The #EpiphanyJones Blog Tour: Michael Grothaus talks about The Importance of Dissatisfaction In Writing Well

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Today I’m delighted to be hosting a stop on The Epiphany Jones Blog Tour, and am handing over the hot seat here at CTG HQ to  Michael Grothaus to talk about why dissatisfaction is important in writing well.

Michael is a novelist and journalist who spent years researching sex trafficking, research which is put to use in his debut novel EPIPHANY JONES. Born in Saint Louis, Missouri, he has a degree in filmmaking, and as a journalist writes about creativity, tech, subcultures, sex and pornography, and the effects of mass media on our psyches.

Over to Michael …

The Importance of Dissatisfaction In Writing Well

In my novel EPIPHANY JONES there are two main characters. There’s Epiphany, for whom the book is named after, and then there’s Jerry Dresden. As you’ll soon discover when you start to read the book, Jerry isn’t in a good place when the story begins. He suffers from a horrible psychological affliction where he sees people who don’t really exist and he can interact with them—having conversations, even being able to “feel” them when he “touches” them—as easily as you or I can interact with each other.

But perhaps what’s worse is Jerry is also an addict, but instead of the usual addictions novelists write about—booze, drugs—Jerry has a porn addiction. But as with most addictions, Jerry’s addiction to porn comes from trying to dull the pain of past tragedy. Because of his psychological afflictions and addiction Jerry can be a pretty cynical, dissatisfied, angry guy.

When people finish reading the book, I’m not really surprised to hear them say “I started off not wanting to hang out with Jerry, but by the end of the book I loved him.” What does surprise me is more than a handful of people have added “You seem like such a nice, happy guy, Michael; I had no idea you had that much anger in you.” And some even then add “So, were you addicted to porn?”

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Now for the record: no, I’ve never had a porn addiction. But, hey, you write a first person story about a guy who has a porn addiction and some readers are just going to think it’s autobiographical. I get that. I do.

But what those same readers are right about is the anger. That dissatisfaction Jerry feels? That comes from me—at least part of it. And that dissatisfaction, I believe, is essential to being a good writer. Why? Because I’ve never met anyone who was completely satisfied, content, and happy who could write well.

I know people who want to “be writers” (whatever that means) who are wealthy, or privileged and never wanted for anything, or have never had a health problem, or never experienced significant loss—and none of them can write well. I know people who don’t care about politics, or the environment, or poverty, of the suffering that goes on around the world—and none of them can write well.

These people are not bad or stupid or foolish—indeed, they are all very fortunate (or lucky). Yet because of this rare good fortune they lack dissatisfaction, which is the single most important resource that writers have—if they use it wisely. Dissatisfaction spurs anger and anger can be used productively. Productively, it’s what gets you in front of your keyboard to write a story holding a mirror up to society so it can see itself as it really is. It’s what spurs you to write characters that challenge readers’ assumptions about why people are the way they are. It’s what allows you to create worlds as which you wish ours would be (or warn against what ours may become).

We would not have the masterpiece 1984 if George Orwell was not dissatisfied with the imperialism of his own government and the totalitarianism of other governments. We would not have THE GLASS BEAD GAME had Hermann Hesse not been dissatisfied with the lack of individualism among intellectual elites. And we would not have THE GREAT GATSBY had Scott Fitzgerald not been dissatisfied with the failure of the American dream.

As for me, I’m dissatisfied with things in life: our obsession with celebrities when there are real issues to pay attention to; the prevalence of sex trafficking that goes mostly unnoticed; the hypocrisy of those who condemn people with addictions but have their own vices securely locked away from prying eyes.

And yes, I’m happy too. But I’m also happy to be dissatisfied where dissatisfaction is justified. Dissatisfaction is a powerful tool for creativity and you can’t write well without it.

 

Big thanks to Michael for chatting to us on the CTG blog today.

Michael’s debut novel EPIPHANY JONES is out this month. Here’s what the blurb says: “A man with a consuming addiction. A woman who talks to God. And the secret connection that could destroy them both … Jerry has a traumatic past that leaves him subject to psychotic hallucinations and depressive episodes. When he stands accused of stealing a priceless Van Gogh painting, he goes underground, where he develops an unwilling relationship with a woman who believes that the voices she hears are from God. Involuntarily entangled in the illicit world of sex-trafficking amongst the Hollywood elite, and on a mission to find redemption for a haunting series of events from the past, Jerry is thrust into a genuinely shocking and outrageously funny quest to uncover the truth and atone for historical sins. 

A complex, page-turning psychological thriller, riddled with twists and turns, Epiphany Jones is also a superb dark comedy with a powerful emotional core. You’ll laugh when you know you shouldn’t, be moved when you least expect it and, most importantly, never look at Hollywood, celebrity or sex in the same way again.”

To find out more about Michael Grothaus visit his website here and follow him on Twitter @michaelgrothaus

You can buy EPIPHANY JONES by clicking the link here to go to Waterstones or click here to go to Amazon

And be sure to check out all the other great stops on the blog tour:

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*Calling All Reacher Fans* Event Alert: Andy Martin (and Lee Child) at Prospect Book Club on 20th June

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If you’re a Reacher fan then you’ll probably want to check out the June gathering of the Prospect Book Club, London.

