Tag: Books

CTG Reviews: The Girl Next Door by Ruth Rendell

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The Girl Next Door cover image

The Girl Next Door cover image

What the blurb says: “When the bones of two severed hands are discovered in a box, an investigation into a long buried crime of passion begins. And a group of friends, who played together as children, begin to question their past.

‘For Woody, anger was cold. Cold and slow. But once it had started it mounted gradually and he could think of nothing else. He knew he couldn’t stay alive while those two were alive. Instead of sleeping, he lay awake in the dark and saw those hands. Anita’s narrow white hand with the long nails painted pastel pink, the man’s brown hand equally shapely, the fingers slightly splayed.’

Before the advent of the Second World War, beneath the green meadows of Loughton, Essex, a dark network of tunnels has been dug. A group of children discover them. They play there. It becomes their secret place. Seventy years on, the world has changed. Developers have altered the rural landscape. Friends from a half-remembered world have married, died, grown sick, moved on or disappeared. Work on a new house called Warlock uncovers a grisly secret, buried a lifetime ago, and a weary detective, more preoccupied with current crimes, must investigate a possible case of murder.”

Ruth Rendell is one of the UKs most successful crime writers. Her first novel, From Doon With Death, was published in 1964, and since then her readers have grown steadily with every new book. In 1996 she was awarded the CBE and in 1997 became a Life Peer. In 2013 she was awarded the Crime Writers’ Association Cartier Diamond Dagger for sustained excellence in crime writing.

Published this week, her latest book, The Girl Next Door, begins with the discovery of a crime: a pair of severed hands clasped together – one male, one female – are found in a tin box beneath a new build. The discovery leads to a group of childhood friends who’d drifted apart reuniting. It also sets off a course of events that lead to the rekindling of lost love and forgotten friendships for some, and to death for others.

This gentle-paced story has a large cast of characters, the majority of whom are over the age of seventy. It’s an unusual crime book in that although it starts with the crime and ends with the crime, the solving of the crime is almost incidental, with the main focus being on the interconnections between the group of childhood friends, now in their twilight years, and the adults who influenced their lives (not always in a good way). It shows how attitudes, especially to sex and marriage, have changed during their lifetime, and how the things hidden away in your past can shape your present and come back to haunt you when you least expect it.

The reader is aware of the murder, and the identity of the murderer, from the outset. I found that even though the overworked police and the people in the community seemed generally unconcerned about uncovering the killer (if they were still alive) I kept turning the pages because I, as the reader, complicit in my knowledge of what had happened and who had done it, wanted to see the killer brought to justice.

 

[with thanks to Hutchinson for my copy of The Girl Next Door]

CTG Reviews: The Distance by Helen Giltrow

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The Distance cover image

The Distance cover image

What the blurb says: “Charlotte Alton has put her old life behind her. The life where she bought and sold information, unearthing secrets buried too deep for anyone else to find, or fabricating new identities for people who need their histories erased.

But now she has been offered one more job. To get a hit-man into an experimental new prison and take out someone who according to the records isn’t there at all.

It’s impossible. A suicide mission. And quite possibly a set-up. So why can’t she say no?”

This is a stylish, espionage-type thriller with a bold and courageous female lead character. Karla (and her alter-ego Charlotte Alton) is super-smart, brave and principled (in her own very distinct way). She is the best of the best at helping people who want to disappear, and is herself a master of disguise.

But this job is different. To get a hit-man into ‘The Programme’ – an experimental prison that is meant to be impossible to break in or out of, and the hit-man is Johanssen – a guy she has a history with.

Karla takes the job, but as Johanssen assumes a new identity in order to enter The Programme, Karla gets increasingly suspicious of the client and their motives. The target of the hit is a woman, and the only information they have on her is a photo and an assurance that she did ‘something bad. Yet she seemingly has no identity, no history, and there is no record of her being inside the prison. Still, Karla has seen the CCTV footage – she knows that the target is inside and very much exists.

Concerned for Johanssen’s safety, Karla digs deeper to find the identity of the target and, in doing so, unravels the complex web of lies, bribes and murder. As she gets closer to uncovering the violent truth hidden behind the hit, Karla, and those close to her, become targets.

