Your chance to win: FACE OFF – stories by Lee Child, Peter James, Michael Connelly, Ian Rankin and more (ed. David Baldacci) #bookgiveaway

FACE OFF cover image

FACE OFF cover image

It’s not due to be published in paperback until the 29th January, but this week those lovely people at Sphere have given me a copy of FACE OFF to give away to one lucky winner. Here’s some more about the book …

The Prize: FACE OFF

What the blurb says: “Twenty-three of the world’s best-selling crime writers and your favourite series characters FACE OFF in eleven original short stories. Never before has such a glittering array of the world’s bestselling crime writers brought their series characters together in a collection of co-written short stories … FACE OFF includes the first meeting of Ian Rankin’s Rebus and Peter James’ Roy Grace; a case for Dennis Lehane’s Patrick Kenzie and Michael Connelly’s Harry Bosch, as well as a page-turning mystery starring Lee Child’s Jack Reacher and Joseph Finder’s Nick Heller. Edited by international bestseller David Baldacci, this exclusive page-turning collection is one of a kind.”

It’s a fantastic book of short stories, each one just perfect for reading over breakfast, or taking with you to read at lunchtime as you eat your sandwiches, or for a sneaky bit of procrastination when you should be doing something else!

The character pairings and full list of authors are:

Lee Child’s Jack Reacher + Joseph Finder’s Nick Heller

Ian Rankin’s John Rebus + Peter James’ Roy Grace

Michael Connelly’s Hieronymus “Harry” Bosch + Dennis Lehane’s Patrick Kenzie

Jeffery Deaver’s Lincoln Rhyme + John Sanford’s Lucas Davenport

Linwood Barclay’s Glen Garber + Raymond Khoury’s Sean Reilly

Linda Fairstein’s Alexandra Cooper + Steve Martini’s Paul Madriani

Steve Berry’s Cotton Malone + James Rollins’ Gray Pierce

Lisa Gardner’s D.D. Warren + MJ Rose’s Malachai Samuels

T. Jefferson Parker’s Joe Trona and John Lescroart’s Wyatt Hunt

Heather Graham’s Michael Quinn + F. Paul Wilson’s Repairman Jack

Douglas Preston/Lincoln Child’s Aloysius Pendergast + R.L. Stine’s Slappy the Ventriloquist Dummy

 

** THIS COMPETITION HAS NOW CLOSED **

So, to the competition …

For a chance to win a copy of FACE OFF all you need to do is tweet the link to this post (using the Twitter button below) OR retweet one of the CTG tweets about the giveaway. [You’ll also need to follow us on Twitter, so that we can send you a direct message should you win]. Rules
(1) One entry per reader (2) UK residents only – due to postage costs – sorry! (3) We will draw the winner at random (4) No cash alternative (5) The competition closes for entries at 9pm GMT on Sunday 25th January 2015 (6) The judge’s decision is final and no correspondence will be entered into.

Good luck!

CTG Reviews: The Target by David Baldacci

The Target cover image

The Target cover image

What the blurb says: “Government operatives Will Robie and Jessica Reel are faced with a lethal mission. An attack from North Korea looks likely as US involvement in an attempted coup is revealed, and a bond of trust has been broken at the very highest level.

Chung-Cha is a young woman who was raised in the infamous Yodok concentration camp. It’s a place where honour, emotion and compassion don’t exist. Cold, calculating and highly skilled, Chung-Cha has been trained to kill. And the task she has been given is to destroy the enemy at all costs.

A dangerous and deadly operation of cat and mouse plays out between East and West. But who will be hunter and who will be hunted when the true target is finally revealed?”

The Target hooked me into the story from the very first page. Will Robie and Jessica Reel make for a great, if rather unconventional, duo. Both highly specialist government operatives with years of difficult missions behind them, trusting other people doesn’t come easy to either of them, but with each other they’ve forged a rare bond. Which is good, because on their last mission they went against orders and now the Director is gunning for them, determined to test their loyalties to the limit before he’ll let them back into the field.

When a threat at the very highest level of national security is made, Robie and Reel are thrust into a succession of high danger missions that take every ounce of teamwork and skill they have to survive. This book is action packed and fast paced, but it also explores the characters of Robie and Reel, revealing more about their personal lives and those they hold dear (and would protect unconditionally).