On Monday June 20th, Andy Martin – Cambridge academic and number one Lee Child fan – will be joining the Book Club to discuss his book REACHER SAID NOTHING –  a book about Lee Child and the writing of his most recent thriller MAKE ME. Lee Child will also be joining the event via video link to answer audience questions, and give his perspective on his time with Andy. I’ve seen these two writers in conversation, and I’m sure this will be a very fun event!

To find out more and to get tickets click here 

What the blurb says about REACHER SAID NOTHING: “On 1 September 1994, Lee Child went out to buy the paper to start writing his first novel, in pencil. The result was KILLING FLOOR, which introduced his hero Jack Reacher. Twenty years later, on 1 September 2014, he began writing MAKE ME, the twentieth novel in his number-one-bestselling Reacher series. Same day, same writer, same hero. The difference, this time, was that he had someone looking over his shoulder. Andy Martin, uber Reacher fan, Cambridge academic, expert on existentialism and dedicated surfer, sat behind Lee Child in his office and watched him as he wrote. While Lee was writing his Reacher book, Andy was writing about the making of MAKE ME. REACHER SAID NOTHING is a book about a guy writing a book. An instant meta-book. It crosses genres, by bringing a high-level critical approach to a popular text, and gives a fascinating insight into the art of writing a thriller, showing the process in real time. It may well be the first of its kind.”

You can read my review of REACHER SAID NOTHING here and my interview with Andy Martin here

And you can read my review of MAKE ME by Lee Child here

#MyGirl Blog Tour: a sneak peep at Chapter One of MY GIRL by Jack Jordan

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Today I’m joined on the CTG blog by Jack Jordan, bestselling author of Anything for Her and My Girl. To celebrate the worldwide release of his second thriller My Girl on 4th July, he’s letting CTG blog readers into a sneak peep and sharing the first chapter with us here at Crime Thriller Girl. 

To get you in the mood, here’s the blurb:

“Paige Dawson: the mother of a murdered child and wife to a dead man. 

She has nothing left to live for… until she finds her husband’s handgun hidden in their house.

Why did Ryan need a gun? What did he know about their daughter’s death?

Desperate for the truth, Paige begins to unearth her husband’s secrets.

But she has no idea who she is up against, or that her life isn’t hers to gamble – she belongs to me.

From the bestselling author of Anything for Her, Jack Jordan’s My Girl is the new chilling thriller that you won’t want to miss.”

 

And now, the first chapter …

1

For the first few seconds after she woke, Paige Dawson lived in a world where her husband Ryan was snoring lightly beside her, and her daughter Chloe was sleeping peacefully in the next room. When reality slowly trickled in, she instantly wanted to return to sleep – to forget they were dead – to stop the tears from rolling down her cheeks.

As her eyes adjusted to the room, she coughed violently. Stale smoke sat in the air. Worn clothes lay crumpled on the living room floor, smelling of damp and old sweat. Cigarette ash had been trodden into the carpet. A photo frame faced the ceiling. Ryan smiled from behind the cracked glass; a time when he was happy – before he slashed his wrists.

Get up. You need to get up.

She reached down to the carpet and patted around the mess in the dark until she found the tray of tablets. It shook in her hands as she popped each pill through the foil: one, two, three. She placed them on her dry tongue, picked up the half-empty wine bottle from the floor and took a swig. The wine was warm, but it did the job. The diazepam would kick in soon.

As she sat up, pain exploded in her temples. She lit a cigarette, cringed with the first toke, and stared at the daylight creeping from behind the closed curtains. The real world was taunting her: you can’t hide away from me forever.

The smell of sick filled the house. How long it had been in the house with her: a night? A week? She wondered if there would be blood in it again.

What would Chloe think if she saw me like this?         
Chloe would have been twenty-four years old by now. Her severed arm had been found in the river, her fourteen-year-old fingertips breaking through the surface. They never found the rest of her body, nor did they find the person who killed her. The forensics team had tested her blood: she had been alive when her murderer began chopping her up.

The diazepam wasn’t working fast enough. She could still feel the painful void in her chest; she could still see her husband’s blood swirling around in the bathwater. If she closed her eyes, Ryan’s lifeless eyes flashed in front of hers.

She snatched the packet of codeine from the side table and swallowed two tablets with more wine.

When she lifted the cigarette to her lips, she found it wasn’t there. She peered over the edge of the sofa and saw the cigarette burning a black hole into the carpet.

Maybe the diazepam is working.

She picked up the cigarette, spat on the blackened carpet, and gave it a rub with her finger, as though she had kissed a child’s plastered graze. There. All better.

She spotted Ryan watching her from the mess on the ground, his lips frozen in an eternal smile.

However hard she tried, she couldn’t remember the last time she kissed those lips. She couldn’t remember when the kisses stopped, or when the distance started.

She shook the thought from her head and stumbled into the kitchen.