Set in the near future and played out over twenty-four days, the story is packed with tension. It’s told in the present tense, which adds to the momentum, and hammers along at a tremendous pace. The plot twists and turns, then twists some more and turns again, ramping up the suspense page by page. A great read, it had me hooked from the first page to the last.

Dark, edgy and, at times, brutal, this is a stylish and highly original debut.

Highly recommended.

 

[I bought my copy of The Distance]

 

CTG Interviews: Chris Culver, author of the Ash Rashid series

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Today, I’m delighted to welcome author Chris Culver, New York Times Bestselling author of the Ash Rashid series of mysteries, to the CTG blog.

Welcome, Chris. Let’s jump straight into the questions …

Your latest book NINE YEARS GONE is out this month. Can you tell us a bit about it?

NINE YEARS GONE is a standalone, which is a little unusual for me. It’s the story of an average guy from the Midwest who, to save her life, helps his girlfriend disappear and then frames her evil and quite powerful stepfather for her murder. Then, nine years later on the evening after the wicked stepfather is executed and when my hero is married and has everything he’s ever wanted in life, his former lover returns to upend his entire world.

It’s a story about revenge and the fine line between love and obsession. I’m probably biased, but I think it’s fun.

NINE YEARS GONE cover image

NINE YEARS GONE cover image

NINE YEARS GONE is your second standalone book. What was it that prompted the idea for the story?

NINE YEARS GONE was a departure for me, both from my Ash Rashid series and my typical genre, thrillers. It’s psychological suspense, and I wrote it because I needed a break. I love my reoccurring series character, and I don’t plan to abandon him anytime soon, but it’s easy to get stuck in a rut writing in the same universe over and over again. I don’t know where this analogy originally came from, but I think it’s fitting: writing in a series is a bit like a painter buying a canvass only to discover half the painting is done. The painter still has a lot of room to work with, but his new work has to fit the old work. Sometimes, it’s just nice to try something new.

The actual idea for the book came from a footnote in a legal textbook. It involved a 17th or 18th century case in which a man was hanged for murdering his neighbor and then disposing of the body. Unfortunately, that neighbor was on a trip abroad and returned just in time to see a familiar man swinging from the gallows in the town square. When I read that, I couldn’t help but wonder if it could happen in the contemporary United States. From there, I just started asking myself “What if. . .?”

 

Could you tell us a little about your writing process, do you dive right in, or plan the story out first?

I do a little bit of both. My outline for NINE YEARS GONE ran 40 single-spaced pages and contained almost 20k words. It had snippets of dialogue, outlines of the various plot twists, the backstory—everything I needed to write the plot of the novel. In addition to that, I have character worksheets that I keep for every character in the book.

As soon as I sit down and start typing, I throw it all out the window. My characters take on a life of their own and do things that surprise even me. At that point, they sort of take over.

 

What advice would you give to new writers aspiring to publication?

Practice. Your first book is the hardest to write and, hopefully, the worst book you’ll ever write. My first book was an absolute affront to literature, but it taught me a lot. My second book was significantly better, and my third book was even better than that. Most writers go through that sort of progression. So don’t give up. If you want to be a writer, keep writing, keep practicing, and never stop trying to improve your craft.

Author Chris Culver

Author Chris Culver

And lastly, what does the rest of 2014 have in store for you?

I’m going to be busy. I’m about 65% complete with my fourth Ash Rashid title. I think it’ll be a great book when it’s done. After that, I’m thinking of starting a new series. It’s a big undertaking but one I’ve wanted to do for quite a while.

 

Sounds exciting. I can’t wait to read them.

Thanks so much for dropping by the CTG blog to answer our questions.

Chris Culver’s latest book, NINE YEARS GONE, is out this week.

Here’s what the blurb says: “Nine years ago, Steve Hale saved the love of his life from her abusive and very powerful stepfather by helping her disappear and framing him for her murder. Today, that stepfather is dead, executed by the state of Missouri for a crime he didn’t commit, and Steve has a loving wife, a little girl who depends on him, a home, a career – everything he ever wanted and believed he could never have. He also has a new voice mail from a woman the rest of the world believes is dead.

