 10 bestseller. ‘The Lewis Man’ and ‘The Chessmen’ were also Sunday Times bestsellers. The series has now sold over 1 million copies. Peter’s next novel ‘Entry Island’ will be published by Quercus in January 2014.

I’ll be reviewing ‘Entry Island’ in January, but, until then, here’s a sneaky peep at the blurb: “When Detective Sime Mackenzie boards a light aircraft at Montreal’s St. Hubert airfield, he does so without looking back. For Sime, the 850-mile journey ahead represents an opportunity to escape the bitter blend of loneliness and regret that has come to characterise his life in the city.

Travelling as part of an eight-officer investigation team, Sime’s destination lies in the Gulf of St. Lawrence. Only two kilometres wide and three long, Entry Island is home to a population of around 130 inhabitants – the wealthiest of which has just been discovered murdered in his home.

The investigation itself appears little more than a formality. The evidence points to a crime of passion: the victim’s wife the vengeful culprit. But for Sime the investigation is turned on its head when he comes face to face with the prime suspect, and is convinced that he knows her – even though they have never met.

Haunted by this certainty his insomnia becomes punctuated by dreams of a distant past on a Scottish island 3,000 miles away. Dreams in which the widow plays a leading role. Sime’s conviction becomes an obsession. And in spite of mounting evidence of her guilt he finds himself convinced of her innocence, leading to a conflict between the professional duty he must fulfil, and the personal destiny that awaits him.”

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