The bin was bulging with weeks of waste. Empty wine bottles lined the wall by the back door. Loud, languid flies buzzed around in hopeless circles. An uneaten meal sat in a pan on the stove, discoloured and congealed. She couldn’t even remember cooking it, let alone forgetting to eat it.

The last time she had looked into Ryan’s eyes while he was alive, he had been pinning her to the floor with his body as he forced a slice of bread into her mouth. His frustrated tears fell onto her face as he begged her to eat. He only stopped when the bread lodged in her throat. He had freed the blockage with fingers bent like a fishhook and then, as she gasped for air, he had sobbed from where he lay on the carpet, with bits of bread and saliva coating his fingers.

She wasn’t starving herself – she just forgot to eat.

The sound of the key turning in the lock made her jolt. Her mother-in-law gasped. Shame turned in Paige’s gut.

Greta stood in the doorway with her eyes on the mess.

‘Paige, this is…’

‘I was about to clean up,’ she replied as she returned to the living room.

Greta placed her bags by the door. She looked reluctant to close it, to say goodbye to the fresh air, but when she did, it slammed.

‘How could you let it get this bad?’

Greta threw open the curtains. Paige squinted as daylight burst into the room.

‘Are those burns on the carpet?’

As Greta rifled through the mess, Paige wondered how the woman before her held herself together. Her hair had been set at the salon, her make-up was perfect, her clothes were ironed and fresh. No one would have known that her only son had committed suicide just two months before.

‘I expected better from you, Paige.’

Paige glanced at herself in the mirror above the fireplace and saw greasy auburn hair, streaks of mascara hardened on her cheeks, the stained nightgown stuck to her body with sweat. She looked older than her forty-two years.

‘I don’t know why, but I had a feeling you might have changed the locks.’

‘I wouldn’t do that.’

Greta spotted the photo of Ryan, hidden beneath the cracks in the glass. She sighed and took it in her hands. For a moment her frown disappeared, and she looked almost beautiful. She stood the photo frame on the coffee table and looked back to Paige. The frown immediately returned.

‘Not up to cleaning yet?’ Greta asked, as she picked up her bags and carried them into the kitchen.

‘I’ve got other things on my mind,’ Paige replied, following her into the kitchen.

‘Shall I? I’ve done your food shopping, so I might as well do your cleaning.’

Paige held her resentment back. ‘I was just heading out.’

‘Presumably after you’ve showered.’

She looked Paige up and down again.

‘Obviously.’

‘I will clean while you’re out, then.’

‘If that would please you, Greta.’

‘It would. Ryan would want me to look out for you.’

‘Thanks.’

Greta looked around the mess for other aspects to criticise. Paige waited patiently, longing to be alone.

‘Are you sleeping on the sofa?’

‘For now.’

‘Imagine if one of your neighbours should walk past and see you.’

Greta went into the living room to stare at the mess again, lost at where to start. Paige followed behind her.

‘I don’t care what people think of me.’

‘Clearly. I can’t remember the last time I saw you clean and dressed.’

 ‘That’s the thing with being a widow, you focus on the death of your partner, rather than what people think of you.’

‘Well, if I were you—’

‘But you aren’t, Greta.’

They stared at each other, like two cats about to fight. They stood in silence for a while, their eyes locked.

‘You said you were off out?’

‘Doctor’s appointment.’

‘Who is it you see?’

‘Dr Abdullah.’

‘Ah yes, the Muslim fellow. I prefer Dr Phillips. She’s Christian.’

‘Dr Abdullah is a Christian, too, I believe.’

‘Really? Still, I prefer Sally. She has a kind air about her, and presents herself well.’ Greta looked her up and down as she spoke.

‘Well, I’ll leave you to it.’

‘Yes. I’d better start cleaning, before this place becomes infested with rats.’ Greta picked up an ashtray from the coffee table. ‘Must you really smoke in the house? Ryan would have never allowed it.’

‘Well Ryan’s dead now, isn’t he? So I’ll smoke in my house if I want to.’

Greta flinched, but held her tongue.

‘Thanks for the food,’ Paige said, and made for the stairs.

The moment she got upstairs, she turned on the shower and retrieved the bottle of wine she had hidden under her bed. She certainly wasn’t going to step out into the real world without help.

Paige returned to the bathroom and locked the door behind her. She peeled off the nightgown that stuck to her like a second skin, sat on the toilet and drank wine straight from the bottle as steam filled the room. She stared at the bath and saw Ryan’s lifeless body lying in the red water, his vacant eyes locked on hers. Paige clenched her eyes shut and shook her head.

He’s not real. He’s gone.

When she opened her eyes again, the bath was empty. Ryan was gone.

She checked her urine: blood again. She flushed the blood from the toilet, and the thought from her mind. She couldn’t think about that right now.

As she breathed in the thick, hot mist, and drank warm wine from the bottle, she began to cry silent tears: she could never escape the fact that she was the mother of a murdered child and wife to a dead man.

Jack Jordan

Jack Jordan

A big thank you to Jack Jordan for sharing the first chapter of his latest thriller – MY GIRL – here on the CTG blog.