A reunion with his former girlfriend quickly sours when Steve realizes that her stories don’t match up – the one she told nine years ago and the one she told today.

As he unravels her twisted knot of lies, he discovers that events are already in motion and plans are being carried out. Unwittingly, he’s hurtling toward a dark secret – one some very dangerous people are willing to protect at any cost.”

And, you can connect with Chris at: 

Twitter: https://twitter.com/@Culver_C
Facebook: https://www.facebook.com/ChrisCulverBooks
Goodreads: https://www.goodreads.com/author/show/4697453.Chris_Culver?from_search=true

Dan Smith Blog Tour: The Darkest Heart by Dan Smith #bookgiveaway

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Blog Tour Poster

Blog Tour Poster

As part of the fabulous Dan Smith blog tour those lovely folks over at Orion have given us ten copies of Dan Smith’s novel The Darkest Heart to giveaway.

How it works:

For a chance to win all you need to do is tweet the link to this post (using the Twitter button below) OR retweet one of the CTG tweets about the giveaway. [You’ll also need to follow us on Twitter, so that we can send you a direct message should you win].

OR

If you’re not on Twitter don’t worry. You can also enter by emailing crimethrillergirl[at]gmail[dot]com. Give your email the header THE DARKEST HEART and give your name and postal address.

Rules
(1) One entry per reader (2) UK residents only – due to postage costs – sorry! (3) We will draw the winners at random (4) No cash alternative (5) The competition closes for entries at 9pm GMT on Sunday 13th July 2014 (6) The judge’s decision is final and no correspondence will be entered into.

THIS GIVEAWAY HAS NOW CLOSED.

The Prize: Dan Smith’s novel The Darkest Heart

What the blurb says: ‘There were times I felt I would always be death’s passenger. It moved one step ahead of me wherever I went, letting its shadow fall across me. It carried me on; shaded me from the world other people lived in.’

Leaving behind his life of violence in Brazil’s darkest shadows, Zico is determined to become a better man. But it seems his old life isn’t quite done with him yet when he’s tasked with making one last kill. It’s one that could get him everything he has ever wanted; a house, some land, cash in his pocket, a future for him and his girlfriend, Daniella. But this one isn’t like all the others. This one comes at a much higher price.

THE DARKEST HEART is a journey through the shadowy heart of Brazil and the even darker mind of a killer, where fear is a death sentence and the only chance of survival might mean abandoning the only good thing you’ve ever known.”

If you haven’t checked them out already, hop along to these wonderful blogs (all part of the Dan Smith blog tour) to find out more about Dan Smith and The Darkest Heart …

Crime Fiction Lover – The Dark Heart of Brazil article http://www.crimefictionlover.com/2014/06/the-dark-heart-of-brazil/

Crime Book Club – The Darkest Heart extract http://www.crimebookclub.co.uk/an-extract-of-darkest-heart-by-dan-smith/

Trip Fiction – Dan Smith talks about setting http://www.tripfiction.com/dan-smith-thriller-set-in-brazil/

Raven Crime Reads – Dan Smith talks about his inspiration for Red Winter http://ravencrimereads.wordpress.com/2014/07/03/dan-smith-blog-tour-the-inspiration-behind-red-winter/

The Murder Room – an extract from Red Winter http://www.themurderroom.com/blog/red-winter-extract/

Shots Blog – Dan Smith talks about beliefs and superstitions http://wwwshotsmagcouk.blogspot.co.uk/

 

To find out more about Dan Smith and his novels, pop on over to his website at http://www.dansmithsbooks.com

And also on the Orion website at https://www.orionbooks.co.uk/books/detail.page?isbn=9781409142652

 

CTG Reviews: SKINJOB by Bruce McCabe

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SKINJOB cover image

SKINJOB cover image

What the blurb says: “A bomb goes off in downtown San Francisco. Twelve people are dead. But this is no ordinary target. This target exists on the fault line where sex and money meet. Daniel Madsen is one of a new breed of federal agents armed with a badge, a gun and the Bureau’s latest technological weapon. He’s a fast operator and his instructions are simple: find the bomber – before he strikes again. In order to understand what is at stake, Madsen must plunge into a sleazy, unsettling world where reality and fantasy are indistinguishable, exploitation is business as usual, and the dead hand of corruption reaches all the way to the top. There’s too much money involved for this investigation to stay private …”