One of the stand out elements of the novel is the deadly operative Chung-Cha. Raised in the Yodok concentration camp in horrendous conditions and with brutal treatment, she is a lethal assassin who strikes without emotion, or so her commanders would believe. Her journey is a compelling, shocking and thought-provoking narrative that adds another layer of emotion and depth to the story.

With high stakes, and ever-rising tension, this book is a must-read for thriller fans.

Highly recommended.

 

[with thanks to PAN for my copy of THE TARGET]

 

CTG’s Top Reads of 2014

There have been so many wonderful books published this year it’s been really hard to narrow it down to my most favourite. So, instead of my top five picks, this year I’ve made it my top nine (!).

Here they are, my top picks of 2014 …

Truth or Dare cover image

Truth or Dare cover image

TRUTH OR DARE by Tania Carver (Sphere)

Tania Carver is fast becoming one of my favorite authors. Every book is fresh and inventive, and as readers of the series will have come to expect, unflinchingly dark, creepy, and nail-bitingly tense.

TRUTH OR DARE starts with a Darren Richards being forced to make a horrific choice – his life, or that of his family. Right from the outset, the ‘Lawgiver’ shows just how serious he is about his mission to serve justice where he believes the criminal justice system has failed. Enter Detective Inspector Phil Brennan and his team – investigating what looks set to become a serial killer case in Phil’s new home of Birmingham.

What I especially admired in this book is the skillful way the author touches on issues of morality, social justice and economic deprivation in relation to attitudes and motivations towards crime, without ever becoming preachy. The characters feel real and fully drawn; the settings gritty, grimy and highly atmospheric.

Tightly plotted, with a rapid pace and twists that will blindside you, this is a super-moreish read.

The Good Girl cover image

The Good Girl cover image

THE GOOD GIRL by Mary Kubica (Harlequin MIRA)

This spellbinding debut thriller uncovers just how many dark secrets can be hidden behind a perfect family image. Schoolteacher, Mia Dennett, turned her back on her family’s extravagant lifestyle to work as an inner-city teacher and make her own way in the world. But when her boyfriend stands her up one time too many, a spare-of-the-moment decision to go home with the smooth and attractive Colin has horrifying consequences for more than just Mia.

Told through three main viewpoints – the mother, Eve, the kidnapper, Colin, and the cop, Gabe – each character shows the reader a different perspective on the events, and on Mia, leading up to, during and following the kidnapping.

With the viewpoints and timeline told out-of-sequence, the story builds the tension to the max as the details of what happened to Mia are uncovered. It’s a complex tale of deceit, jealously, fear, and love played out against the bustling, bright lights of Chicago and the frozen, unforgiving landscape of rural Minnesota in winter.

I found this artfully crafted story brutal at times, and yet so beautiful that it made me cry (and I can’t remember the last time a story did that). A stunning debut.

The Bones Beneath cover image

The Bones Beneath cover image

THE BONES BENEATH by Mark Billingham (Sphere)

THE BONES BENEATH takes Tom Thorne away from his home turf, reluctantly chaperoning one of the most dangerous criminals from his past on a trip to Bardsey Island to retrieve the body of a teenager. Part road-trip, part closed location mystery, the suspense builds from the outset.

Stuart Nicklin is a master manipulator without a shred of remorse for his victims and their families, yet he says he’s willing to lead the police to the body of one of his early kills in order for the boy’s mother to get closure. The catch –Thorne must be the police officer to escort him. But Thorne knows the trip isn’t about any sense of conscience Nicklin has, so why does he want to take a trip to the island now?

As Thorne and his team, along with prisoners Nicklin and Batchelor, make the journey there’s a real sense of impending doom.

The remote island makes the group geographically isolated. At the mercy of the weather, and limited by the small amount of equipment they could bring, the team start their search for the body. But finding it is only their first challenge.

The relationship between Thorne and Nicklin is grating and tense. Nicklin tries his upmost to taunt and provoke Thorne, while Thorne battles to keep his reactions in check. They’re well matched adversaries – smart, savvy and both determined to stop the other getting the upper hand. But as the full extent of Nicklin’s plan is put into play, the body count rises, and Thorne is forced to make an impossible choice.

This tense, suspenseful and claustrophobically gripping story hooked me in from the beginning and kept me reading into the early hours because I just couldn’t put the book down. A truly fabulous read.