You can pre-order your copy of My Girl for Kindle, here. Paperback available worldwide, 4th July 2016.

You can grab your copy of Jack’s first thriller, Anything for Her, here.

 To find out more about Jack Jordan and his books head on over to www.jackjordanofficial.co.uk and follow him on Twitter @_JackJordan_

 

CTG Reviews: WILLOW WALK by SJI Holliday – out today in paperback!

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Happy paperback publication day to the lovely SJI Holliday and WILLOW WALK. To celebrate, I’m re-running my review …

What the blurb says: “When the past catches up, do you run and hide or stand and fight? When a woman is brutally attacked by an escaped inmate from a nearby psychiatric hospital, Sergeant Davie Gray must track him down before he strikes again. But Gray is already facing a series of deaths connected to legal highs and a local fairground, as well as dealing with his girlfriend Marie’s increasingly bizarre behaviour. As Gray investigates the crimes, he comes to realize that there has to be a link between Marie and the man on the run. It’s the only thing that makes any sense. But he also knows that if he confronts her with the truth, he risks losing everything. As a terrified Marie is pulled back into a violent past she thought she’d escaped, she makes a life-changing decision. And when events come to a head at a house party on Willow Walk, can Gray piece together the puzzle in time to stop the sleepy town of Banktoun being rocked by tragedy once again?”

Having really enjoyed SJI Holliday’s debut novel – BLACK WOOD – I was delighted to get an early read of the second book in the Banktoun trilogy. Set in a small town community in Scotland where everyone knows each other’s business and secrets are deeply held, Sergeant David Gray is investigating a series of deaths linked to legal highs, while also trying to work out what is going wrong in his relationship with girlfriend, Marie.

Sergeant Gray is a fantastic character. In WILLOW WALK we find out more about his personal life, and about his relationship with Marie. When she becomes increasingly distant and her behaviour erratic, he struggles with what to do to makes things better. As he joins the search for the missing psychiatric patient, Sergeant Gray starts to see connections between the different areas he’s grabbling with – professionally and personally. As he follows the evidence, and begins to piece together the truth, he realizes that this case might be a lot closer to home than any other before.

A twisty, turning police procedural with a strong psychological twist, the tension ramps up page by page from the outset. Tackling some controversial issues, this is a gritty tale of obsession, revenge and escape.

Chillingly nuanced, pulse-poundingly suspenseful, it’s a great second book in the Banktoun Trilogy and totally unputdownable.

WILLOW WALK is out in paperback today. Click to buy it here from Waterstones or from Amazon here

You can find out more about SJI Holliday and her books here and follow her on Twitter @SJIHolliday

The Deadly Harvest Blog Tour: Guest Post by Michael Stanley and Detective Kubu

Today I’m delighted to be joined by Michael Stanley for the next stop on their DEADLY HARVEST Blog Tour. Deadly Harvest, the latest in their popular Detective Kubu series, is out now. On the tour today, Michael Stanley take their detective to lunch and chat to him about his latest case.

But first, here’s the blurb on Deadly Harvest: “A young girl goes missing after getting into a car with a mysterious man. Soon after, a second girl disappears, and her devastated father, Witness, sets out to seek revenge. As the trail goes cold, Samantha Khama –new recruit to the Botswana Criminal Investigation Department –suspects the girl was killed for muti, the traditional African medicine usually derived from plants, sometimes animals and, recently and most chillingly, human parts. When the investigation gets personal, Samantha enlists opera-loving wine connoisseur Assistant Superintendent David ‘Kubu’ Bengu to help her dig into the past. As they begin to discover a pattern to the disappearances, there is another victim, and Kubuand Samantha are thrust into a harrowing race to stop a serial killer who has only one thing in mind…”

And now, over to Michael Stanley …

A couple of weeks ago, Orenda Books released the fourth Detective Kubu mystery Deadly Harvest in the UK and Europe. Naturally we wanted to tell you about it, but we decided to let the person who knows most about it – our protagonist Assistant Superintendent David “Kubu” Bengu – talk about it instead.

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We were in Botswana recently, so we lured him away from the Criminal Investigation Department of the Botswana police by offering him lunch at one of his favorite restaurants in Gaborone, the Caravela, which serves delicious Portuguese fare.

Once we had settled down and Kubu had regretfully passed on the wine because he was on duty, we chatted. Of course we are old friends so we used his nickname “Kubu”, which means hippopotamus in the Setswana language. Kubu doesn’t mind. It is part of his persona and has been with him since his school days at the Maru a Pula school.

Michael asked him about being a detective in Botswana.

Kubu laughed. “I thought you’d want to talk about food and recipes! You know there’s a cookbook out now with my favorite African dishes? Sometimes I think I’m better known as a gourmet than a detective. But don’t ask me to be the cook! By the way shall we order? Joy says I should have a salad for lunch. It’s part of my diet. So I’ll start with the avocado salad. It’s excellent. Then I’ll have the peri-peri whole chicken. I really recommend that. We can wait till after the main course before we order the desserts.”

