CTG Reviews: WANT YOU DEAD by Peter James

Want You Dead cover image

Want You Dead cover image

What the blurb says: When Red Westwood meets handsome, charming and rich Bryce Laurent through an online dating agency, there is an instant attraction. But as their love blossoms, the truth about his past, and his dark side, begins to emerge. Everything he has told Red about himself turns out to be a tissue of lies, and her infatuation with him gradually turns to terror. Within a year, and under police protection, she evicts him from her flat and her life. But Red’s nightmare is only just beginning. For Bryce is obsessed with her, and he intends to destroy everything and everyone she has know and loved – and then her too…”

DCI Roy Grace returns in the latest book in Peter James’ best selling detective series – Want You Dead. He’s juggling the new responsibilities of parenthood with planning for his approaching wedding when his team is called to inspect the scene of an apparent suicide. But the suicide is suspicious, and when the dead man is found to be the current boyfriend of Red Westwood, a women whose previous boyfriend – Bryce Laurent – is known for his violent outbursts, Grace and the team are pulled into a deadly race against time to find the killer before he strikes again.

Red is a survivor of domestic abuse, determined to rebuild her life after being betrayed and brutalised by the man she loved. She’s started a new career, and is beginning to date again. But when her boyfriend is found dead, and she starts to catch glimpses of her ex – Bryce Laurent – her confidence begins to crumble.

Bryce is a smart and terrifying villain, able to be both utterly charming and brutally violent. Obsessed with Red, and destroying her and all she holds dear, anyone who threatens his success instantly becomes a target.

Told in short chapters, with points of view alternating between viewpoint characters including Grace, Red Westwood, Bryce Laurent, and Sandy (Roy Grace’s wife who disappeared many years previously) the tension continues to rise as Brighton becomes the setting for a series of devastating fires. Alongside the case, Grace and his fiancé – Cleo – prepare for their wedding, but unknown to them, in the background someone is watching – Sandy, Grace’s first wife, who has now been declared legally dead.

The story twists and turns at break-neck pace towards its dramatic showdown with plenty of shocks along the way. It’s a must-read for fans of the series, and all those who love police procedurals.

Highly recommended.

 

 

CTG Interviews: best selling author Peter James

Peter James

Peter James

Today I’m excited to welcome best selling novelist Peter James to the CTG blog.

His latest novel  – WANT YOU DEAD – is out now (watch out for our review next week) and he kindly agreed to answer a few questions about his many writing projects for us …

Welcome Peter!

Dead Simple, the first novel in the Roy Grace series, is also rumored to venture its way onto the London big stage in January of 2015. Can you share some of the difficulties or advantages of adapting a thriller novel into a production play?

The two biggest difficulties are firstly containing the action within the very limited confines of a stage and the maximum number of set changes is it possible to have, and secondly reducing the number of characters in a book into the relatively small amount it is possible to have, both for economic and logistic reasons, in a play. The biggest challeng we have in bringing Dead Simple to the stage is that one of the central characters spends around two thirds of the entire play buried alive in a coffin. In the novel, much of the suspense comes from things that are happening to him – water rising within the coffin, his air supply being cut off, the excruciating claustrophobic fear of the enclosed dark space. So we’ve had to explore all kinds of different ways to portray this, from projecting the image of the actor in the coffin onto a screen, to simulating the feeling of being in a coffin by plunging the entire auditorium into darkness.

You recently contributed to the New York Times best selling novel, FaceOff. What were the highlights from the collaboration with Ian Rankin? Any challenges?

The whole concept of FaceOff, asking crime and thriller writers to have their central detective characters collaborate with another fictitious detective was both brilliant and highly daunting. Also although Ian Rankin and I are both British, the laws and police procedures in Scotland, where his character John Rebus operates are different to those in England where my character, Detective Superintendent Roy Grace operates. But right from the getgo, this collaboration was a really joyful experience. I’ve known him for some years and always found him to be a delightful, friendly, generous spirited guy, and all of this came through in spades during our time working together on this. Ian has a huge amount of knowledge about music, and it was his idea to hang the story around a cold case, and a rock and roll era, connecting our two cities of Brighton and Edinburgh. We met over a pint – or three – of beer in Scotland to kick it around, Ian started the ball rolling by writing a couple of pages which he sent to me, then I continued while he went off on tour to the US. We wrote the story in quite a short time period, with no arguments whatsoever. It was a strange feeling writing some of the scenes in which I had his central characters act and speak – I felt as if I was treading on sacred ground! I think the only real challenge was the amount of alcohol consumption the whole collaboration required 🙂

Want You Dead cover image

Want You Dead cover image

With 25 novels translated into 36 languages, publishing the world’s first electronic novel, Roy Grace’s 10th novel, a children’s novel, a novella, your involvement in Hollywood, your endless devotion and support to your hometown of Brighton, and charitable work under your belt we are all left wondering what is next for the man who seems to have done it all, and more importantly, how do you celebrate your successes?