The Distance cover image

The Distance cover image

THE DISTANCE by Helen Giltrow (Orion)

This is a stylish, espionage-type thriller with a bold and courageous female lead character. Karla (and her alter-ego Charlotte Alton) is super-smart, brave and principled (in her own very distinct way). But this job is different. To get a hit-man into ‘The Programme’ – an experimental prison that is meant to be impossible to break in or out of, and the hit-man is Johanssen – a guy she has a history with.

Karla takes the job, but as Johanssen assumes a new identity in order to enter The Programme, Karla gets increasingly suspicious of the client and their motives. The target of the hit is a woman, and the only information they have on her is a photo and an assurance that she did ‘something bad. Yet she seemingly has no identity, no history, and there is no record of her being inside the prison. Still, Karla has seen the CCTV footage – she knows that the target is inside and very much exists.

Concerned for Johanssen’s safety, Karla digs deeper to find the identity of the target and, in doing so, unravels the complex web of lies, bribes and murder. As she gets closer to uncovering the violent truth hidden behind the hit, Karla, and those close to her, become targets.

Set in the near future and played out over twenty-four days, the story is packed with tension. It’s told in the present tense, which adds to the momentum, and hammers along at a tremendous pace. The plot twists and turns, then twists some more and turns again. Dark, edgy and, at times, brutal, this is a stylish and highly original debut.

The Killing Season cover image

The Killing Season cover image

THE KILLING SEASON by Mason Cross (Orion)

THE KILLING SEASON has everything I love about action thrillers – the intrigue, the danger, the chase and the multi-layered characters. And, it’s Mason Cross’ debut novel, which makes it all the more impressive.

The main character, Carter Blake, is something of an enigma – charismatic, highly skilled, and at the top of his game. But he doesn’t let power and politics get in the way of his investigation, and he makes sure justice is brought, whatever the personal cost. So pairing up with Special Agent Elaine Banner makes for an interesting working relationship – she’s career-driven and has her eyes on the next promotion, working with a talented maverick like Blake gives her a set of problems she can well do without.

The serial killer antagonist – sniper Caleb Wardell – is a smart and cunning adversary, engaging Blake and Banner in a deadly game of cat and mouse. The tension is high from the get-go and just keeps on rising.

I cannot sing this novel’s praises highly enough – it’s a joy to read, utterly engaging and kept me hooked right from the first page to the last. There’s high stakes and high tension, and the chemistry between Blake and Banner sizzles off the page. If you love action thrillers, go and read this book. I’m sure you won’t regret it.

The Long Way Home cover image

The Long Way Home cover image

LONG WAY HOME by Eva Dolan (Harvill Secker)

Another fabulous debut of 2014 is LONG WAY HOME. DS Mel Ferreira and DI Dushan Zigic from the Peterborough Hate Crimes Unit are called in to investigate the murder of an unidentified man, burnt alive in a garden shed. As they start their investigation the man is identified as an immigrant, but no one will talk about the murder. There are plenty of suspects though; from the owners of the shed who seem to be hiding something, to a convicted arsonist, and the local men who use (and abuse) cheap labour – the victim seems to have made plenty of enemies. Question is, who killed him and why?

A compelling and moving story, from the brutal murder, to the horrendous conditions immigrant workers are found to be living in, their callous treatment and the cheapness of human life to the trafficking gangs and local racketeers. DI Zigic and DS Ferreira battle to bring the guilty to justice against the backdrop of a city where the undercurrent of radical tension is high and the threat of violence never far away.

Beautifully crafted, artfully plotted and deeply thought provoking, this stunning debut is the beginning of a fantastic new crime series.

Better Off Dead cover image

Better Off Dead cover image

BETTER OFF DEAD by Tom Wood (Sphere)

BETTER OFF DEAD has terrific pace, a contemporary, gritty feel and, rather unexpected for a novel whose protagonist is an assassin, a real depth of heart.

In this story, Victor (the Assassin) is called by an old contact, now enemy – Russian crime boss Norimov – and asked to protect his estranged daughter who is being targeted by an unidentified gang. At first Victor refuses, but finally agrees to find and protect Gisele in honour of her dead mother, who was his friend.

In London, Victor realises that finding Gisele may be more problematic than he’d first anticipated. When he locates Gisele things aren’t any clearer. She has no idea who is after her, and is highly reluctant to go with him. He manages to persuade her, and that’s when the serious attacks begin.