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While we were wondering about the salad ‘diet’ and whether we’d brought enough pula to pay for all these courses, Kubu returned to the subject of police work.

“Michael, you have to understand that Botswana is a very big country. The size of France. Less than two million people though. We have about twenty main police centers, but they all have a lot of area to cover and lots of places for criminals to hide. And the countryside is very diverse. We’ve got the huge Kalahari desert with very low population – mainly Bushmen. There’s the lush northern area along the Chobe and Linyanti rivers, with all that spectacular wildlife. But, at Kazangula, Botswana has a joint border with three other countries – Zimbabwe, Zambia, and Namibia. Think of the smuggling possibilities that offers. Then there are the cities like Gaborone and Francistown, nothing like Johannesburg, but they have their share of crime.”

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Figure 1: Courtyard at the Caravela (Photo: J Everitt)

We really wanted to know about muti murders: people – especially children – being murdered so that witch doctors can use their body parts for black magic. It’s a scary practice becoming more, rather than less, prevalent in sub-Saharan Africa, and it provides the backstory of Deadly Harvest. Michael asked Kubu how these cases were handled in Botswana.

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Figure 2: Witchdoctor (Photo courtesy Alex Zaloumis)

He hesitated, then said: “You must understand that most witchdoctors do good. They have a variety of herbal remedies, usually supplied with a dash of good advice or a prayer. My father is a herbalist, although recently… Well, that’s another story. Now a few witch doctors might add animal parts – like the heart of a lion to give the client strength. But a very few – reputed to be the most powerful – use human body parts. Children are abducted. It’s horrible. And the culprits are very hard to find because the victims aren’t related in any way to their abductors. Worse, everyone is too scared of the witch doctors to give information. Even some policemen are nervous. Not me, of course.”

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Figure 3: Fetishes (Photo courtesy Alex Zoloumis)

We said we found it hard to understand that educated people in today’s world still believed in these types of potions. Kubu shook his head. “It’s supposed to give the evil witch doctors tremendous power, the ability to change shape, invisibility. The witch doctor I had to deal with in the Deadly Harvest case was thought to be invisible. As you can imagine, it was a very hard case to solve. Fortunately the CID has a new detective – a woman, believe it or not – who really pushed us to make progress. It took both of us to get to the bottom of it all.”

He paused. “These cases really shake things up. There is the infamous case of a young girl, Segametsi Mogomotsi, which occurred in Mochudi in 1994. She and her friend were selling oranges and became separated. Segametsi disappeared and her mutilated body was found weeks later. Segametsi’s murder caused the community to come out in violent protests because they believed the police were protecting the witch doctor’s powerful clients. One person was shot and killed by a policeman. The government eventually felt it necessary to conduct an independent enquiry, so it called in Scotland Yard from the United Kingdom.”

We nodded. We had heard about that awful case at our first meeting with the previous director of the CID, Tabathu Mulale. The Scotland Yard report was never released and the case remains unsolved.

To lighten the rather sombre mood, Stan asked: “Have you ever met Precious Ramotswe? You’re sort of in the same line of work.”

Kubu laughed. “No, not really. She’s that lady private investigator? She solves people’s problems, but I’m after murderers. She’s very resourceful, but our cases don’t overlap much. Maybe I’ll bump into her one day.”

At that point the food arrived, and that was all we could get out of Assistant Superintendent David “Kubu” Bengu.

 

A big thank you for Michael Stanley (and Assistant Superintendent David “Kubu” Bengu for talking about Deadly Harvest on the CTG blog today. You can find out more about Michael Stanley over on Facebook and follow them on Twitter @detectivekubu

DEADLY HARVEST is out now. You can buy it from Amazon here

And be sure to check out all the great stops along the Deadly Harvest Blog Tour …

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CTG Reviews: BRIT NOIR by Barry Forshaw

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What the blurb says: “Barry Forshaw is acknowledged as a leading expert on European crime fiction, but his principal area of expertise is the crime arena of the British Isles. Continuing the earlier success of the series with Nordic Noir and Euro Noir, he now returns home to produce the definitive reader’s guide to modern British crime fiction. Every major living writer of the British Isles is considered, often through a concentration on one or two key books, and many exciting new talents are highlighted for the reader. And as the crime genre is as much about films and TV as it is about books, Brit Noir celebrates crime on the screen as well as the page.”

There isn’t anything that Barry Forshaw doesn’t know about crime fiction, so this gem of a book is like having your very own, personal crime fiction guru right at your fingertips.

This pocket guide to  crime fiction takes you on a bookish journey across the UK, and also showcases writers who set their books further afield. Taking each geographical area in turn, Barry Forshaw profiles many of the writers and characters who inhabit them, giving insight into both the writer, the characters and what it is about the authors books that especially stand out for him. By taking the journey with him you’re sure to add many more books to your ‘must read’ lists and films/TV series to your watchlist.

A treasure trove of a read – BRIT NOIR is the perfect reading companion for all those who love the crime fiction genre.