Bruce McCabe has created a darkly fascinating future world. It’s similar to the world as we know it, but with many elements taken to technology-enabled extremes. Like the hand-held lie detectors that allow FBI ‘plotters’ to determine the truth of a crime at faster rates than ever before, and the new, utterly lifelike sex dolls – ‘skinjobs’ – that look, feel and act like real people (although, spookily, can’t speak), and the dramatic rise in politically active religions lobbying against their use. It’s a world where secrets are outlawed, and good law officers can lose their jobs at the beep of a device. And, as a result of this new technology, careers and fortunes can be made and lost at an increasingly rapid rate.

‘Plotter’ Daniel Madsen is part of the new world. He’s hard-working to the point of extreme, super-smart, and determined to find the truth and get justice in all the cases he works. When he’s called in to work with the local cops after a bomb goes off in one of the ‘dollhouses’ – a place men can go to have sex with dolls – he approaches the case as he would any other. But this one is different. The forensic evidence doesn’t tie up with the CCTV footage. Under increasing pressure to generate leads and suspects, Daniel works around the clock trying to unravel the truth. But there is more to this case that first appears, and some very powerful people whose reputations (and fortunes) will rise or fall on the outcome.

But the story isn’t just about technology. As well as Daniel’s quest for the truth, what makes the story even more human is the internal conflict of Shari Sanayei, local PD Viddy Ops specialist (video surveillance), who is in charge of analysing the CCTV footage, and has to watch the police officer she was having a secret affair with enter the building where the bomb detonated just moments before it happened. If she declares the relationship, she’ll be removed from the case, and she doesn’t want that. Not only is she the best at viddy ops, she’s also determined to bring her lover’s killer to justice. Even if withholding their affair costs her the job she loves.

This is one of the best techno-thrillers I’ve read. Filled with intrigue and high on action it pulls you into an artfully crafted future world and has you follow Daniel Madsen as he searches for the person responsible for the bombing. With a cast of interesting characters, and the puzzle of evidence that doesn’t make sense, it had me trying to guess the killer’s identity all the way through and still managed to pack a great twist at the end.

Reminiscent of the great Michael Crichton, this is a techno-thriller with heart. A great read, a cracking high-adrenalin story, and a future world to make you think a little more about just where technology might lead us.

Highly recommended.

[Many thanks to Bantam Press for my copy of SKINJOB]

 

CTG Reviews: The Long Fall by Julia Crouch

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The Long Fall cover image

The Long Fall cover image

What the blurb says: “Greece, 1980: You are a bright young woman with a brilliant future ahead of you. Then you do the worst possible thing a person could do to someone else: you are guilty of the greatest transgression. How do you go on to live a life?

Now: To the outside observer, Kate Barratt has it all: the wealthy husband who was once mistaken for George Clooney, the brilliant, feisty daughter, two homes in London and Cornwall, and understated designer wardrobe and a satisfying sideline as figurehead for a worthwhile charity. But all is not as comfortable as it seems, because Kate harbours a terrible secret that no-one in her current life knows anything about. A secret that hails back to a different time, when she was a skinny, dirty, punk-haired teenager who took too many drugs and nearly threw herself off an Athens hostel roof.

Then, one day, in Starbucks near Tottenham Court Road Tube Station, that secret appears out of the past to face her. Can Kate carry on with the life she has built for herself? Or does it mean that everything is completely, irrevocably, changed?”

It’s very hard to review this book within giving any spoilers, but I’ll do what I can!

Set across two points in time, and two countries, Julia Crouch artfully weaves the story of what happened to Emma – a young, naïve and curious teenage traveller on her first visit to Greece in 1980, with that of present day Kate – a wealthy wife and mother, and founder of international children’s charity ‘Martha’s Wish’.

Packed with suspense, each scene of the book reveals a little more of the horrific chain of events that Kate has tried her whole life to keep hidden, and the extreme lengths she has gone to in order to do so. Kate is a compelling character, so damaged by her past and the grief of losing her youngest daughter, yet desperate to atone for what happened and driven to make a difference through her charity work. When a person from her past tracks her down, Kate’s secret past collides with her present and threatens to destroy all she has worked for, and puts those she loves into the very danger she has sought her whole adult life to avoid.

