CTG REVIEWS: BLOODY SCOTLAND – the bloody brilliant book! #BloodyScotland

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What happens when top crime writers Val McDermid, Chris Brookmyre, Denise Mina, Ann Cleeves, Louise Welsh, Lin Anderson, Gordon Brown, Doug Johnstone, Craig Robertson, E S Thomson, Sara Sheridan and Stuart MacBride put together a collection of short stories inspired by some of Scotland’s most dazzling and iconic historical sites?

A bloody brilliant book, that’s what!

Like an adrenaline fuelled road (and across water) trip through Scotland and the islands, the Bloody Scotland book is a heart-pumping exploration of geography, history and breathtaking crime fiction and suspense.

I loved the ancient mystery of the runes in Lin Anderson’s present day/1151 story ORKAHAUGR – evoking the mystical elements of Maeshowe on Orkney as a Professor sets out to experience the phenomenon of the setting sun entering a 5000 year old chambered cairn and discovers the secret within its walls. The heartbreaking ANCIENT AND MODERN by Val McDermid has the intriguing The Hermit’s Castle as the setting for both romance and revenge, and Doug Johnstone’s PAINTING THE FORTH BRIDGE provides a nail-bitingly tense thriller. One of my favourites has to be Chris Brookmyre’s THE LAST SEIGE OF BOTHWELL CASTLE – it’s full of twists and turns, and brilliant dialogue (especially the hilarious discussions about who’s the better character – William Wallace or Legolas – and whether Robin Hood is real!).

So how did the book come about?

Well, Historic Environment Scotland (HES) is the lead public body charged with caring for, protecting and promoting the historic environment. 2017 has been designated the Year of History, Heritage and Archaeology and The Bloody Scotland book is a part of that. James Crawford, Publisher HES and editor of the book says, ‘I found myself talking to the co-founder of the Bloody Scotland Crime Writing Festival, Lin Anderson, and its director Bob McDevitt, in the Authors’ Yurt at the Edinburgh International Book Festival in August 2016. ‘What if?’ I asked them. ‘What if we asked twelve of Scotland’s top crime writers to write short stories inspired by twelve of our most iconic buildings? What would they think? What would they come up with?’ This book is the answer… Bloody Scotland, then, is a tribute to two of our nation’s greatest assets – our crime writing and our built heritage’.

The Bloody Scotland Book is out today (21st September 2017). You can order it from Amazon HERE and from Waterstones HERE

The Bloody Scotland Crime Writing Festival in Stirling is a must-attend festival for all crime fiction lovers. Next year the festival will run from Friday 21st to Sunday 23rd September 2018. Hop over to the website HERE for more information.

And don’t forget to check out all the fantastic stops along THE BLOODY SCOTLAND BOOK blog tour…

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CTG Reviews: BLACK WIDOW by Chris Brookmyre

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What the blurb says: “Diana Jager is clever, strong and successful, a skilled surgeon and fierce campaigner via her blog about sexism. Yet it takes only hours for her life to crumble when her personal details are released on the internet as revenge for her writing. Then she meets Peter. He’s kind, generous, and knows nothing about her past: the second chance she’s been waiting for. Within six months, they are married. Within six more, Peter is dead in a road accident, a nightmare end to their fairy-tale romance. But Peter’s sister Lucy doesn’t believe in fairy-tales, and tasks maverick reporter Jack Parlabane with discovering the dark truth behind the woman the media is calling Black Widow …”

This psychological thriller is very difficult to review without giving anything about the story away!

What I will say is that this is one of those books that has you guessing right to the end about what really happened, keeping you locked into the suspense of the story, hooked by the intrigue, and trying to work out who did what, and why they did what they did.

Diana Jager is a fascinating character – strong and driven on the outside, while vulnerable and hurting on the inside. As the story unfolds, revealing that the fairy-tale romance between her and her husband, Peter, wasn’t everything the papers led their readers to be believe, it becomes clear that Diana and Peter were hiding dark secrets of their own.