 

BRIT NOIR is out now. Click here to buy it from Waterstones or to buy it from Amazon click here

Barry Forshaw is one the leading experts on crime fiction, TV and film. His books include Nordic Noir, Euro Noir, Sex and Film, The Rough Guide to Crime Fiction, along with books on HG Wells and Stieg Larsson. He writes for the national press, edits Crime Time (www.crimetime.co.uk) and is a broadcaster and panellist. He teaches the history of crime fiction on the MA in Creative Writing (Crime Fiction) at City University. Follow Barry on Twitter @BarryForshaw3

#BehindDeadEyes Blog Tour: Exclusive Sneak Peep at Chapter 1 of Howard Linskey’s new book

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Today I’m delighted to be able to bring you an exclusive sneak peep at the first chapter of Howard Linskey’s latest crime novel – BEHIND DEAD EYES.

Here’s what the blurb says: “A corpse is found: its identity extinguished in the most shocking manner imaginable. Detective Ian Bradshaw can’t catch the killer if no one can ID the victim. Out there, somewhere, a missing young woman may hold the answer. Journalist Helen Norton is about to uncover a massive criminal conspiracy. She just needs the final piece of the puzzle. Soon, she will learn the price of the truth.

True-crime writer Tom Carney receives letters from a convicted murderer who insists he is innocent. His argument is persuasive – but psychopaths are often said to be charming …”

So, to the extract …

 

Letter Number Three

Perhaps you think I’m a monster. Is that it?
Maybe that’s why you‘ve not been in touch. Have you read terrible things about me Tom? Heard stories that disturbed you? None of them are true.

I’ve done bad things of course, who hasn’t? None of us are saints. Let’s not bother to pretend we are. I know the one thing you truly understand is human frailty Tom. I’ve had to account for my actions and I’ve paid a very heavy penalty for my misdeeds but I can assure you I never killed anyone.

Did you believe the poison that drips from the pens of those so- called reporters? They’re not interested in the truth, none of them. They spend their lives wading through other people’s trash looking for dirt, turning over rocks to see what crawls out. And they have the nerve to call me names.

The Ladykiller.

What chance did they give me?

Please see me. I’d visit you but clearly they won’t allow that. If we were to meet face to face, I’m certain I could convince you I am not the man they say I am. If you can look me in the eye and actually believe I am capable of such savagery, then I promise I won’t blame you for leaving me here to rot, so what exactly have you got to lose?

I think you are a truth-seeker Tom but you don’t seem to be at all interested in my truth. That’s disappointing.

You are my last and only chance Tom Carney. Please DO NOT continue to ignore me.

Yours, in hope and expectation.

Richard Bell

1995

Chapter One

Tom Carney was having a very bad day. Maybe it was the new kitchen cupboard doors and the way they refused to hang straight or the boiler going on the blink again or perhaps it was the letter from a convicted murderer.

No, it was definitely the boiler. Bloody thing.

He hadn’t owned the house long but it seemed virtually every part of the offending boiler had failed and been replaced at great cost, only for another of its components to buckle under the strain soon afterwards and cease to function. He should have got a new boiler when he bought the creaking, old pile but funds were short then and virtually non-existent today, so he’d opted for the false economy of replacing it bit by bit instead of wholesale. How he regretted that now, as he stood tapping the pipes with a wrench in an attempt to knock the ancient thing back into life; a tactic that had, amazingly, actually worked once before but, unsurprisingly, failed to bear fruit this time. Tom exhaled, swore and surveyed the stone-cold water tank ruefully. It came to something when a personal letter from a man who had beaten someone to death with a hammer was the least of his concerns.

He went back downstairs and tried to phone the plumber again but the guy didn’t pick up. If events ran their usual course, Tom would have to leave several messages before the plumber eventually got back to him. He might then grudgingly offer to ‘fit him in’ towards the end of his working week. The plumber would do this while making it sound as if he was granting Tom an immense favour. If Tom was really lucky the bloke might even turn up on the actual day but he knew this was far from guaranteed.

Tom recorded a message then picked up the envelope from the hall table. The words ‘FAO TOM CARNEY’ were scrawled on it in large block capitals with a marker pen, above an address hand written in biro. It was disconcerting to realise one of the relatively few people who knew where Tom lived these days was a murderer.

For the attention of Tom Carney? Why not some other reporter? One who was actually still reporting perhaps and not so disillusioned he’d turned his back on the whole bloody profession, to plough what was left of his money into renovating a crumbling money pit? This was the third letter he’d received from Richard Bell. Tom had read then studiously ignored the previous two, hoping one of the north-east’s most notorious killers would eventually tire of contacting him but, just like his victim, Tom had clearly underestimated the killer’s resolve.