Forced to rely on his instincts and training, Victor battles to keep Gisele safe as they try to unravel the real motive driving those that are targeting her. The bond that grows between Gisele and Victor makes them an engaging pair. Gisele’s a fast learner and a brave co-protagonist. She’s also rather adept at challenging Victor, acting rather like a moral compass in the more violent moments.

With some fabulous action scenes, and ever increasing stakes, this is a breath-taking read from start to finish. A must read for fans of action thrillers.

Dear Daughter cover image

Dear Daughter cover image

DEAR DAUGHTER by Elizabeth Little (Harvill Secker)

Told from the point of view of Jane “Janie” Jenkins DEAR DAUGHTER tracks the IT girl turned criminal as she searches to find the truth about her mother’s murder – did she do it? If she didn’t, who did and why?

It’s an action-packed, cross-country race of a read as Janie follows the few clues she has to the secrets in her mother’s past – the family Janie’s never met, the childhood her mother never spoke about – hunting out anyone who can help her find out what links her glamorous, wealthy mother to a small town out in the middle of nowhere.

But it’s not easy with the media, and an especially determined blogger, out to find her. So Janie goes undercover, transforming her super bitchy, razor sharp-witted, and hair to die for self into a more wallflower-esq alter ego. And it works, for a while. But as she digs deeper, and starts to uncover the secrets hidden for so long by her mother, and those of other members of the close-knit community, her true identity – and the danger that brings – is discovered.

Janie is a real love-to-hate protagonist – smart and resourceful, and I loved riding along with her on the hunt for the truth. Mystery, suspense, a non-stop pace and a wonderfully quirky, strong female narrator – this book has them all. I read it in a single weekend.

The Dying Place cover image

The Dying Place cover image

THE DYING PLACE by Luca Veste (Avon)

When the body of a murdered teenager is found outside a church, Murphy and Rossi are called in to investigate. As they delve deeper into the case it becomes clear that someone, or some people, are taking teenagers off the street and holding them against their will, trying to ‘re-train’ them through a brutal form of national service.

Veste’s Liverpool is an unsettling, dangerous place where frustrations between the older generation and the young run high. Told through multiple points of view, the story highlights the impact of violent crime on victims’ families – on the parents whose children don’t ever return home and on the adult children whose elderly parents fall victim to teenage gangs. It also shows how grief can twist into vengeance and how that can be a powerful motivator, exploring the theme of vigilante justice in an up-close and disturbingly convincing way through the eyes of the characters.

As in Dead Gone, Murphy and Rossi are a brilliantly paired double act; the strong bond between them showing through their ever-present banter, and their unswerving loyalty in the face of adversity.

A fast-paced police procedural that keeps you guessing right to the end, THE DYING PLACE is a truly gripping read.

 

So that was 2014. I can’t wait to find out what wonderful books 2015 has in store …

CTG Interviews: Alison Gaylin, author of AND SHE WAS

Author Alison Gaylin

Author Alison Gaylin

I’m delighted to welcome today’s guest – best selling author Alison Gaylin – to the CTG blog. Alison’s kindly agreed to answer a few questions for us.

So, to the interview …

Your fantastic new novel AND SHE WAS came out earlier this month, can you tell us a bit about it?

Sure! It’s the first book in my series that features Brenna Spector – a missing persons investigator with hyperthymestic syndrome (perfect autobiographical memory). In it, Brenna investigates the case of a missing suburban woman — and soon finds ties between her disappearance and a missing child case of ten years ago. The mystery that drives Brenna throughout the first three books in this series is the disappearance of her own sister, which happened when she was just 11. It’s the event that brought on her hyperthymesia (which is a real thing!) and haunts her constantly. And so of course, it plays a strong role in AND SHE WAS.

Your investigator, Brenna Spector, is really compelling protagonist – smart and dedicated to her work as a missing persons investigator, and very human in her struggle to balance the demands of her job while trying to make quality time for her daughter. She also has a rare neurological disorder that lets her recall every detail of every day since it developed. What was your inspiration to create her?

Back in 2007, I read an article about hyperthymestic syndrome. It had just been named a year earlier. And it fascinated and frightened me. I’ve said this before, but it struck me not so much as an ability to remember, but an inability to forget. My own ability to forget unpleasant experiences has been a lifesaver — and to be robbed of that ability would be horrifying. So that was my inspiration. I thought about how a perfect, relentless memory would affect someone like me, how it would affect my relationships. I gave Brenna a daughter because I have a daughter. I thought about what a struggle that would be, trying to be present for your child with the near-constant intrusion of the past in the form of visceral memories. I’m married, but I gave Brenna an ex-husband that she can’t even be in the same room with — not because of the bad memories, but because of the good ones. At the same time, the world is a lot smaller than we think it is, and I figured being someone that literally “never forgets a face” would be an incredible asset for a private investigator.