Jack Parlabane is wrestling with his own demons. A talented but now disgraced investigative journalist, he’s not afraid of digging deep to find the truth behind a story, but his empathy and own desires start to cloud the issues, and have the potential to put him far closer to danger than he’d ever have imagined.

This is a story where nothing is quite as it seems and the characters all have something to hide. It’s also the first Chris Brookmyre novel I’ve read but it certainly won’t be the last, and although it’s part of the Jack Parlabane series I found it worked well as a standalone.

Masterfully plotted and brilliantly observed, with a touch of dark humour and a cracking pace, this intricate thriller will have you captivated right to the final page.

 

To buy BLACK WIDOW on Amazon click here

To buy BLACK WIDOW from Waterstones click here

To find out more about Chris Brookmyre and his books pop over to his website at www.brookmyre.co.uk and follow him on Twitter @cbrookmyre

 

[With thanks to Little Brown for my copy of BLACK WIDOW]

 

 

 

CTG Interviews: Chris Brookmyre about his latest novel BLACK WIDOW

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Today I’m delighted to be joined on the CTG blog by crime writer Chris Brookmyre. Chris, a former journalist, is one of Britain’s leading crime novelists and more than one million copies of his Jack Parlabane series have been sold in the UK alone. He’s kindly agreed to answer some questions about his latest book in the Jack Parlabane series – BLACK WIDOW – and talk about his writing process.

So, to the interview …

Welcome, Chris! Your latest book BLACK WIDOW is published today, can you tell us a bit about it?

It’s about how the most dangerous lies are the ones we tell ourselves. It’s about a surgeon who has given the best years of her life to her career and is beginning to think that maybe the price was too high: she doesn’t have anyone with whom to share her life and is fearing that the time to have a husband and a family may have passed. Then out of the blue she has a whirlwind romance with a hospital IT tech: within six months they are married, and within six more he is dead. The question is: did she kill him, and if so, did she have a very good reason.

Surgeon Diana Jager is a fascinating character – strong, successful and willing to speak out for what she believes in, yet inwardly vulnerable – what was it that inspired you to create her and tell her story?

My wife is an anaesthetist who has worked in the NHS for twenty years. She saw a lot of her colleagues in the same situation as Diana in terms of giving so much of themselves to their careers. She observed a great deal of sexism in medicine, overt sexism in terms of how people are treated and spoken to, but also a more insidious, pervasive covert sexism in terms of how it is made a lot easier for male doctors to have both a career and a family. They are seldom forced to choose, or judged for their decisions. The other inspiration was the way I’ve seen women abused on social media for being even the slightest bit outspoken. I wanted to create a character who would be an acerbic and divisive blogger in order to show what the fall-out might be like for a woman who dared to stick her head above the parapet.

How does a story idea start for you – with a character, a theme, a plot, all three, or something different?

I honestly can’t remember. By the time I’ve finished writing a book, there has been so many processes gone through that the seeds are lost in this miasma of inter-tangled ideas. It’s different for every book. With Black Widow I wanted to write about how we are inclined to trust people early in a relationship because we are desperate for it to work out, and that can blind you to danger signs. I’ve touched upon this in previous books: how we tend to intellectually rationalise our fears in order to convince ourselves everything will be okay, when in fact we should listen when our instincts are telling us to run.

Can you tell us a bit about your writing process – do you plot your novels out in advance, or dive right in and see where the story takes you?

These days it’s more the former, but in the past it was the latter. I would come up with outlandish ideas that excited me, and before I knew it I was mired in them. I would end up drawing upon my wife to help work out a way of pulling all the threads together into a satisfying conclusion. A good example is All Fun and Games Until Somebody Loses an Eye, where I came up with the concept of this very law-abiding and dutiful grandmother who gets drawn into a world of espionage. The possibilities were so intoxicating that the book just got longer and longer, but in recent times I have been plotting my books very carefully. Not too much because you don’t want it to seem like your characters are on a rail, but with something like Black Widow, which is very twisty turny, if you want to misdirect the reader, you have to control the information and be very conscious of how much the reader knows at any given time. In order to do that, you need to know where it’s all going. As a character says in the Sacred Art of Stealing, you won’t know anything until you know everything.