This dark and chilling story of love, betrayal and guilt shows how one moment of violence can result in a chain reaction that continues across the decades. Highly atmospheric, with fabulously flawed and complex characters, and a super twisty plot, it’s a great read.

The Long Fall is domestic noir at its very best.

Highly recommended.

[Many thanks to Headline for my copy of The Long Fall]

CTG Interviews: Julia Crouch, author of The Long Fall

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The Long Fall cover image

The Long Fall cover image

Today I’m delighted to welcome Julia Crouch to the CTG blog.

Famous for her darkly chilling novels of domestic noir, Julia’s latest book – The Long Fall – is published this week in paperback, eBook and as an audio download. 

So, to the questions …

Your latest book – The Long Fall – is out this week. Can you tell us a bit about it?

I started off wondering how someone could continue a life after being guilty of the worst possible transgression.

The story is set in two time frames – 1980 and 2013. The 1980 sections are the diary of 18 year old Emma who is backpacking solo through Europe in her year off. At the end of her journey, something awful happens. The 2013 part is about Kate, a wealthy, high profile charity campaigner, Hedge Fund Manager’s wife and mother to drama student Tilly. When someone turns up from Kate’s past, her superficially perfect life begins to disintegrate around her.

The book takes place in Greece and London, what was it about these particular places that inspired to you to pick them?

I have always loved Greece – I go there whenever I get the opportunity. My first proper visit was as a lone, backpacking eighteen year old. I kept a diary of what I got up to while I was there, and I have mercilessly raided the detail in it for The Long Fall. On the very edge of Europe, Greece is a country of contrasts – of ancient and modern, of East and West, of land and sea. I knew I wanted to set part of the story on an island – as distant, disconnected and isolated as possible – and my son Owen told me about Ikaria, which his Greek girlfriend Eva took him to a couple of years ago. It seemed perfect and, since the novel starts with a fall from a cliff, the idea of the island named after Icarus, the boy who fell when he flew too close to the sun, seemed too perfect to resist.

I had to go and research the island – an arduous task for a Grecophile such as myself – and found to my delight that it was perfect – wind-buffetted with enormous, looming black and grey cliffs, deserted perfect beaches, a jungly interior and a world untouched as yet (touch wood) by mass tourism. Setting is as important to me as my characters and plot, so it was really, really exciting to find Ikaria. I spent a week there, driving a tiny Chevy Matiz over almost impassable mountain roads, exploring mountain villages and isolated bays.

I wanted the contrast of Kate’s world to the Greek scenes to be very stark. A couple of years ago I did a photoshoot for a magazine and they had hired a gorgeous house in a converted school in Battersea. It’s vast – all enormous high ceilings, white walls and wooden floors. The people who own it live in it – although they were away for the day of the shoot – and there’s a big photograph canvas of the family on the kitchen wall. They are beautiful. The impression is one of a perfect life.

I was just beginning to think about The Long Fall at the time, and it seemed to me that this would be the perfect building for Kate to inhabit – gated, turretted luxury. So I’m afraid I ‘stole’ it!

As a trailblazer of the hugely popular Domestic Noir, how would you describe the characteristics of the sub-genre?

Domestic Noir doesn’t necessarily mean a home setting, but it’s often in there somewhere. it’s about the things people do to each other in the name of love. It’s about the levels at which we can deceive ourselves and others, and how we manage to live with our secrets. It can include police and murders, but that’s certainly not essential. The mystery lies in the why – rather than the whodunnit. Because it is rooted in messy old life and relationships, it doesn’t always provide the neat ending of more traditional crime fiction.

Could you tell us a little about your writing process, do you dive right in, or plan the story out first?

Usually, I just dive in and start a story, researching as I go along. I keep writing until I reach the end, even if I know things have to change quite radically in the earlier stages of the novel to support my new discoveries. This I call draft zero, because no one ever sees it except me. Then I go back and rewrite the entire thing, building a firmer structure for the plot, excising loads of guff and putting in hopefully more focussed material. For me, this is the most exciting way to write, because every day you discover something new about your characters and story.