Much of the book focuses on the residents of Tarry Ridge and the secrets they’ve kept. Is Tarry Ridge a real place or somewhere you created for the story?

Tarry Ridge is a fictional town, but the county that it’s in is real. For people who know Westchester County, New York, Tarry Ridge is White Plains meets Scarsdale on steroids. If you don’t know those places, it’s a very wealthy New York bedroom community with some dark secrets. (The dark secrets wholly fictional!)

AND SHE WAS cover image

AND SHE WAS cover image

How do you set out to write your novels – do you jump right in and see where an idea goes, or do you plot the story out in advance?

A combination of the two. I always have to know where a novel ends up – the key to the mystery. But how I get there is more flexible. So I figure out the basic story ahead of time and then I start writing. After I hit around 100 pages, I start outlining two-three chapters in advance. When I finish, I do a very extensive revision, streamlining and rearranging. I used to make very detailed outlines, but I always wound up diverging from them. This way seems to work better.

When’s your favourite time to write – are you a lark or an owl?

Both! Late night is usually when I write scenes for the first time. I find morning is the best time to edit them, when my head is clear.

What advice would you give to crime writers aspiring to publication?

Be persistent, but don’t be inflexible. If you are getting the same criticism from everyone who rejects your manuscript, and it’s about character or plot (as opposed to “this will never sell.” Or the dreaded, “this isn’t for us”) it’s probably worth listening to. Constructive criticism can be a wonderful thing. Use it to write the best book you can.

And finally, what does 2015 have in store for you?

In the UK, the next book in the Brenna series, INTO THE DARK, will be released. As for me, I am currently working on a standalone novel called WHAT REMAINS OF ME. The main character is a convicted murderer — so she’s very different from Brenna. It will be coming out on HarperCollins in the US.

A huge thank you to Alison Gaylin for letting us quiz her!

You can find out more about Alison and her books over at www.alisongaylin.com and follow her on Twitter @alisongaylin

 

CTG Interviews: best selling author Peter James

Peter James

Peter James

Today I’m excited to welcome best selling novelist Peter James to the CTG blog.

His latest novel  – WANT YOU DEAD – is out now (watch out for our review next week) and he kindly agreed to answer a few questions about his many writing projects for us …

Welcome Peter!

Dead Simple, the first novel in the Roy Grace series, is also rumored to venture its way onto the London big stage in January of 2015. Can you share some of the difficulties or advantages of adapting a thriller novel into a production play?

The two biggest difficulties are firstly containing the action within the very limited confines of a stage and the maximum number of set changes is it possible to have, and secondly reducing the number of characters in a book into the relatively small amount it is possible to have, both for economic and logistic reasons, in a play. The biggest challeng we have in bringing Dead Simple to the stage is that one of the central characters spends around two thirds of the entire play buried alive in a coffin. In the novel, much of the suspense comes from things that are happening to him – water rising within the coffin, his air supply being cut off, the excruciating claustrophobic fear of the enclosed dark space. So we’ve had to explore all kinds of different ways to portray this, from projecting the image of the actor in the coffin onto a screen, to simulating the feeling of being in a coffin by plunging the entire auditorium into darkness.

You recently contributed to the New York Times best selling novel, FaceOff. What were the highlights from the collaboration with Ian Rankin? Any challenges?

The whole concept of FaceOff, asking crime and thriller writers to have their central detective characters collaborate with another fictitious detective was both brilliant and highly daunting. Also although Ian Rankin and I are both British, the laws and police procedures in Scotland, where his character John Rebus operates are different to those in England where my character, Detective Superintendent Roy Grace operates. But right from the getgo, this collaboration was a really joyful experience. I’ve known him for some years and always found him to be a delightful, friendly, generous spirited guy, and all of this came through in spades during our time working together on this. Ian has a huge amount of knowledge about music, and it was his idea to hang the story around a cold case, and a rock and roll era, connecting our two cities of Brighton and Edinburgh. We met over a pint – or three – of beer in Scotland to kick it around, Ian started the ball rolling by writing a couple of pages which he sent to me, then I continued while he went off on tour to the US. We wrote the story in quite a short time period, with no arguments whatsoever. It was a strange feeling writing some of the scenes in which I had his central characters act and speak – I felt as if I was treading on sacred ground! I think the only real challenge was the amount of alcohol consumption the whole collaboration required 🙂