Bell was a determined man but was he a psychopath? He read the letter again, surveying the handwriting for evidence of derangement but there was none. This wasn’t some rambling, half-crazed diatribe, scrawled in crayon and inspired by demonic voices. It was angry and there was an undeniable level of frustration at Tom’s failure to engage with him but that was all. Having singled Tom out, Bell presumably felt the hurt of rejection. The handwriting was neat enough and it flowed evenly across the page. Tom couldn’t help wondering if this really was the same hand that brought a hammer crashing down repeatedly onto a defenceless woman’s skull until she lay dead in the front seat of her own car? A jury thought so and the judge had told Bell he was a monster. Tom remembered that much about a case that dominated the front pages for days a couple of years back. Was Richard Bell insane or was he really an innocent man; the latest in a long line of miscarriages of justice in a British legal system discredited by one scandal after another.

Tom took the letter into his living room, if he could still accurately call it that with the carpet ripped up and tools scattered everywhere. He sat in the room’s solitary arm chair and read it once more. Richard Bell’s message was consistent and clear. He wasn’t mad and he wasn’t bad. He hadn’t killed his lover. Someone else had done that and he was still out there.

BEHIND DEAD EYES is out now. You can buy it here from  Amazon here

Find out more about Howard Linskey at www.howardlinskey.com and follow him on Twitter @HowardLinksey

And be sure to check out all the other great stops along the tour …

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#WhoKilledSherlockHolmes Blog Tour: Paul Cornell talks WHO KILLED SHERLOCK HOLMES? and delights of genre-swapping

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This afternoon I’m handing over the reins at CTG HQ to screen-writer and novelist Paul Cornell who’s popped by to tell us all about his latest book WHO KILLED SHERLOCK HOLMES? 

Over to Paul …

Crime writing is quite like writing SF and fantasy, in that both audiences are used to looking for specific things, moment by moment, during their reading experience. Crime audiences seek clues and red herrings, often hoping to play along in a ‘pure whodunit’, but at least hoping the text will convince them of its plausibility. SFF audiences look for the cues of world building, the slow release of information that will tell them what the rules are. They seek a suspension of disbelief. I generalise, of course.

The lovely thing about combining those genres, as I do in my Shadow Police books, is that I can swap one set of expectations for the other. A point of how my London is set-up may also turn out to be a clue. My characters, five modern Metropolitan Police officers who have been cursed with ‘the Sight’, the ability to see the magic and the monsters, use their Ops Board to dissect the nature of the world they’ve found themselves in, as much as they use it to break down a crime. I’m proud that they use only their training and techniques, and have no occult mentor, and not much knowledge of how magic works (though, three books in, Detective Constable Kev Sefton is just about to attempt a small spell).

I’ve really enjoyed, as I got into writing these books, meeting crime fans, at gatherings like Crimefest and the big convention in Harrogate. Lovely people, surprisingly few serial killers. And now, because of what the new books is about (and also because I just wrote an episode of Elementary) I’m encountering a whole new and equally terrific fandom…

The new novel, Who Killed Sherlock Holmes? is a pure whodunit about the death of a ghost. That is, in my London, ghosts are the memories of all Londoners, living and dead, and include not only the deceased, but also fictional and mythological characters. My heroes find the ghost of Sherlock Holmes, face down in the Museum at 221b Baker Street, flickering between every version of himself ever imagined, intangible, but with a dagger in his back. What does it mean to kill a ghost? Is this anything to do with the crimes from the Conan Doyle stories being re-enacted in order in their original locations? Is it a result of the three different productions of Holmes all being filmed in the city at once?

It’s also designed as a jumping-on point for the series, with the back story of what’s going on filled in for new readers very easily. Whether or not you’ve come for the Holmes, the ghost or the mystery, we hope you’ll join in and play along.

Big thanks to Paul for coming by and telling us all about his latest book and the similarities between crime fiction, SF and fantasy.

Who Killed Sherlock Holmes? is published by TOR UK and is out this week. You can buy in here from Waterstones or from Amazon here

Paul Cornell has been Hugo-nominated for his work in TV, comics and prose, and is a BSFA award-winner for short fiction. He has also written some of Doctor Who’s best-loved episodes for the BBC, and has more recently written for the Sherlock-inspired TV show Elementary, starring Jonny Lee Miller and Lucy Liu. He lives in Gloucestershire.

Find out more about Paul at http://www.paulcornell.com and @paul_cornell.

 

#DontYouCry Blog Tour: Read an exclusive extract of Mary Kubica’s DON’T YOU CRY

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This morning I’m delighted to be hosting a stop on Mary Kubica’s DON’T YOU CRY Blog Tour and to be sharing an exclusive extract from the book with you.

Drumroll please …

The day we met, she asked me about my job and whether or not I’d be able to afford my half of the rent. That was Esther’s only qualification, that I pay my own way. “I can,” I promised her, showing my latest paycheck as proof. Five-fifty a month I could do. Five-fifty a month for a bedroom of my own in a walk-up apartment on Chicago’s north side. She took me there, down the street from the bookshop, just as soon as she finished reading to the tiny tots who pilfered from us the blood-orange poufs. I listened to her as she read aloud, taking on the voice of a bear and a cow and a duck, her voice pacifying and sweet. She was meticulous in the details, from the way she made sure the little ones were attentive and quiet, to the way she turned the pages of the oversize book so all could see. Even I found myself perched on the floor, listening to the tale. She was enchanting.