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So, what’s next for Jack Parlabane? Do you have another series book planned and, if so, will things start to look up for him in his private life?

I’ve actually just finished the first draft of the next Jack Parlabane book, and having in recent novels been wrestling with the implosion of print journalism, at the start of the new one he is finally turning things around. He bags a job at a very forward-thinking news website, and one of the characters remarks to him that Jack is so used to things going wrong, he finds it hard to accept it when things are going right. Parlabane replies that this is because when everything is going right, that’s usually the sign that a meteor is about to strike, which of course it soon does.

As crime writers are also usually avid crime readers, can you tell us what’s your favourite crime novel and why?

Strangely enough, perhaps my favourite crime novel is Dirk Gently’s Holistic Detective Agency. I always loved Douglas Adams’ work, and when he decided to write a detective story, it was of course an entertainingly bizarre detective story. As soon as I finished it I went back to the beginning and read it again because it was a novel that read completely differently second time around, once you knew what was really going on. Since then it has been my ambition to write a novel that would have readers to that, and hopefully I have realised that ambition with Black Widow. The best twists aren’t merely a surprise: the best twists change the meaning of everything so that you can go back and read the same chapters again and it’s like seeing the same events through different eyes.

And, finally, what does the rest of 2016 have in store for you?

I will be polishing up the next novel, which is entitled Want You Gone, and I am also writing another science fiction novel. It won’t be outlandish far-future science fiction: I am hoping to take my crime readers with me because the plan is that it will be a crime novel that just happens to be set in space.

Huge thanks to Chris Brookmyre for stopping by the CTG blog today and letting me grill him.

BLACK WIDOW is out today.

To buy it from Amazon, click on the link here 

To buy it from Waterstones click on the link here

You can find out more about Chris and his novels by hopping on over to his website here and following him on Twitter @cbrookmyre

 

And, I’ll be reviewing his fabulous new book – BLACK WIDOW – here tomorrow so don’t forget to stop by then!

 

CTG Reports: Bloody Scotland Crime Writing Festival Day 1

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Stirling in Scotland is a pretty long way from where I live, but this fabulous new crime writing festival was well worth taking the seven hour train journey from my home to the Stirling Highland Hotel and immersing myself in the activities of Bloody Scotland 2013 for a few days. This was the second year of this new but fabulously organised crime writing festival, and my first visit to both it and Stirling.

And what a treat I was in for.

The festival began on Friday 13th September with three wonderful sessions held in the magnificent Albert Halls. Firstly, Quintin Jardine opened the festival sharing tales from the dark side with festival co-founders Lin Anderson and Alex Gray.

The second event followed, with Val McDermid, interviewed by Christine Hamilton, in a session entitled ‘Can You Sleep at Night?’ and sponsored by The Open University in Scotland. During the interview Val McDermid shared how she still feels ambitious, that she still strives to write better books, and she enjoys reading books that make her think about her craft, mentioning Margaret Atwood and Kate Atkinson as two of those writers that she enjoys to read.

Mark Billingham and Chris Brookmyre closed the evening’s events with the most hilarious, sweary and laugh-till-you-cry session. Through their quick-paced banter and sparky anecdotes they gave the audience a glimpse into the world of a crime writer – their working habits, their (other) festival horror stories and the interesting reader emails they get, from the complements and the complaints through to the downright scary! The memory of Mark Billingham reading from his novel as Chris Brookmyre performed modern dance across the stage behind him will stay with me for a long time to come!

Then it was back up the hill to the gorgeous Stirling Highland Hotel, to catch up with friends in the bar and plan which sessions to attend the next day …

 

[hop on over to www.bloodyscotland.com to check out the early bird offers for Bloody Scotland 2014]