Want You Dead cover image

Want You Dead cover image

With 25 novels translated into 36 languages, publishing the world’s first electronic novel, Roy Grace’s 10th novel, a children’s novel, a novella, your involvement in Hollywood, your endless devotion and support to your hometown of Brighton, and charitable work under your belt we are all left wondering what is next for the man who seems to have done it all, and more importantly, how do you celebrate your successes?

Thank you! The big goal I now have in front of me is to see my books really break through in the USA. I’ve spent so much of my working life to date in the US, I feel as at home in North America as I do in England. I’m completely certain, from both the wonderful reviews I consistently get in the US press and from the enthusiasm of my fans, that it is possible. As to how I celebrate my success – it may sound strange, but I celebrate very cautiously. I know I’m incredibly lucky to have such a huge and global readership, to be able to make a living doing what I love, and to be able to travel so much, but equally I know, from my own experiences as a reader, just how many of my favourite authors seemed to decline as they became increasingly famous – almost as if they felt they didn’t have to make the effort any more. I’m determined not to let that happen, and I try my hardest to raise the bar with each book I write. My extravagances, when I am in full celebratory mood, are fine wines and fast cars – but not together!!!

 

A huge thank you to Peter James for taking time out of his busy schedule to visit with the CTG blog.

You can find out more about Peter by hopping on over to his website: http://www.peterjames.com

Visit him on Facebook: https://www.facebook.com/peterjames.roygrace

And follow him on Twitter @peterjamesuk

CTG Reviews: Crow Bait by Douglas Skelton

Crow Bait cover image

Crow Bait cover image

What the blurb says: “Jail was hell for Davie McCall. Ten years down the line, freedom’s no picnic either. It’s 1990, there are new kings in the West of Scotland underworld, and Glasgow is awash with drugs.

David can handle himself. What he can’t handle is the memory of his mother’s death at the hand of his sadistic father. Or the darkness his father implanted deep in his own psyche. Or the nightmares …

Now his father is back in town and after blood, ready to waste anyone who stops him hacking out a piece of the action. There are people in his way. And Davie is one of them.”

CROW BAIT puts the reader up close and personal into the world of criminal gangs in Scotland back in the 1990s. It’s a tense, dangerous and often brutal world where trust is fragile, alliances between criminals and police are made and broken, and the rise of the drug trade is causing rising friction between gang members.

Davie McCall is a compelling narrator – his strong sense of justice, inner conflicts, and loyalty to his friends giving an interesting counterpoint with his capability for extreme violence. Fresh out of prison, he’s soon drawn back into his old criminal activities. But things are different – he’s convinced someone close to him is responsible for killing his old mentor, and he wants to find out who. Then the strange phone calls start, and the murders mimicking that of his mother, and Davie knows his father is back and coming for him. As the story twists and turns towards the final brutal showdown, Davie discovers who his friends and allies really are – on both sides of the law.

This dark, gritty crime thriller is packed with brooding, menacing atmosphere, up-close action and brilliantly drawn characters. It’s a must-read for fans of Tartan Noir.

Recommended.

The Falling Blog Tour: an interview with author Emma Kavanagh

 

Author Emma Kavanagh

Author Emma Kavanagh

Today I’m delighted to welcome Emma Kavanagh to the CTG blog as a stop on the blog tour for her fabulous debut novel FALLING. 

Welcome Emma. Your debut novel – Falling is out this month. Can you tell us a bit about it?

Falling is the story of a plane crash and a murder – two events that bring together the lives of four characters as they try to deal with the aftermath.

Have you always wanted to be a writer, and what was it that attracted you to crime fiction?

I announced to my parents that I wanted to be a writer when I was 5! So yes! I have very eclectic reading tastes and there are so many genres that I love, but crime fiction seemed to come naturally to me. I think mainly because of my background in police psychology. I like exploring the way in which people can be pushed into terrible deeds.

Could you tell us a little about your route to publication?