In the walk-up apartment, Esther showed to me the space that could be my room if I so chose.

She never said what happened to the person who used to live there in the room before me, the room I would soon inhabit, though in the weeks that followed I found vestiges of his or her existence in the compact closet in the large bedroom: an inde­cipherable name etched into the wall with pencil, a fragment of a photograph abandoned on the vacant floor of a hollow room so that all that remained on the glossy image was a wisp of Es­ther’s shadowy hair.

The scrap of photo I did away with after I moved in, but there was nothing I could do to fix the closet wall. I knew it was Esther’s hair in the photograph because, like the hetero­chromatic eyes, she had hair like I’d never before seen, the way she bleached it from bottom to top to get a gradual fade, dark brown on top, blond at the bottom. The tear line on the pic­ture was telling, too, the barbed white of the photo paper, the image gone—all but Esther.

I didn’t toss the photo, but rather handed it to Esther with the words, “I think this is yours,” as I unpacked my belong­ings and moved in. That was nearly a year ago. She’d snatched it from my hand and threw it away, an act that meant nothing to me at the time.

But now I can’t help but wonder if it should have meant some­thing. Though what, I’m not so sure.

 

Brilliant! I can’t wait to read more!

DON’T YOU CRY is out now. Here’s what the blurb says: “In downtown Chicago, a young woman named Esther Vaughan disappears from her apartment without a trace. A haunting letter addressed to My Dearest is found among her possessions, leaving her friend and roommate Quinn Collins to wonder where Esther is and whether or not she’s the person Quinn thought she knew. Meanwhile, in a small Michigan harbour town an hour outside Chicago, a mysterious woman appears in the quiet coffee shop where 18 year old Alex Gallo works as a dishwasher. He is immediately drawn to her charm and beauty, but what starts as an innocent crush quickly spirals into something far more dark and sinister. As Quinn searches for answers about Esther, and Alex is drawn further under the stranger’s spell …”

To buy the book click here to go to Waterstones, or go to Amazon by clicking here

CTG Reviews: THE PLEA by Steve Cavanagh

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Here’s what the blurb says: “When David Child, a major client of a corrupt New York law firm, is arrested for murder, the FBI ask con-artist-turned-lawyer Eddie Flynn to secure Child as his client and force him to testify against the firm. Eddie’s not a man to be coerced into representing a guilty client, but the FBI have incriminating files on Eddie’s wife, and if Eddie won’t play ball, she’ll pay the price. When Eddie meets Child he’s convinced the man is innocent, despite overwhelming evidence to the contrary. With the FBI putting pressure on him to secure the plea, Eddie must find a way to prove Child’s innocence while keeping his wife out of danger – not just from the FBI, but from the firm itself.”

Steve Cavanagh’s debut novel – THE DEFENCE – was one of my top reads of 2015 so I’ve been eagerly awaiting the second book in the Eddie Flynn series – THE PLEA – and was delighted to get my hands on an early copy.

Picking up a little while after the end of THE DEFENCE, THE PLEA sees con-man-turned-criminal-defence-lawyer Eddie Flynn facing another terrifying situation: persuade social media genius David Child to become his client and get him to plead guilty to the murder of his girlfriend, or the FBI will make sure Eddie’s wife goes to prison for involvement in an illegal scheme operated by her law firm that she had no direct knowledge of. But Eddie suspects that David Child is innocent, and he won’t send an innocent man to jail. He doesn’t want his wife in jail either, especially given the ordeal their young daughter, Amy, had during the THE DEFENCE, and the fact that he’s only just beginning to get his family back together. Eddie sets out to prove David Child’s innocence, and to protect his own family. Problem is, there is more than one bunch of bad guys after David Child, and some are closer to home than even Eddie might think.

To me, Eddie Flynn is a bit like the Jack Bauer (of 24 fame) of the the legal world. He’s smart, fast and always under pressure. In fact that’s another thing I admire about Steve Cavanagh’s writing – he gets an urgent, time pressured feel to his novels right from the get-go, and still manages to turn up the tension chapter-by-chapter. The ticking clock is heard on every page.

THE PLEA is a great second outing for Eddie Flynn. We learn a bit more about him, and we get to meet some of his shadier friends (both from the criminal and legal worlds) again – including one of my favourites, The Lizard (who only talks about himself in the third person). There’s a strong investigative side to this novel too – with Eddie needing to reassess the prosecution’s evidence in order to try and get the case thrown out – which gives a great balance with the action sequences. Set against the dramatic backdrop of New York City, with a high-concept storyline and twisty-turny plot, this is a fantastic follow-up to THE DEFENCE.

Electric courtroom scenes, stunning set-piece action sequences and the brilliantly witty and unique character of Eddie Flynn, makes THE PLEA a tremendous read and an absolute must for all thriller fans.

THE PLEA is out today in Trade Paperback, eBook and Audio. Buy it here from Waterstones or from Amazon here

To find out more about crime writer Steve Cavanagh hop over to his website at www.stevecavanagh.com and be sure to follow him on Twitter @SSCav