However, it can be difficult to fit this style of working into a publishing schedule. The Long Fall is the first book of a new contract I signed with my publishers Headline, and to secure that I had to put together a pretty clear outline of the story, long before I started. The plot I came up with was quite detailed and so clear that it changed very little in the writing – so I knew what each scene had to do, where the characters had to go. I didn’t know exactly how I was going to structure it, though, so there was still quite a bit of head scratching at the end of draft zero. It is probably a quicker way to finish a novel, but I have to say I have reverted to my old approach for the novel I am currently working on (working title, rather imaginatively, novel #5) and, while it is scarier, I find it more exciting writing, as E L Doctorow put it, “…like driving a car at night. You can only see as far as your headlights, but you can make the whole trip that way.”

What advice would you give to new writers aspiring to publication?

Write the best novel you possibly can, then edit it and make it better. Don’t be in a hurry to submit. Do your homework finding an agent – do they represent authors you like? Do they deal with your genre? See what they say on Twitter. Follow submission guidelines slavishly – they all have different rules, so you will have to work around them, which is a good thing. Be patient. Be polite. Be prepared for rejection, but also be prepared to work on editing suggestions from agents. If you are rejected, there will be a good reason. Try to work out what it is.

If you want to self-publish, pay someone to edit your novel, and try to forget that you are paying so that you listen to their edits. Pay someone to typeset it and design the cover. Learn the business. You have to be aware that you are going into business not only as a writer but also as a publisher. It’s a lot of work.

And lastly, what does the rest of 2014 have in store for you?

Novel #5 will take up the next five months, and we’re beginning to plan Dark & Stormy Brighton 2015 (the crime festival I launched this year with Emlyn Rees and Ray Leek). I’m putting together proposals for three more novels – a process I really enjoy. And something might be happening in Hollywood, although that’s all I’m allowed to say right now. Other than that, I’m promoting The Long Fall all over the shop: I’ll be at Harrogate, Bloody Scotland and Edinburgh Book Festival, as well as many other libraries, bookshops and festivals around the country. Good job I love writing on trains!

Sounds like 2014 is shaping up to be a very busy year!

A huge thank you to Julia Crouch for dropping by and chatting about The Long Fall and her writing process. To find out more about Julia and her books pop on over to http://juliacrouch.co.uk/

 

And watch this space for our review of The Long Fall – coming soon.

CTG Reviews: The Bones Beneath by Mark Billingham

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The Bones Beneath cover image

The Bones Beneath cover image

What the blurb says: “Tom Thorne is back in charge – but there’s a terrifying price to pay. Stuart Nicklin, the most dangerous psychopath he has ever put behind bars, promises to reveal the whereabouts of a body he buried twenty-five years before. But only if Thorne agrees to escort him.

Unable to refuse, Thorne gathers a team and travels to a remote Welsh island, at the mercy of the weather and cut off from the mainland. Thorne is determined to get the job done and return home before Nicklin can outwit them.

But Nicklin knows this island well and has had time to plan ahead. Soon, new bodies are added to the old, and Thorne finds himself facing the toughest decision he has ever had to make …”

The latest book in Mark Billingham’s bestselling Tom Thorne series takes Thorne away from his home turf, reluctantly chaperoning one of the most dangerous criminals from his past on a trip to Ynys Enlli – Bardsey Island – to locate and retrieve the body of a teenager.

Part road-trip, part closed location mystery, the suspense builds right from the outset. Stuart Nicklin is a master manipulator without a shred of remorse for his victims and their families, yet he says he’s willing to lead the police to the body of one of his early kills in order for the boy’s mother to get closure. The catch – Tom Thorne must be the police officer to escort him. But Thorne knows the trip isn’t about any sense of conscience Nicklin has about what he did, so why does he want to take a trip to the island now?

As Thorne and his team, along with prisoners Nicklin and Batchelor, make the journey there’s a real sense of impending doom. With every page the tension ratchets up as you, the reader, wait to see where, when and on who the axe will fall first. And fall it does.