It wasn’t a simple process, but then I’m not sure that it ever is. I managed to complete a full novel length story, congratulated myself on that, then realised it was pretty dreadful. My second attempt was good enough to land me my agent, but still didn’t get me that coveted publishing deal. So, I rolled up my sleeves and started again, hoping desperately that this next one would allow me to begin my career. That book was Falling.

How would you describe your writing process, do you dive right in, or plan the story out first?

I’m a planner. In fact, I’m such a planner that I think I have a bit of a problem. I even use spreadsheets. Things do tend to move about as the story progresses, but at least using the spreadsheets allows me to keep track of everything.

Who are your favourite crime writers which books and authors have inspired you?

I love Agatha Christie with a passion. Her plotting is so clever and complex. My absolute favourite is And Then There Were None – such a chilling story. My other huge inspiration is Kate Atkinson. She crosses many genres in her writing, and is so hugely talented

Falling cover image

Falling cover image

What advice would you give to new writers aspiring to publication?

Never give up. Getting published is not easy. It takes an incredible amount of perseverance. But it is a myth that you have to know someone to get an agent or get a publishing deal. I knew absolutely no-one. If you need to write, then write. And keep writing until you reach your goal.

And lastly, what does the rest of 2014 have in store for you?

2014 has been an incredibly busy year for me, with the release of Falling and the birth of my second son 8 weeks ago. I finished book 2 – Hidden – a couple of months ago, so my goal for the rest of this year is to enjoy spending time with my baby and his older brother before getting started on book 3 in the new year.

Fantastic. Thanks so much for stopping by the CTG blog. We loved FALLING (you can read our review next week) and really look forward to HIDDEN coming out next year.

You can follow Emma on Twitter @EmmaLK

And you can read an extract from FALLING via this link http://bit.ly/FallingExtract

Also, don’t forget to hop over to these other great blogs to check out the other stops along the tour …

Falling_blog_tour_graphic_final_2909

CTG Reviews: Truth or Dare by Tania Carver

Truth or Dare cover image

Truth or Dare cover image

What the blurb says: “Darren Richards opens his eyes to find himself duct-taped to a chair with a crossbow pointing at him. Behind the crossbow is a hooded figure wearing a black-faced, round-eyed gas mask. The figure tells him what Darren knows: that he stole a car, drove it recklessly while under the influence of drugs and killed a woman and her baby. His solicitor managed to get the case thrown out of court so he has not paid for his crime. That, says the figure, cannot be allowed.

Darren turns to his right. Next to him are his girlfriend and their baby daughter. Both similarly taped to a chair, gagged. It’s very simple, explains the figure. Either you die or your girlfriend and child die. But someone has to pay. A life for a life. The choice is Darren’s …”

Tania Carver is fast becoming one of my favourite authors. Every book is fresh and inventive, and as readers of the series will have come to expect, unflinchingly dark, creepy, and nail-bitingly tense.

The last book in the series – The Doll’s House – set the bar exceedingly high, but Truth or Dare boldly picks up the baton and continues to evolve the characters throughout another fabulous read.

The story starts with a Darren Richards being forced to make a horrific choice – his life, or that of his family. Right from the outset, the ‘Lawgiver’ shows just how serious he is about his mission to serve justice where he believes the criminal justice system has failed. Enter Detective Inspector Phil Brennan and his team – investigating what looks set to become a serial killer case in Phil’s new home of Birmingham. When the killer’s attempts to get Phil on-side with his crusade fail, the vendetta gets personal, and soon Phil and his team are very much in danger.

Meanwhile, Phil’s wife, Marina, takes a trip back to their old London stomping ground to consult on a case for her old team. When a suspicious death occurs after Marina’s visit, an old adversary makes a surprise return, putting in motion a chain of events that ends with devastating consequences.

What I especially admired in this book is the skilful way the author touches on issues of morality, social justice and economic deprivation in relation to attitudes and motivations towards crime, without ever becoming preachy. The characters feel real and fully drawn; the settings gritty, grimy and highly atmospheric.

The two cases, and the introduction of two highly individual antagonists – one male, one female – makes for some serious tension and a whole lot of creepiness!

The duo of Phil and Marina is, as always, a pleasure to read about. Both are strong, independent characters in their own right, but they’re also a great team and have a strong and enduring relationship (which is good, because this is an author who likes to truly put his characters in peril!). The way that they support each other, even when separated by geographic distance, makes for compelling reading.

Tightly plotted, with a rapid pace and twists that will blindside you, this is a super-moreish read.