Thank you! The big goal I now have in front of me is to see my books really break through in the USA. I’ve spent so much of my working life to date in the US, I feel as at home in North America as I do in England. I’m completely certain, from both the wonderful reviews I consistently get in the US press and from the enthusiasm of my fans, that it is possible. As to how I celebrate my success – it may sound strange, but I celebrate very cautiously. I know I’m incredibly lucky to have such a huge and global readership, to be able to make a living doing what I love, and to be able to travel so much, but equally I know, from my own experiences as a reader, just how many of my favourite authors seemed to decline as they became increasingly famous – almost as if they felt they didn’t have to make the effort any more. I’m determined not to let that happen, and I try my hardest to raise the bar with each book I write. My extravagances, when I am in full celebratory mood, are fine wines and fast cars – but not together!!!

 

A huge thank you to Peter James for taking time out of his busy schedule to visit with the CTG blog.

You can find out more about Peter by hopping on over to his website: http://www.peterjames.com

Visit him on Facebook: https://www.facebook.com/peterjames.roygrace

And follow him on Twitter @peterjamesuk

CTG Reviews: Dead Man’s Time by Peter James

cover image

cover image

What the blurb says: “A vicious robbery at a secluded Brighton mansion leaves its elderly occupant dying. Millions of pounds’ worth of valuables have been stolen.

But as Detective Superintendent Roy Grace, heading the enquiry, rapidly learns, there is one priceless item of sentimental value that her powerful family cherish above all else. And they are fully prepared to take the law into their own hands, and will do anything – absolutely anything – to get it back.

Within days, Grace is racing against the clock, following a murderous trail that leads him from the shady antiques world of Brighton, across Europe, and all the way back to the New York waterfront gang struggles of 1922, chasing a killer driver by the force of one man’s greed and another man’s fury.”

The ninth novel in Peter James’ award-winning Roy Grace series finds Detective Superintendent Grace juggling his job with the challenges of being a new parent. Sleep deprived and wishing that he could spend more time at home with Cleo and their baby son, Noah, instead Grace finds himself heading up the investigation into the robbery and violent assault of an elderly widow.

This story has all the hallmarks of a classic Peter James novel – tight plotting, lots of twists and turns, great attention to detail. It also combines the present-day crime with a past mystery which begins in Brooklyn, 1922, when a young boy witnesses the murder of his mother and the abduction of his father.

As Grace and his team investigate the present day crime, the two stories begin to intertwine through factors common to both – Gavin Daly, an elderly multi-millionaire with an unfulfilled promise, and a stolen broken pocketwatch.

As Grace pieces the evidence together it becomes clear that his team are not the only people hunting for the killer. With several leads eliminated, he follows the trail of stolen goods first to Spain and then to New York. The only problem is, his dedication to the case may well have blinded him to a threat much closer to home.

The theme of family is strong in this book. Peter James artfully interweaves the past and present crime stories, making the powerful and, at times ruthless, Gavin Daly a compelling and empathetic character. It’s also a fascinating glimpse into the world of New York gangs in the 1920s and the darker side of the UK antiques trade.

With fast-paced action, great characters and a pair of intriguing and emotive crimes to solve, Dead Man’s Time is a real page-turner.

Highly Recommended.

[With thanks to Pan MacMillan and Midas PR for my copy of Dead Man’s Time]

CTG Reviews: City of Dreadful Night by Peter Guttridge

cover image

cover image

What the blurb says: “July 1934. A woman’s torso is found in a trunk at Brighton railway station’s left luggage office. Her legs and feet are found in a suitcase at King’s Cross. Her head is never found, her identity never established, her killer never caught. But someone is keeping a diary. July 2009. A massacre in Milldean, Brighton’s notorious no-go area. An armed police operation gone badly wrong. As the rioting begins, highflying Chief Constable Robert Watts makes a decision that will cost him his career. Meanwhile, with the aid of newly discovered police files, ambitious young radio journalist Kate Simpson hopes to solve the notorious Brighton Trunk Murder of 1934, and enlists the help of ex-Chief Constable Robert Watts. But it’s only a matter of time before past and present collide …”

I love a good puzzle, and that’s exactly what this first book in Peter Guttridge’s Brighton series gives you. Twice over.

The mysterious cold case of the Brighton Trunk Murderer (an actual case) is twistingly intertwined with the investigation of the modern day Milldean shooting case. And both are giving Robert Watts a headache.

An excellent investigator, Watts loses his job as Chief Constable in the political fallout from an armed police raid gone bad. With his marriage falling apart, and the job he lived for gone, he’s at a loss of what to do. So when Kate Simpson, a young radio journalist and the daughter of an old friend, asks him for his help he agrees.

But Kate’s not the only one seeking his help. When Sarah Gilchrist, a member of the ill-fated armed operation, returns to work she can’t let the unanswered questions about what really happened go unanswered any longer. As she digs deeper it seems that the bungled raid wasn’t quite the accident it first appeared. That’s when she decides to call on Watts.

As Watts gets drawn into both cases he discovers links to people he knows and implications that have affected him, and his career, without his knowledge. But someone isn’t happy that their secrets are being uncovered, and as more police officers from the raid turn up dead, and threats to Watts, Kate, Sarah and those helping them are made, it seems both the cases are anything but cold.

This isn’t your average police procedural. The quirky narrative style, fresh characters and witty observations kept me turning the pages, keen to find out where Watts, Kate and Sarah’s rather unusual and distinctly unofficial investigations would lead them.

An intriguing journey through the darker side of Brighton, and a great introduction to a new series – I’ve already bought the next book ‘The Last King of Brighton’.

Recommended.

 

[With thanks to Peter Guttridge for my copy of the book]