The beautiful, but remote, island of Ynys Enlli makes the small group geographically isolated. At the mercy of the weather, and limited by the small amount of equipment they could bring, the team start their search for the body. But finding it is only their first challenge.

Thorne is more isolated than ever before. Cut off from those he loves, and unable to get a mobile phone signal in anywhere but one spot on the island, there seems to be an even greater intensity to his personal sense of being alone.

And the relationship between Thorne and Nicklin is grating and tense. Nicklin tries his upmost to taunt and provoke Thorne, while Thorne battles to keep his reactions in check and stay professional. They’re well matched adversaries – smart, savvy and both determined to stop the other getting the upper hand. But as the full extent of Nicklin’s plan is put into play, the body count rises, and Thorne is forced to make an impossible choice.

This tense, suspenseful and claustrophobically gripping story hooked me in from the beginning and kept me reading into the early hours because I just couldn’t put the book down. A truly fabulous read.

Highly Recommended.

 

Bonus Features:

The inner cover of the book includes a detailed map of Ynys Enlli – Bardsey Island. Its beauty and inaccessibility is central to the story and having read about it I’m tempted to visit – although I’m not sure I’d want to stay there overnight!

Another bonus for Thorne fans (and lovers of great country music) is the road-trip playlist at the back of the book with some great tracks from artists including Hank Williams, Johnny Cash, Willie Nelson, Patsy Cline, Laura Cantrell, Steve Earle and My Darling Clementine.

[I bought my own copy of The Bones Beneath]

 

CTG Interviews: Bruce McCabe, author of SKINJOB

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SKINJOB cover image

SKINJOB cover image

Today I’m joined by Bruce McCabe whose debut novel – SKINJOB – is coming out with Bantam Press this month.

Welcome to the CTG blog, Bruce.

Your debut novel – SKINJOB – is out this month. Can you tell us a bit about it?

Skinjob is a thriller set in the boardrooms, brothels, churches and alleyways of the near future. It follows the fortunes of Daniel Madsen, a cop trained to deliver rapid results in high-pressure cases where lives are on the line, and Shari Sanayei, an SFPD surveillance officer. The action takes place over just six days. Underneath the surface, the novel takes a provocative look at a series of looming social challenges.

You chose to set the story in the near future, what attracted you to this time period?

I love exploring the big “what if?” and the way we are challenged and changed by technology. Plus I’m privileged, due to my professional background, to talk to the scientists and innovators creating our future in their labs. I find the combination irresistible!

Technology is obviously something you’re very knowledgeable about. Did you need to do any specific research for SKINJOB, and if so how did you go about it?

Most of the research was already done – the book was inspired by a technology demonstrated to me that I found profoundly disturbing, and which stayed with me for years. While writing I spent time in San Francisco and other cities, walking the streets, getting everything just right. I conducted a few interviews too — a special agent I was introduced to was particularly helpful in understanding FBI internal affairs and inter-agency politics!

Bruce McCabe

Bruce McCabe

Could you tell us a little about your writing process, do you dive right in, or plan the story out first?

A mixture. I start with a big “What if?”. After I get a very high level sketch in my head (what I want to say, the characters, the kind of ending I want to arrive at), I dive in and start writing. After two or three chapters I pause and do a basic outline, then it’s back to writing. Over the course of the novel I return and rework that outline perhaps two or three times, each time adding structure and more detail. The plot is always in flux, right up until the last page.

What advice would you give to those aspiring to publication as crime writers?

To me, good crime writing is about the ‘slow reveal’: keep the revelations coming, but don’t give away too much and don’t be in too much of a hurry! Get that pace just right and your readers are bursting by the time they get to whodunit. On writing generally: read and write a lot, and understand that all first drafts look awful; everything good was re-written and polished many times over before it saw the light of day.

And lastly, what does the rest of 2014 have in store for you?

Completing my second novel. It’s getting very close now and I’m both exhausted and excited! Then some downtime and some travel – during which I’ll probably scout locations for the next one!

Sounds great. Many thanks for dropping by the CTG blog and answering our questions.