Highly Recommended.

 

[with thanks to Sphere for my copy of Truth or Dare]

 

CTG Reviews: The Girl Next Door by Ruth Rendell

The Girl Next Door cover image

The Girl Next Door cover image

What the blurb says: “When the bones of two severed hands are discovered in a box, an investigation into a long buried crime of passion begins. And a group of friends, who played together as children, begin to question their past.

‘For Woody, anger was cold. Cold and slow. But once it had started it mounted gradually and he could think of nothing else. He knew he couldn’t stay alive while those two were alive. Instead of sleeping, he lay awake in the dark and saw those hands. Anita’s narrow white hand with the long nails painted pastel pink, the man’s brown hand equally shapely, the fingers slightly splayed.’

Before the advent of the Second World War, beneath the green meadows of Loughton, Essex, a dark network of tunnels has been dug. A group of children discover them. They play there. It becomes their secret place. Seventy years on, the world has changed. Developers have altered the rural landscape. Friends from a half-remembered world have married, died, grown sick, moved on or disappeared. Work on a new house called Warlock uncovers a grisly secret, buried a lifetime ago, and a weary detective, more preoccupied with current crimes, must investigate a possible case of murder.”

Ruth Rendell is one of the UKs most successful crime writers. Her first novel, From Doon With Death, was published in 1964, and since then her readers have grown steadily with every new book. In 1996 she was awarded the CBE and in 1997 became a Life Peer. In 2013 she was awarded the Crime Writers’ Association Cartier Diamond Dagger for sustained excellence in crime writing.

Published this week, her latest book, The Girl Next Door, begins with the discovery of a crime: a pair of severed hands clasped together – one male, one female – are found in a tin box beneath a new build. The discovery leads to a group of childhood friends who’d drifted apart reuniting. It also sets off a course of events that lead to the rekindling of lost love and forgotten friendships for some, and to death for others.

This gentle-paced story has a large cast of characters, the majority of whom are over the age of seventy. It’s an unusual crime book in that although it starts with the crime and ends with the crime, the solving of the crime is almost incidental, with the main focus being on the interconnections between the group of childhood friends, now in their twilight years, and the adults who influenced their lives (not always in a good way). It shows how attitudes, especially to sex and marriage, have changed during their lifetime, and how the things hidden away in your past can shape your present and come back to haunt you when you least expect it.

The reader is aware of the murder, and the identity of the murderer, from the outset. I found that even though the overworked police and the people in the community seemed generally unconcerned about uncovering the killer (if they were still alive) I kept turning the pages because I, as the reader, complicit in my knowledge of what had happened and who had done it, wanted to see the killer brought to justice.

 

[with thanks to Hutchinson for my copy of The Girl Next Door]

CTG Reviews: The Good Girl by Mary Kubica

The Good Girl cover image

The Good Girl cover image

What the blurb says: “I’ve been following her for the past few days. I know where she buys her groceries, where she has her dry cleaning done, where she works. I don’t know the colour of her eyes or what they look like when she’s scared. But I will.

Mia Dennett can’t resist a one-night stand with the enigmatic stranger she meets in a bar. But going home with him might turn out to be the worse mistake of Mia’s life …”

This spellbinding debut thriller uncovers just how many dark secrets can be hidden behind a perfect family image. Schoolteacher, Mia Dennett, turned her back on her family’s extravagant lifestyle to work as an inner-city teacher and make her own way in the world. But when her boyfriend stands her up one time too many, a spare-of-the-moment decision to go home with the smooth and attractive Colin has horrifying consequences for more than just Mia.

Told through three main viewpoints – the mother, Eve, the kidnapper, Colin, and the cop, Gabe – each character shows the reader a different perspective on the events, and on Mia, leading up to, during and following the kidnapping.

It’s really hard to write about this story without giving anything away (and, trust me, you don’t want me to do that). What I will say is that with the different time-points told out-of-sequence, the story gradually builds the tension to the max as the details of what happened to Mia are uncovered. It’s a complex tale of deceit, jealously, fear, and love played out against the bustling, bright lights of Chicago and the frozen, unforgiving landscape of rural Minnesota in winter.

I found this artfully crafted story brutal at times, and yet so beautiful that it made me cry (and I can’t remember the last time a story did that). A stunning debut.

Highly recommended.

 

[with thanks to Harlequin MIRA for my copy of The Good Girl]