To find out more about Bruce McCabe, pop over to his website at http://www.brucemccabe.com

SKINJOB is out now, and we’ll be posting our review shortly. In the meantime, here’s what the blurb says: “A bomb goes off in down town San Francisco. Twelve people are dead. But this was no ordinary target. This target exists on the fault line where sex and money meet. Daniel Madsen is one of a new breed of federal agents armed with a badge, a gun and a handheld lie detector. He’s a fast operator and his instructions are simple: find the bomber – and before he strikes again. In order to understand what is at stake, Madsen must plunge into a sleazy, unsettling world where reality and fantasy are indistinguishable, exploitation is business as usual, and the dead hand of corruption reaches all the way to the top. There’s too much money involved for this investigation to stay private …”

Fun at Hay Festival: Cumberbatch, Child and sneaking into the Green Room …

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Benedict Cumberbatch reading at Letters Live

Benedict Cumberbatch reading at Letters Live

So on Saturday I drove to Hay-on-Wye to visit the Hay Festival for the very first time. I wasn’t really sure exactly what to expect. I’ve been to music festivals, sure. But an outdoor book festival? I couldn’t really picture it.

The first thing that struck me was the shear size and scale of the thing. On the stretch of road between the town of Hay-on-Wye and the Hay Festival site I passed a lot of people walking: all ages, dressed in the usual festival gear – everything from wellies to flip-flops, dresses to jeans to shorts, wet weather jackets and sunglasses. When I arrived at the parking, the first charity car park I tried was already full, but the guy on the gate looked at my little car and said he thought they could squeeze it in – luckily they did.

Then it was across the road and into the festival. I don’t think I’ve ever seen so many book lovers all crammed into one space before! There was loads to see, not just all the fabulous events, but also the huge bookstore, the BBC radio broadcasts, the various eating places and bars, and also (if you’d brought the kids) a host of children’s play areas.

The first event I went along to was Letters Live in the Tata Tent. This event, in association with The Reading Agency and World Book Night, was a celebration of literary correspondence inspired by To The Letter by Simon Garfield and Letters of Note by Shaun Usher. The letters were read on stage by Benedict Cumberbatch, Louise Brealy, Ian McEwan, Rob Brydon, Antony Grayling, Lisa Dwan and others (with James Rhodes reading a letter by Chopin and then playing a piece of his music on the keyboard set up on stage). It was a fantastic event with the letters, and their performers, both inspiring laughter and reflection at the emotion conveyed in each one and the wonder of the art of letter writing. The highlight of the event for me was the series of letters read by Benedict Cumberbatch and Louise Brealy – the love letters of Chris and Betty whose relationship bloomed by correspondence while Chris was posted during the war (and later a POW).

In line for the Lee Child event

In line for the Lee Child event (CTG squinting into the sun on the right!)

Next I caught up with my friend Steph Roundsmith, who runs the KidsReadWriteReview scheme (http://www.kidsreadwritereview.co.uk/), and Kjartan Poskitt, the fabulous author of many children’s books including the Agatha Parrot series, the Murderous Maths series and his newest series – Borgon the Axeboy (see http://www.kjartan.co.uk/), who’d just finished his event and signing. We (slowly) inched our way through the crowds to the green room where we sat on the very comfortable sofas and chatted over a hot chocolate.

After that, I had time for a little mooch about. One of the things I loved was the Hollow Ash Shepherd’s Huts. These beautiful spaces are just perfect for using as a writing room in the garden. Hollow Ash also offer glamping holidays in a couple of huts situated in a beautiful part of Hereford. Check them out here http://www.hollowash.co.uk

 

 

Lee Child with Sarah Crompton

Lee Child with Sarah Crompton

Then it was dinner – potato wedges and hummus did the job – before heading to the Never Go Back – Lee Child talks to Sarah Crompton event. The tent was packed, and Sarah Crompton did at great job of questioning Lee about his route to becoming an author, where the inspiration (and name of Reacher) came from, and what happens in the latest book of the series – Never Go Back. Of course, there were also questions about the film, and Tom Cruise. And a question from the audience about why Reacher has had less sex in recent books – the answer? In Never Go Back there’s plenty! I’ve heard Lee speak a few times before, and he was as witty and entertaining as ever.

And then it was over. As I drove out of the festival site and headed home I reflected that the Hay Festival is a fun place to visit, and that perhaps next year I’d come along for more than one day.